| Photos (see all 4 | slideshow) | Videos |
| Jennifer Kroll | ... | Twins of Evil | |
| Jason Scott Lee | ... | Father Uffizi | |
| Craig Sheffer | ... | Lowell | |
| Diane Neal | ... | Elizabeth Blaine | |
| Khary Payton | ... | Kenny | |
| Brande Roderick | ... | Tanya | |
| Jason London | ... | Luke | |
| Chris Hunter | ... | Corello | |
| Tom Kane | ... | Doctor (voice) | |
| John Light | ... | Eric | |
| Stephen Billington | ... | Dracula II | |
| Nick Phillips | ... | Officer Smith | |
| John Sharian | ... | Officer Hodge | |
| Dragos Balauca | ... | Altar Boy | |
| David Gant | ... | Old Priest | |
| Roy Scheider | ... | Cardinal Siqueros | |
| Daniela Nane | ... | Cat-Woman | |
| David J. Francis | ... | Jesus | |
| rest of cast listed alphabetically: | |||
| Vasile Albinet | ... | Horseman | |
| Silviu Olteanu | ... | Young Priest | |
Directed by | |||
| Patrick Lussier | |||
Writing credits | ||
| Joel Soisson | (written by) & | |
| Patrick Lussier | (written by) | |
Produced by | |||
| W.K. Border | .... | producer | |
| Nick Phillips | .... | executive producer | |
| Ron Schmidt | .... | co-producer | |
| Joel Soisson | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
| Kevin Kliesch | |||
Cinematography by | |||
| Douglas Milsome | |||
Film Editing by | |||
| Lisa Romaniw | |||
Casting by | |||
| Sam Chandley | |||
| Carrie Hilton | |||
Costume Design by | |||
| Oana Paunescu | |||
Makeup Department | |||
| Daniela Busoiu | .... | key makeup artist (as Dana Busoiu) | |
| Cristina Catanescu | .... | assistant makeup artist | |
| Christopher K. Grap | .... | special makeup effects artist: crew | |
| Snowy Highfield | .... | makeup effects sculptor | |
| Marina Ionescu | .... | assistant hair stylist | |
| Steven Lawrence | .... | special makeup effects artist | |
| Viorel Militaru | .... | prosthetic makeup artist | |
| Mirela Nitu | .... | key hair stylist | |
| Gary J. Tunnicliffe | .... | makeup effects designer (as Gary Tunnicliffe) | |
Art Department | |||
| Gabi Bálint | .... | swing gang (as Gabi Balint) | |
| Adriana Bucataru | .... | assistant set decorator | |
| Mihai Buciumeanu | .... | assistant property master | |
| Crina Cartos | .... | construction coordinator (as Crina Cartas) | |
| Stefan Curelaru | .... | assistant art director | |
| Costin Dragan | .... | assistant property master | |
| Viorel Ghenea | .... | property master | |
| Adriana Iurascu | .... | storyboard artist | |
| Iasar Memedali | .... | leadman/on-set dresser (as Iasar Memedari) | |
| Petre Nicolescu | .... | swing gang | |
| Ciprian Oprea | .... | on-set carpenter | |
| Mihaela Poenaru | .... | assistant art director | |
| Florin Samoila | .... | lead painter | |
| Christian Simion | .... | construction foreman (as Cristian Simion) | |
| George Stanciu | .... | set painter | |
| Mihai Stanciu | .... | set painter | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Todd Beckett | .... | sound re-recording mixer | |
| Alex Bullick | .... | second assistant sound editor | |
| Tony Currie | .... | adr editor | |
| Stanomir Dragos | .... | sound engineer: post-production | |
| Nelson Ferreira | .... | dialogue editor | |
| Peter Persaud | .... | foley recordist | |
| Jill Purdy | .... | dialogue editor | |
Special Effects by | |||
| Kevin Carter | .... | special effects contact lenses | |
| Lucian Iordache | .... | special effects coordinator | |
| Ionel Popa | .... | special effects consultant | |
Visual Effects by | |||
| Chadd B. Cole | .... | digital artist | |
| Christopher Dusendschon | .... | digital imaging: iO FILM | |
| Jamison Scott Goei | .... | visual effects supervisor | |
| Adam Hawkey | .... | digital film opticals: iOFilm | |
| Ivo Horvat | .... | digital artist | |
| Sookie Park | .... | digital artist | |
| Kevin VanHook | .... | visual effects supervisor | |
| Pam Vick | .... | digital artist | |
| Chris Zapara | .... | visual effects | |
| Sean C. Cunningham | .... | digital effects artist (uncredited) | |
Casting Department | |||
| Rita VanderWaal | .... | casting: USA (uncredited) | |
Costume and Wardrobe Department | |||
| Mihaela David | .... | wardrobe supervisor | |
| Carmen Ilie | .... | costumer | |
| Aurelia Ivascu | .... | costumer | |
| Florinela Popescu | .... | costumer | |
Editorial Department | |||
| Diana Negoitescu | .... | post-production coordinator | |
Music Department | |||
