| Photos (see all 27 | slideshow) | Videos (see all 8) |
| Nicole Kidman | ... | Anna | |
| Cameron Bright | ... | Young Sean | |
| Danny Huston | ... | Joseph | |
| Lauren Bacall | ... | Eleanor | |
| Alison Elliott | ... | Laura | |
| Arliss Howard | ... | Bob | |
| Michael Desautels | ... | Sean | |
| Anne Heche | ... | Clara | |
| Peter Stormare | ... | Clifford | |
| Ted Levine | ... | Mr. Conte | |
| Cara Seymour | ... | Mrs. Conte | |
| Joe M. Chalmers | ... | Sinclair | |
| Novella Nelson | ... | Lee | |
| Zoe Caldwell | ... | Mrs. Hill | |
| Charles Goff | ... | Mr. Drummond | |
| Sheila Smith | ... | Mrs. Drummond | |
| Milo Addica | ... | Jimmy | |
| Mary Catherine Wright | ... | Young Woman | |
| Scott Johnsen | ... | Caterer | |
| Elizabeth Greenberg | ... | Teacher | |
| Tessa Auberjonois | ... | Woman in Lobby | |
| Michael Joseph Cortese Jr. | ... | Patrick / Mini Bike Driver | |
| John Robert Tramutola | ... | Stevie | |
| Jordan Lage | ... | Peter | |
| Margot Jewers | ... | Real Estate Agent | |
| Matthew Giffuni | ... | Runner | |
| Ian Hoffberg | ... | Runner | |
| Laura Fallon | ... | Runner | |
| John Juback | ... | Man in Lobby | |
| Kavita R. Mangroo | ... | Woman at Counter | |
| Alexandra Salo | ... | Woman at Party (as Alexandra K. Salo) | |
| Hollis McConnell Jones | ... | Bridesmaid / Woman at Party #2 (as Hollis Jones) | |
| Libby Skala | ... | Bridesmaid | |
| Bruce Bennetis | ... | Wedding Photographer | |
| Gregory Smith | ... | Photographer | |
| T. Ryder Smith | ... | Waiter | |
| Ed Bogdanowicz | ... | Cop #1 | |
| Jerry Fuentes | ... | Cop #2 | |
| Gregory Dann | ... | Secretary | |
| Lisa Barnes | ... | Clara's Neighbor | |
| rest of cast listed alphabetically: | |||
| Carl Burrows | ... | Businessman (uncredited) | |
| David Copeland | ... | Usher (uncredited) | |
| Lian Moy | ... | Student (uncredited) | |
| Sean Oliver | ... | Voice of Sean (uncredited) | |
| Rumaisa Rahman | ... | Member of Engagement Party (uncredited) | |
| Yvonne Sayers | ... | Opera Socialite (uncredited) | |
Directed by | |||
| Jonathan Glazer | |||
Writing credits | ||
| Jean-Claude Carrière | (written by) & | |
| Milo Addica | (written by) & | |
| Jonathan Glazer | (written by) | |
Produced by | |||
| Lizie Gower | .... | producer | |
| Xavier Marchand | .... | executive producer | |
| Nick Morris | .... | producer | |
| Kate Myers | .... | associate producer | |
| Mark Ordesky | .... | executive producer | |
| Kerry Orent | .... | executive producer | |
| Jean-Louis Piel | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Harris Savides | |||
Film Editing by | |||
| Sam Sneade | |||
| Claus Wehlisch | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Jonathan Arkin | |||
Set Decoration by | |||
| Ford Wheeler | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Chris Bingham | .... | key makeup artist | |
| Roy Bryson | .... | key hair stylist | |
| Lynn Campbell | .... | makeup artist: Ms. Bacall | |
| Marjorie Durand | .... | makeup artist (as Margie Durand) | |
| Robert McCann | .... | makeup artist: Ms. Kidman | |
| James Sarzotti | .... | makeup department head | |
| Kerrie Smith | .... | hair stylist department head | |
| Kerry Warn | .... | hair stylist: Ms. Kidman | |
| Anna Krommydas | .... | hair stylist (uncredited) | |
Production Management | |||
| Jack Deutchman | .... | post-production supervisor | |
| Alyson Evans | .... | production supervisor | |
| Christopher Goode | .... | unit production manager | |
| Erik Holmberg | .... | executive in charge of production | |
| Jody Levin | .... | executive in charge of post-production | |
| Michael Solinger | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert C. Albertell | .... | first assistant director: additional photography (as Robert Albertell) | |
| Timothy Donohue | .... | second assistant director (as Timothy S. Donohue) | |
| Todd Pfeiffer | .... | first assistant director (as Todd R. Pfeiffer) | |
| Matthew Sirianni | .... | second second assistant director (as Matt Sirianni) | |
| Peter Soldo | .... | second assistant director: additional photography | |
| Adam T. Weisinger | .... | additional second assistant director (uncredited) | |
Art Department | |||
| Stephen A. Baker | .... | construction grip | |
| Anthony Baldasare | .... | on-set dresser | |
| Johney Batista | .... | construction shop production assistant (as Johnny Batista) | |
