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Directed by | |||
| Peter Webber | |||
Writing credits | ||
| Tracy Chevalier | (novel) | |
| Olivia Hetreed | (screenplay) | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Eduardo Serra | (director of photography) | ||
Film Editing by | |||
| Kate Evans | |||
Casting by | |||
| Leo Davis | |||
Production Design by | |||
| Ben van Os | |||
Art Direction by | |||
| Christina Schaffer | |||
Set Decoration by | |||
| Cecile Heideman | |||
Costume Design by | |||
| Dien van Straalen | |||
Makeup Department | |||
| Anita Burger | .... | makeup artist | |
| Aurélie Elich | .... | crowd hair | |
| Aurélie Elich | .... | makeup supervisor | |
| René Jordan | .... | assistant hair stylist | |
| René Jordan | .... | assistant makeup artist | |
| Claudine Moureaud | .... | hair assistant | |
| Claudine Moureaud | .... | makeup assistant | |
| Joël Seiller | .... | additional hair stylist | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
Production Management | |||
| Bénédicte Humbel | .... | production manager | |
| Jos van der Linden | .... | production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Alexandre Brown | .... | additional third assistant director | |
| Ralph Eisenmann | .... | second assistant director | |
| Sébastien Fernandes Tasch | .... | daily third assistant director | |
| Sean Guest | .... | first assistant director | |
| Stefan Magnusson | .... | third assistant director | |
| Andy Paterson | .... | second unit director | |
| Beatrice Pettovich | .... | second assistant director | |
| Jim Probyn | .... | third assistant director | |
| Julian Stevens | .... | additional third assistant director: dailies | |
Art Department | |||
| Boris Bartholomäus | .... | construction manager | |
| Klaus Bienen | .... | propmaker | |
| Claudio Campana | .... | assistant art director | |
| Manuel Demoulling | .... | stand-by props | |
| François Dickes | .... | props buyer | |
| Ricardo Galvao | .... | art department assistant | |
| Annett 'Gogo' Golinski | .... | draper | |
| Svet Hrouchoff | .... | carpenter | |
| François Mast | .... | carpenter | |
| Edouard Pallardy | .... | head painter | |
| Barbara Prati | .... | painter | |
| Stephanie Rass | .... | art department assistant | |
| Rosie Stapel | .... | assistant head painter | |
| Todd Van Hulzen | .... | set designer | |
Sound Department | |||
| Dirk Bombey | .... | boom operator | |
| Peter Burgis | .... | foley artist | |
| Arthur Graley | .... | foley editor | |
| Arthur Graley | .... | sound editor | |
| Nigel Heath | .... | sound re-recording mixer | |
| Dan Morgan | .... | dialogue editor | |
| Jamie Roden | .... | adr mixer | |
| Julian Slater | .... | supervising sound editor | |
| Carlo Thoss | .... | production sound mixer | |
| Seppe van Groeningen | .... | boom operator | |
Special Effects by | |||
| Alain Couty | .... | special effects coordinator | |
| Clive R. Kay | .... | special effects contact lenses | |
| Lawrence Michael | .... | special effects technician | |
Visual Effects by | |||
| Tim Baxter | .... | film recording | |
| Charles Darby | .... | matte paintings | |
| Paul Edwards | .... | visual effects producer: Cinesite | |
| James Eggleton | .... | digital I/O support: Cinesite | |
| Stuart Pitcher | .... | digital compositor | |
| Dan Victoire | .... | digital I/O support | |
| Kathy Wise | .... | digital systems manager | |
| Aviv Yaron | .... | 2D technical director: Cinesite | |
| Roma O'Connor | .... | bidding producer (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
Camera and Electrical Department | |||
| Alex Aach | .... | clapper loader | |
| Benny Ashoff | .... | focus puller: "b" camera | |
| Jaap Buitendijk | .... | still photographer | |
| Gilbert Degrand | .... | best boy | |
| Dieter Depypere | .... | epk camera operator | |
| Kevin Dresse | .... | electrician | |
| Johnny Feurer | .... | focus puller: "b" camera | |
| Svet Hrouchoff | .... | grip assistant | |
| Max Jacoby | .... | clapper loader: "b" camera | |
| Nunes Neto Ornei | .... | grip | |
| José Alberto Pinto de Jesus | .... | electrician | |
| Mike Proudfoot | .... | camera operator | |
| Mike Roberts | .... | video assist operator | |
| Alf Tramontin | .... | Steadicam operator | |
| Alf Tramontin | .... | camera operator: "b" camera | |
| Tony Turner | .... | key grip | |
| Wolfgang Wesemann | .... | assistant camera | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Vesna Libric | .... | wardrobe assistant | |
| Magdalena Marczynska | .... | wardrobe assistant | |
| Jovana Sujdovic | .... | wardrobe assistant | |
| Aleksandra Valozic | .... | wardrobe | |
| Katja Wolf | .... | daily wardrobe assistant | |
Editorial Department | |||
| Steve Farman | .... | negative cutter | |
| Matt Gauci | .... | avid technical support | |
| Andrew Melhuish | .... | first assistant editor | |
Music Department | |||
| Sam Okell | .... | assistant scoring engineer | |
Transportation Department | |||
| Gaby Meyers | .... | facility/truck driver | |
| Francois Muller | .... | truck driver | |
| Igor Pecirep | .... | driver: Tom Wilkinson | |
| Otfried Suppin | .... | driver | |
| Kevan Willis | .... | driver: cast | |
Other crew | |||
| Bob Bellion | .... | financial manager | |
| Natasha Coombs | .... | script supervisor | |
| Linda Gamble | .... | unit publicist | |
| Ambroise Gayet | .... | production assistant | |
| Charles Howes | .... | tutor | |
| Andrew Jack | .... | dialect coach | |
| Paula Jalfon | .... | production executive | |
| Joe Kotroczo | .... | location assistant | |
| Patricia Kretschmer | .... | assistant: Mr. de Brabant | |
| Maurice Landsberger | .... | production accountant | |
| Roberto Longobardi | .... | production accountant | |
| Richard Morrison | .... | title designer | |
| Francois Muller | .... | facilities | |
| Sébastien Peiffer | .... | location manager | |
| Olivier Printz | .... | location assistant | |
| Joanne Reichling | .... | production coordinator | |
| Sarah Trowse | .... | assistant accountant: Luxembourg | |
| Susan Weeks | .... | tutor chaperone | |
| Susanna Wyatt | .... | head of physical production: Pathé Pictures | |
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| Gone with the Wind | Giant | Frida | The Song of Bernadette | The Prime of Miss Jean Brodie |
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I was fascinated by that movie. Every scene looked like a painting and they perfectly captured Vermeer's light . I also liked the historical references to how Vermeer liked to paint young people so he could work on big surfaces of colour and avoid the shading wrinkles give. The music was beautiful and gave off a Dutch feeling of the 17th century as it should have. The time customs that were mentioned are also a great asset.Griet looked so much like Vermeer's original painting that I thought in a moment that this was real (but of course it couldn't cause back in 17th century were no cameras around :p).It was a perfect movie for someone interested in art. Other might find it a bit tiring but if you are an art lover you definitely have to watch this.