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Lost in Translation (2003)
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Overview
User Rating:
Director:
Writer (WGA):
Sofia Coppola (written by)
Release Date:
3 October 2003 (USA)
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Tagline:
Everyone wants to be found. more
Plot:
A movie star with a sense of emptiness, and a neglected newlywed meet up as strangers in Tokyo, Japan and form an unlikely bond. full summary | add synopsis
Plot Keywords:
Photographer
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Commercial
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Translation
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Japan
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Hotel
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Awards:
Won Oscar.
Another 70 wins
&
59 nominations
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NewsDesk:
(199 articles)
Weekend planner
(From The Guardian - Film News. 13 November 2009, 4:07 PM, PST)
Principal Photography Starts on Untitled Gus Van Sant Film
(From MovieWeb. 13 November 2009, 7:12 AM, PST)
(From The Guardian - Film News. 13 November 2009, 4:07 PM, PST)
Principal Photography Starts on Untitled Gus Van Sant Film
(From MovieWeb. 13 November 2009, 7:12 AM, PST)
User Comments:
Perfect.
more (1712 total)
Cast
(Cast overview, first billed only)| Scarlett Johansson | ... | Charlotte | |
| Bill Murray | ... | Bob Harris | |
| Akiko Takeshita | ... | Ms. Kawasaki | |
| Kazuyoshi Minamimagoe | ... | Press Agent | |
| Kazuko Shibata | ... | Press Agent | |
| Take | ... | Press Agent | |
| Ryuichiro Baba | ... | Concierge | |
| Akira Yamaguchi | ... | Bellboy | |
| Catherine Lambert | ... | Jazz Singer | |
| François du Bois | ... | Sausalito Piano (as Francois du Bois) | |
| Tim Leffman | ... | Sausalito Guitar | |
| Gregory Pekar | ... | American Businessman #1 | |
| Richard Allen | ... | American Businessman #2 | |
| Giovanni Ribisi | ... | John | |
| Diamond Yukai | ... | Commercial Director (as Yutaka Tadokoro) |
Additional Details
MPAA:
Rated R for some sexual content.
Parents Guide:
Runtime:
102 min
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Indonesia:Dewasa |
Canada:PG (British Columbia/Manitoba/Nova Scotia/Ontario) |
Malaysia:18PL (re-rating) |
Malaysia:(Banned) (uncut version) |
Iceland:L |
Hungary:14 |
Greece:K |
Argentina:13 |
Australia:PG |
Brazil:14 |
Canada:14A (Alberta) |
Canada:G (Québec) |
Chile:TE |
Finland:K-11 |
Germany:6 (bw) |
Hong Kong:IIB |
Italy:T |
Netherlands:AL |
New Zealand:PG |
Norway:A |
Peru:PT |
Philippines:PG-13 |
Portugal:M/12 |
Singapore:PG (edited for re-rating) |
Singapore:R(A) (original rating) |
South Korea:15 |
Spain:13 |
Sweden:Btl |
Switzerland:12 (canton of the Grisons) |
UK:15 |
USA:R |
Singapore:M18 (DVD rating)
Filming Locations:
Company:
Fun Stuff
Trivia:
Bob was asked to channel Roger Moore when shooting the Suntory commercial, but he said he liked Sean Connery better. In the real world, Sean Connery actually did commercials for Suntory.
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Goofs:
Continuity: Bob's pillow when he's in his room with Charlotte
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Quotes:
[first lines]
Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
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Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
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Movie Connections:
Featured in Indie Sex: Extremes (2007) (TV)
more
Soundtrack:
Muyu
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FAQ
What did Bob whisper into Charlotte's ear?What temples and shrines does Charlotte go to?
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more (1712 total)
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Death in Vegas' spellbinding song "Girls" perfectly sets the tone for Sofia Coppola's second feature film, the bittersweet, intelligent, mature and absolutely wonderful Lost in Translation. Trying to summarize the movie is almost pointless because the emotions the film sparks within you (in my case, at least) can't be described in words. The basic story follows Bob Harris (Bill Murray) and Charlotte (Scarlett Johansson), a washed-up, depressed actor and an emotionally confused newlywed respectively, as they accidentally meet on Park Hyatt Hotel in Tokyo. The two form an unusual bond, but a bond that is infinitely stronger than that which they share with their respective wife and husband (Charlotte's partner is a jittery photographer who doesn't pay very much attention to her; Bob's better half keeps calling him, pestering him about which colour they should choose for the carpet back home). Bob and Charlotte's relationship is not really a sexual thing so much as a matter of emotional understanding. They're both stuck in life, unsure of what to do with the rest of it and certainly not very satisfied with what they've done with it so far. It's very touching to watch, in a refreshingly non-sappy way.
The film isn't all mid-life-crisis slit-your-wrists drama, though - it is also hilarious at many points, mainly thanks to Bill Murray, who turns deadpan exasperation into an artform in a role specifically written for him. The pressure on him is high because he is basically the heart and soul of the film, but he nails the part and he's so great I was really surprised to see that he was nominated for an Oscar (since the Academy rarely hands out awards to performances that are actually *good*). Scarlett Johansson is stunning and convincing in her role and more than holds her own against Murray. Giovanni Ribisi as the aforementioned dorky husband and Anna Faris as a brain dead actress are perfectly cast and it's hard not to hate them.
Sofia Coppola's direction is amazing, both stylistically original, passionate and spellbinding. There are many gorgeous images of Tokyo on display here and she finds the right balance between these eye-catching visuals, Murray's comedy and Johansson's angst. Her style is very different from her father's and shouldn't be compared. She clearly shows that she is fully capable of having a career of her own without putting her faith in Hollywood nepotism.
Favourite scenes? Bob's "Santury time" scene is pure comic gold, and the most emotional part, in my opinion, is the karaoke scene during Bob and Charlotte's night out, when Murray sings his version of Bryan Ferry's "More than this". The scene, the way I see it, says so much about the characters and what they're going through. In fact, I'd call it the most important scene in the entire film. Then again, maybe Sofia Coppola just wanted to hear Bill's awesome singing voice (he's actually really good!).
Overall the film is just perfect. The acting, the direction, the soundtrack, plot, themes, humour, visuals... what's not to like? I know some were turned off by the supposedly "slow" pace, which I just thought helped the movie become more captivating. The central relationship needs to take its time to feel realistic. Honestly, what do you want, car chases? It's an existential drama, not Run Lola Run. Sheesh.
For relaxing times... make it Lost in Translation time.