| Robert Blair | .... | construction electric | |
| Teresa Carriker-Thayer | .... | assistant art director | |
| Frances Catalano | .... | construction grip (as Francis L. Catalano) | |
| Eric Cheripka | .... | assistant props | |
| Thomas Costabile | .... | construction coordinator | |
| Robert de Mar | .... | set dresser (as Robert De Mar) | |
| Erika Spring Foster | .... | set decorator production assistant | |
| Charles H. Furey | .... | carpenter (as Charles Furey) | |
| William Gastelum | .... | art department production assistant | |
| Peter Gelfman | .... | property master | |
| Tim Grimes | .... | assistant property master (as Timothy M. Grimes) | |
| Michael Herlihy | .... | general foreman | |
| James V. Kent | .... | assistant props (as Jim Kent) | |
| Hinju Kim | .... | assistant art director | |
| Robin Koenig | .... | on-set dresser | |
| Bill Kolpin | .... | set dresser (as William Kolpin) | |
| Adrian Marler | .... | storyboard artist | |
| Monique Mitchell | .... | construction grip foreman | |
| Jack Mortallero Jr. | .... | set dresser (as Jack Mortellaro Jr.) | |
| Leann Murphy | .... | art department coordinator (as Leanne Murphy) | |
| Jennifer Alex Nickason | .... | assistant decorator (as Jenny Alex Nickason) | |
| John Nyomarkay | .... | assistant art director | |
| Malcolm Reid | .... | carpenter | |
| Scott Rosenstock | .... | leadman | |
| Rob Schmitt | .... | key construction grip (as Robert W. Schmitt) | |
| Bryan Tonkin | .... | construction grip | |
| Robert Topol | .... | chief scenic artist (as Robert Topoli) | |
| Peter von Bartheld | .... | set dresser (as Peter J. Von Bartheld) | |
| Stephen Caldwell | .... | scenic artist (uncredited) | |
| Flo Frintzilas | .... | scenic artist (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Adam Jones | .... | scenic shopman (uncredited) | |
| Diane Rich | .... | scenic artist (uncredited) | |
| M. Tony Trotta | .... | camera scenic artist (uncredited) | |
| Gary Wattson | .... | set dresser (uncredited) | |
Sound Department | |||
| Michael Barosky | .... | sound mixer | |
| Ron Bedrosian | .... | adr mixer: US | |
| David Boulton | .... | adr mixer: US | |
| James Boyle | .... | sound effects editor | |
| Steve Browell | .... | assistant sound editor | |
| Peter Burgis | .... | foley walker | |
| Johnnie Burn | .... | additional sound designer | |
| Julio Carmona | .... | adr recordist: US | |
| Krissopher Chevannes | .... | adr recordist: US | |
| Ed Colyer | .... | foley recordist (as Edward Colyer) | |
| Paul Conway | .... | dialogue editor | |
| Tony Currie | .... | adr editor | |
| Andie Derrick | .... | foley walker (as Andi Derrick) | |
| Thomas Gould | .... | playback operator | |
| Frank Graziadei | .... | second boom operator (as Frank J. Graziadei) | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Roland Heap | .... | assistant sound engineer | |
| Stefan Henrix | .... | dialogue editor | |
| Stuart Hilliker | .... | sound re-recording mixer | |
| Kenton Jakub | .... | adr supervisor: US | |
| Richard Lancaster | .... | assistant sound engineer | |
| Lisa J. Levine | .... | adr supervisor: US | |
| Francis Ward Lindsay | .... | foley editor | |
| James Mather | .... | supervising sound editor | |
| Daniel Rosenblum | .... | boom operator | |
| Richard Welsh | .... | consultant: Dolby (as Rich J. Welch) | |
| Zane Hayward | .... | supervising sound editor (uncredited) | |
| Martin Jensen | .... | assistant sound re-recording mixer (uncredited) | |
| Daniel McIntosh | .... | sound effects recordist: location (uncredited) | |
| Joakim Sundström | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| John Ottesen | .... | special effects (as John M. Ottesen) | |
| Ron Ottesen | .... | special effects (as Ronald Ottesen) | |
Visual Effects by | |||
| Tom Debenham | .... | visual effects supervisor | |
| Dominic Sidoli | .... | visual effects producer: Double Negative | |
| Paul Alexiou | .... | editorial assistant: Double Negative (uncredited) | |
| Lee Clappison | .... | online film editor (uncredited) | |
| William Foxwell | .... | digital lab operator: Lip Sync Post (uncredited) | |
| Andy Hague | .... | visual effects editorial (uncredited) | |
| Pete Hanson | .... | studio manager: Double Negative (uncredited) | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post (uncredited) | |
| Pedro Lara | .... | digital artist: Double Negative (uncredited) | |