| Kevin Banks | .... | music editor | |
| Michael Stern | .... | scoring mixer | |
Transportation Department | |||
| Ion Balcan | .... | driver | |
| Costel Barbu | .... | driver (as Barbu Costel) | |
| Dan Brezeanu | .... | driver | |
| Gheorghe Ciocarlea | .... | driver | |
| Dragos Constantinescu | .... | driver | |
| Eugen Dinu | .... | driver (as Dinu Eugen) | |
| Ion Eremia | .... | driver | |
| Nae Ioana | .... | driver | |
| Gheorghe Ionel | .... | driver | |
| Marcu Ion | .... | driver | |
| Giancarlo Lanzeri | .... | driver | |
| Marcu Laurentiu | .... | driver | |
| Gabi Marin | .... | driver | |
| Cornel Nevala | .... | driver | |
| Gabriel Pop | .... | driver | |
| Sarmis Stamatescu | .... | driver | |
| Ion Stefan | .... | driver (as Stefan Ion) | |
| Petre Surugiu | .... | driver | |
| Marin Traian | .... | driver | |
| Dan Trica | .... | driver | |
| Mircea Tudor | .... | transportation coordinator | |
| Bobby Barbacioru | .... | driver (uncredited) | |
Other crew | |||
| Madalina Bland | .... | assistant to director (as Madalina Simionescu) | |
| Michele Boudreau | .... | production accountant | |
| Wes Craven | .... | presenter | |
| Simone De Camargo | .... | post-production accountant | |
| Clara Jacobs | .... | production secretary (as Clara Gheorghiu) | |
| Devin C. Lussier | .... | computer consultant | |
| Ruxandra Popescu | .... | production accountant | |
| Paul Serbanescu | .... | production assistant | |
| Cornelia Stefan | .... | script supervisor | |
| Ovidiu Stoia | .... | location manager | |
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| Dracula 2000 | Blade: Trinity | Underworld | Underworld: Evolution | Lost Boys: The Tribe |
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So the original plot outline of Dracula 2000 comes to light in its sequel, Dracula II: Ascension. Gripe #1 as indicated by my summary, it's an unbalanced trilogy. Meaning? You get one stand alone film (Dracula 2000), and one two-part film (Dracula 2: Ascension & Dracula 3: Legacy) which go nicely together, requires the other to complete the idea, but really leaves the first one kind of hanging by its stand-alone, self-contained, lonesome. For other such trilogies, see also Star Wars (New Hope through Jedi), Back to the Future, and Matrix.
Unfortunately, Dracula II takes the path of Dracula 2000 and tries to throw a few shockers at the audience, making the same mistake of its predecessor in thinking that shocks and plot twists can replace decent story telling. Even worse, Dracula 2000 used up all the good twists. Jason Scott Lee as a butt-kicking priest? Um . . . that might be cool, and Lee's pretty cool. A film that gives action a back seat in favor of resurrecting' Dracula and letting him subtly use/influence the people around him? I'm down with that. But the film is directed by the same man who did Dracula 2000, and well, Dracula 2000 had a lot more elements that could make it work and, well, you know where this heading . . .
Then I found myself asking questions like, what exactly do those priests do to the vampire bodies in the morgue? What is Father Uffizi's lighter fluid (or holy water, whatever it was) going to do to Dracula's corpse that hanging him in sunlight isn't going to do? If they do something else (not shown) like behead the bodies, why bother burning them?
Or how bout: why wasn't Uffizi mentioned in the original film? Where's the Van Helsing offspring? Why must the actors do that hideously fake and unintimidating vampire hiss? And while they're at it, why do the `so liberating, blah, blah, blah' boastful speech when they turn? Why is this film so cliché in its setup?
I'm all for suspending disbelief for the sake of enjoying a film, but there comes a point where the clichés and questions add up beyond what you're capable of ignoring.
Dracula II: Ascension has 2 big twists to its plot. One is expected, typical of films like this, and incredibly lame - I never would have guessed who was in league with who, let's come out of the closet while we're at it. The second twist is actually very well executed, and much harder to spot. It would've been really great if they just ended the film and the series on that note instead of revving up for the third film, but I get the feeling that without the third film the writers would have opted for a happier, family friendly, resolution.
Oh well, we'll see where Dracula III leads.