| Senad Alihodzic | ... | Labud | |
| Ivana Bolanca | ... | Romana | |
| Jelena Djokic | ... | Vida | |
| Milena Dravic | ... | Vlasnica agencije | |
| Gorica Popovic | ... | Majka | |
| Boris Komnenic | ... | Profesor Jablan | |
| Matija Prskalo | ... | Agnes | |
| Lotos Sparovec | ... | Igor | |
| Branko Cvejic | ... | Otac | |
| Bisera Veletanlic | ... | Ljubiteljka muzike | |
| Predrag Danilovic | ... | NBA kosarkas | |
| Mira Djurdjevic | ... | Maskirna (as Mirjana Djurdjevic) | |
| Andrew Greenwood | ... | Michael | |
| Steve Agnew | ... | Konzularni Sluzbenik | |
| Danijel Nikolic | ... | Policajac | |
| Bojana Bambic | ... | Ruskinja | |
| Goran Danicic | ... | Gangster | |
| Marija Opsenica | ... | Intelektualka | |
| Stevan Jovanovic | ... | Odzacar | |
| Laza Jovanovic | ... | Covek u vozu (as Lazar Jovanovic) | |
| rest of cast listed alphabetically: | |||
| Zoran Cvijanovic | ... | Covek u kolima (uncredited) | |
Directed by | |||
| Srdjan Karanovic | |||
Writing credits(in alphabetical order) | ||
| Srdjan Karanovic | writer | |
Produced by | |||
| Zoran Cvijanovic | .... | producer | |
| Mike Downey | .... | producer | |
| Milko Josifov | .... | producer | |
| Biljana Prvanovic | .... | executive producer | |
| Sam Taylor | .... | producer | |
Original Music by | |||
| Zoran Simjanovic | |||
Cinematography by | |||
| Radan Popovic | |||
Film Editing by | |||
| Branka Ceperac | |||
| Branka Pavlovic | |||
Casting by | |||
| D. Daniel Vujic | |||
Production Design by | |||
| Goran Joksimovic | |||
Costume Design by | |||
| Sasa Kuljaca | |||
Makeup Department | |||
| Visnja Karaulic | .... | key makeup artist | |
Production Management | |||
| Vladan Cvetkovic | .... | unit manager | |
| Biljana Prvanovic | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Radivoje Andric | .... | assistant director | |
| Marko Djilas | .... | assistant director | |
| Vladimir-Mica Popovic | .... | assistant director | |
Art Department | |||
| Mirko Mijuskovic | .... | property master | |
Sound Department | |||
| Goran Corkovic | .... | boom operator | |
| Branko Djordjevic | .... | sound | |
| Vladan Korac | .... | sound (as Vladan Korac-Koki) | |
| Zoran Stojanovic | .... | boom operator | |
Stunts | |||
| Miomir Radevic-Pigi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Slobodan Gojkovic | .... | gaffer (as Sloba Gojkovic) | |
| Viktor Kodnik | .... | assistant camera | |
| Drazen Mrkonja | .... | second assistant camera | |
| Nenad Vasic | .... | key grip | |
Costume and Wardrobe Department | |||
| Mirko Sirkovic | .... | animal dresser | |
Editorial Department | |||
| Todor G. Todorov | .... | colorist | |
Transportation Department | |||
| Slavko Ristic | .... | driver | |
Other crew | |||
| Radmila Jovancicevic | .... | script supervisor | |
| Sam Lavender | .... | development executive | |
| Dusan Ristic | .... | caterer | |
Thanks | |||
| René Clair | .... | dedicatee | |
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| Drustvena igra | Petrijin venac | Jagode u grlu | Miris poljskog cveca | Virdzina |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Serbia and Montenegro section | Add this title to MyMovies |
This touching Serbian film deftly portrays the tragedy and confusion of the post-war Balkans, and does so with unfailing lightness and humor.
Belgrade, in the late 90's, became the refuge of a cascade of displaced persons, like handsome young Labud (swan) and Romana. They have enlisted the services of a match-maker to help them find companions.
The story is an old one how the young couple find, lose, and ultimately keep one another so the charm and interest of the film comes principally from the surrounding details. Labud, alone and living in a shelter, fantasizes about people from his past and has imaginary conversations with them. Among those who populate and direct his thoughts are his former fiancée (she emigrated to Chicago when war broke out), his mother, 'professor', various ancestors. Romana has her past with her, too, including her father, sister, and first love. It is a very busy film, therefore, especially when you consider all the eccentrics that also haunt the dating service.
There is much sentiment, but never a moment of sentimentality especially surprising when one considers the loss that pervades the aftermath of armed conflict. The director makes a point of contrasting the varied pasts of his characters with the ethnic 'purity' which motivated the senseless war. He has concocted an uplifting, understated little gem with most engaging young stars.