| Katy Lemon | .... | digital lab operator: Lip Sync Post (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Sona Pak | .... | visual effects editorial: Double Negative (uncredited) | |
| Kevin Phelan | .... | head of post production: Lip Sync Post (uncredited) | |
| Paul Riddle | .... | digital compositor: Double Negative (uncredited) | |
| William Skellorn | .... | visual effects editorial: Double Negative (uncredited) | |
| Jim Steel | .... | digital compositor: Double Negative (uncredited) | |
| Jelena Stojanovic | .... | digital compositor (uncredited) | |
| Victor Wade | .... | digital compositor (uncredited) | |
Stunts | |||
| Dylan Bucossi | .... | stunts | |
| Paul Bucossi | .... | stunts | |
| Peter Bucossi | .... | stunt coordinator | |
| David Copeland | .... | stunt usher | |
| Roy Farfel | .... | stunts | |
| Don Hewitt | .... | stunts | |
| John Roney | .... | stunt usher | |
Casting Department | |||
| Cody P. Beke | .... | casting assistant | |
| Kristine Bulakowski | .... | additional casting | |
| Jessica Daniels | .... | casting assistant | |
| Elizabeth Greenberg | .... | casting associate | |
| David Kramer | .... | adr voice casting | |
| Ellen Novack | .... | casting associate (as Ellen Novak) | |
| Driss Tijani | .... | extras casting assistant | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
| Elizabeth Lang | .... | additional casting scout (uncredited) | |
Costume and Wardrobe Department | |||
| Joanna Brett | .... | costume supervisor | |
| Garett Edde | .... | costume production assistant | |
| Sharon Globerson | .... | assistant costume designer | |
| Dianne Hylton | .... | set costumer | |
| Fionnuala M. Lynch | .... | key set costumer (as Fionnuala Lynch) | |
| Chris Ann Pappas | .... | assistant costume designer | |
| Kevin Ritter | .... | costume supervisor (as Kevin M. Ritter) | |
| Lisa Varley | .... | costume production assistant | |
| Susan Bakula | .... | costume tailor (uncredited) | |
| Stephanie Biear | .... | seamstress (uncredited) | |
| Catherine George | .... | additional costume assistant (uncredited) | |
| Rhonney Greene | .... | costume production assistant (uncredited) | |
| John Kouromihelakis | .... | wardrobe assistant (uncredited) | |
| Debbie Lucas | .... | seamstress (uncredited) | |
| Jessica T. Sinoway | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Jake Birner | .... | post-production assistant | |
| Alex Fenn | .... | assistant editor | |
| Emanuele Giraldo | .... | assistant editor | |
| Tom Harrison-Read | .... | assistant editor | |
| Tom Harrison-Read | .... | film assistant | |
| Megan Murning | .... | first assistant editor | |
| David Rees | .... | color timer | |
| Alexander Soskin | .... | first assistant editor | |
| Samantha Welland | .... | post-production coordinator | |
| Jim Passon | .... | final color timer (uncredited) | |
| Joakim Pietras | .... | additional editor (uncredited) | |
| Rob Woiwod | .... | conforming editor (uncredited) | |
Music Department | |||
| Christopher Briquet | .... | assistant to composer | |
| Paul Broucek | .... | executive in charge of music | |
| Peter Cobbin | .... | score recordist | |
| Alexandre Desplat | .... | conductor | |
| Alexandre Desplat | .... | orchestrator | |
| Jessica Dolinger | .... | music clearances | |
| Jo Feakes | .... | music clearances | |
| Vic Fraser | .... | music preparation | |
| Tom Kenyatta | .... | music programmer | |
| Sue Mallet | .... | music contractor | |
| Gerard McCann | .... | music editor | |
| Gordan Nikolitch | .... | concertmaster (as Gordan Nikolic) | |
| Peter Raeburn | .... | music producer | |
| Peter Raeburn | .... | music supervisor | |
| Erin Scully | .... | music executive | |
| Michael Tremante | .... | music programmer | |
Transportation Department | |||
| Henry S. Avelin | .... | driver | |
| Kevin Harrigan | .... | driver | |
| Victor Meich Jr. | .... | driver | |
| Louis Volpe | .... | transportation captain (as Louis 'Sonny' Volpe) | |
| Ralph Volpe | .... | transportation co-captain | |
Other crew | |||
| Joe Bam | .... | photo double: Cameron Bright | |
| Joe Bam | .... | stand-in: Cameron Bright | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances, Inc. | |
| Michael Bederman | .... | production accountant | |
| Katherine E. Beyda | .... | production executive | |
| Ian Blume | .... | dailies film apprentice | |
| Dawn Bridgewater | .... | set production assistant | |
| Christopher Buddy | .... | production office assistant | |
| Laurie Cartwright | .... | risk management | |
| Joshua Chaplinsky | .... | production secretary | |
| Mike Charles | .... | security | |
| Eddy Collyns | .... | location manager | |
| Erin Crackel | .... | dailies film apprentice | |
| Matthew Danys | .... | second assistant chef: Premiere Caterers | |
| Jon Davidson | .... | production controller | |
| Catherine Domareki | .... | studio teacher: Cameron Bright | |
| Guy Efrat | .... | location scout | |
| Jeff Egan | .... | production safety | |
| Debora Fearon | .... | second assistant accountant (as Debora B. Fearon) | |
| Laura Fearon | .... | accounting assistant | |
| Aaron D. Forste | .... | set production assistant (as Aaron David Forste) | |
| Sarah Rae Garrett | .... | set production assistant (as Sarah Garrett) | |
| Dave Ginsberg | .... | location office coordinator (as David Ginsberg) | |
| Emily Glatter | .... | supervising production coordinator | |
| Julie Gold | .... | photo double: Nicole Kidman | |
| Julie Gold | .... | stand-in: Nicole Kidman | |
| Max Good | .... | production assistant | |
| Mike Grosky | .... | assistant location manager (as Michael Grosky) | |
| Edith Hagigi | .... | assistant: Mr. Glazer | |
| Timothy K. Hendrickson | .... | chef: Premiere Caterers | |
| Michael E. Hernandez | .... | owner: Premiere Caterers (as Michael Hernandez) | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Kidman | |
| Judy Jenson | .... | photo double: Cameron Bright | |
| Judy Jenson | .... | stand-in: Cameron Bright | |
| Jacqui Kaese | .... | acting coach: Cameron Bright | |
| Kristan C. Keck | .... | assistant: Mr. Orent | |
| Danny Robert Keton | .... | photo double: Danny Huston | |
| Danny Robert Keton | .... | stand-in: Danny Huston | |
| Julie Kuehndorf | .... | unit publicist | |
| Jessica Lacy | .... | set production assistant | |
| Sharif Laurent | .... | set production assistant | |
| Jessica Lichtner | .... | script supervisor | |
| Clare Lord | .... | location assistant | |
| Stefanie Markman | .... | production attorney | |
| Ginny Martino | .... | contract administrator | |
| Andrew Matthews | .... | executive in charge of film investment | |
| Meredith Mills-Cavalluzzo | .... | production coordinator (as Meredith Mills) | |
| Damiem Miseo | .... | assistant chef: Premiere Caterers | |
| Tim Monich | .... | dialect coach: Ms. Kidman | |
| Kellie Morrison | .... | assistant location manager | |
| Jennifer Mount | .... | risk management | |
| Anne O'Brien | .... | dailies film assistant | |
| Michael O'Connor | .... | set production assistant | |
| Chris Patterson | .... | dailies film assistant | |
| Paul Prokop | .... | executive in charge of finance | |
| Joshua Ravetch | .... | production resources | |
| John Reeves | .... | craft service | |
| John Sargent | .... | post-production accountant | |
| Julianna Selfridge | .... | risk management (as Juliana Selfridge) | |
| Roxanne Senesman | .... | first assistant accountant | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances, Inc. | |
| Lori Silfen | .... | business affairs executive | |
| Collin Smith | .... | location assistant | |
| José Tejada | .... | parking coordinator (as Jose Tejada) | |
| Gary Thomson | .... | craft service | |
| Noah Thomson | .... | craft service | |
| Mimi Turner | .... | assistant location manager | |
| Joe Violante | .... | dailies supervisor | |
| Andrew Vogliano | .... | production associate | |
| John F.X. Walsh | .... | business affairs executive | |
| Dena Zamore | .... | production office assistant | |
| Joanne Zorickowski | .... | payroll | |
| Gary Deane | .... | preview technician (uncredited) | |
| Andrew Fiero | .... | production assistant (uncredited) | |
| David Fischer | .... | production assistant: re-shoots (uncredited) | |
| Cliff Fuller | .... | assistant production office coordinator: additional photography, New York (uncredited) | |
| Matt Gavin | .... | production assistant (uncredited) | |
| Brian Goetz | .... | additional production assistant (uncredited) | |
| Tracy Gossett | .... | assistant to actor (uncredited) | |
| Berry Hatfield | .... | additional production assistant (uncredited) | |
| Christopher Johnston | .... | location scout (uncredited) | |
| Hollis McConnell Jones | .... | photo double: Nicole Kidman (uncredited) | |
| Matthew Mason | .... | production assistant (uncredited) | |
| Peter Pastorelli | .... | location assistant (uncredited) | |
| Wayne Petrucelli | .... | security: Ms. Kidman, re-shoots (uncredited) | |
| Evan T. Reilly | .... | script coordinator (uncredited) | |
| Vernon Rodriquez | .... | assistant parking coordinator (uncredited) | |
| Andrew Saxe | .... | location scout (uncredited) | |
| Eugene Stamos | .... | additional craft service (uncredited) | |
| Rachael Tartell | .... | location assistant (uncredited) | |
| Sylvain Tron | .... | assistant: Lauren Bacall, re-shoots (uncredited) | |
| Steven Wargo | .... | production assistant (uncredited) | |
| Rebecca White | .... | travel coordinator (uncredited) | |
| Elizabeth Zagrany | .... | production accountant: re-shoots (uncredited) | |
Thanks | |||
| Tariq Anwar | .... | thanks | |
| Poppy de Villeneuve | .... | thanks (as Poppy De Villeneuve) | |
| Ella Glazer | .... | thanks | |
| Stanley Glazer | .... | thanks | |
| Jomps | .... | thanks: R.I.P. | |
| Laura Kaufman | .... | thanks | |
| Dan Landin | .... | thanks | |
| Ileen Maisel | .... | thanks | |
| Chris Penfold | .... | thanks | |
| Mary Penfold | .... | thanks | |
| Rachael Penfold | .... | thanks | |
| Joakim Pietras | .... | thanks | |
| James Wilson | .... | thanks (as Jim Wilson) | |
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| The Notebook | Malèna | Loverboy | Enemies: A Love Story | Gone with the Wind |
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I can understand why people react so aversely to this film, but, in Birth's defence, it's quite a demanding a piece for it to suit everyone's tastes.
Granted, the plot is slightly unpalatable, and yes, there are instances when the film appears to veer into senslessness, but, unless you want a clear-cut resolution, this cannot quite be written off as shoddy work on the part of anyone involved. Most of the complaints made about Birth have come from people who cannot get past the plot elements of the film, namely, the flirtation with pedophilia. It is uncomfortable, quite so, but that precisely is the point... Moreover, it's worth noting that the characters themselves find it repelling, and that there is nary a sexual undercurrent between Sean and Anna.
I believe one could argue, very strongly, that this plot device is merely a catalyst to throw Anna's psyche into relief. In the end, whether the boy is Sean or not proves irrelevant; the film is less about a bizarre happening than about the extreme psychological test it brings about. It's intense analysis of love, grief, need and the leaps of faith...
Given this set-up, the execution is flawless. What the screenplay does, quite beautifully, is convey silent emotions; it understands, better than most films, that communication is often non-verbal, and in this situation, when the very thing at stake is reason, it is logical that the characters would be at a loss for words. If any given person were to be in Anna's situation...what would they do? How would you react if someone close to you were living through this?
Jonathan Glazer's direction is splendid, building up a somber, airless mood and coaxing superlative performances out of the entire cast. Kidman's performance is somewhat mannered, yet she completely, effortlessly inhabits a difficult role; it is a brave, piercing, bravura performance. She captures Anna's desperation and fragility, but also her privileged lifestyle and upbringing, and the mad undercurrents grief has brought about. The so-called opera scene will be, years from now, considered a seminal moment in her career. Bright is chillingly effective, registering an intensity that is somewhat unsettling, and the supporting turns--which, with limited material flesh out characters, build histories and express emotions that the screenplay only implies--are sterling, especially in the case of Bacall and Howard.
Technically, the film is a marvel. Two things are worth noting: Harris Savides' wonderful cinematography (there are at least three iconic sequences in the film), which creates a look and a mood that is at once foreboding and exquisitely beautiful, and Alexandre Desplat's splendid score, which underscores the drama without becoming obtrusive and blends symphonic melodies with a hi-lo undercurrent that creates an odd womb-like effect.
Lovely, heartbreaking, unforgettable.