| Photos (see all 26 | slideshow) | Videos (see all 2) |
| Neve Campbell | ... | Loretta 'Ry' Ryan | |
| Malcolm McDowell | ... | Alberto Antonelli | |
| James Franco | ... | Josh | |
| Barbara E. Robertson | ... | Harriet (as Barbara Robertson) | |
| William Dick | ... | Edouard | |
| Susie Cusack | ... | Susie | |
| Marilyn Dodds Frank | ... | Mrs. Ryan | |
| John Lordan | ... | Mr. Ryan | |
| Mariann Mayberry | ... | Stepmother | |
| Roderick Peeples | ... | Stepfather | |
| Yasen Peyankov | ... | Justin's Mentor | |
| Davis C. Robertson | ... | Alec - Joffrey Dancer (as Davis Robertson) | |
| Deborah Dawn | ... | Deborah - Joffrey Dancer | |
| John Gluckman | ... | John - Joffrey Dancer | |
| David Gombert | ... | Justin - Joffrey Dancer | |
| Suzanne L. Prisco | ... | Suzanne - Joffrey Dancer | |
| Domingo Rubio | ... | Domingo - Joffrey Dancer | |
| Emily Patterson | ... | Noel - Joffrey Dancer | |
| Maia Wilkins | ... | Maia - Joffrey Dancer | |
| Sam Franke | ... | Frankie - Joffrey Dancer | |
| Trinity Hamilton | ... | Trinity - Joffrey Dancer | |
| Julianne Kepley | ... | Julianne - Joffrey Dancer | |
| Valerie Robin | ... | Veronica - Joffrey Dancer | |
| Deanne Brown | ... | Dana - Joffrey Dancer | |
| Michael Smith | ... | Michael - Joffrey Dancer | |
| Matthew Roy Prescott | ... | Colton - Joffrey Dancer | |
| Lar Lubovitch | ... | Choreographer #1 | |
| Robert Desrosiers | ... | Choreographer #2 | |
| Charthel Arthur | ... | Ballet Mistress #1 | |
| Cameron Basden | ... | Ballet Mistress #2 | |
| Mark Goldweber | ... | Ballet Master #1 | |
| Pierre Lockett | ... | Ballet Master #2 | |
| Adam Sklute | ... | Ballet Master #3 | |
| Heather Aagard | ... | The Company | |
| Michael Anderson | ... | The Company | |
| Erica Lynette Edwards | ... | The Company | |
| Jennifer Goodman | ... | The Company | |
| Stacy Joy Keller | ... | The Company | |
| Calvin Kitten | ... | The Company | |
| Peter Kozak | ... | The Company | |
| Britta Lazenga | ... | The Company | |
| Michael Levine | ... | The Company | |
| Brian McSween | ... | The Company | |
| Elizabeth Mertz | ... | The Company | |
| Masayoshi Onuki | ... | The Company | |
| Samuel Pergande | ... | The Company | |
| Willy Shives | ... | The Company | |
| Erin Smith | ... | The Company | |
| Kathleen Thielhelm | ... | The Company | |
| Mauro Villanueva | ... | The Company | |
| Yukari Yasui | ... | The Company | |
| Tristan Alberda | ... | Apprentice #1 | |
| Bobby Briscoe | ... | Apprentice #2 | |
| Orlando Julius Canova | ... | Apprentice #3 | |
| Angelina Sansone | ... | Apprentice #4 | |
| Jacqueline Sherwood | ... | Apprentice #5 | |
| Jessica Wyatt | ... | Apprentice #6 | |
| Michael Andrew Currey | ... | Stage Manager #1 | |
| Katherine Selig | ... | Stage Manager #2 | |
| Paul Lewis | ... | Company Pianist | |
| Julie O'Connell | ... | Physical Therapist | |
| George Darveris | ... | Production Manager | |
| Marc Grapey | ... | Toast Master | |
| Keith Prisco | ... | Bridegroom | |
| Emma Harrison | ... | Neo Waitress | |
| Dwayne Whitmore | ... | Neo Bouncer | |
| Danny McCarthy | ... | Bartender | |
| Robert Breuler | ... | Barfly | |
| Larry Glazer | ... | Grant Park Cellist | |
| Mark Hummel | ... | Grant Park Pianist | |
| rest of cast listed alphabetically: | |||
| John G. Connolly | ... | Norm the Contractor (uncredited) | |
| Chris Gober | ... | Restaurant Patron (uncredited) | |
| Kevin Scott Greer | ... | Ballet Fan (uncredited) | |
| Kevin Lingle | ... | Bartender (uncredited) | |
Directed by | |||
| Robert Altman | |||
Writing credits(WGA) | ||
| Neve Campbell | (story) & | |
| Barbara Turner | (story) | |
| Barbara Turner | (screenplay) | |
Produced by | |||
| Robert Altman | .... | producer | |
| Joshua Astrachan | .... | producer | |
| Jane Barclay | .... | executive producer | |
| Neve Campbell | .... | producer | |
| Lowell Dubrinsky | .... | associate producer | |
| Sharon Harel | .... | executive producer | |
| Jocelyn Hayes | .... | associate producer | |
| Stefan Jonas | .... | executive producer | |
| Pamela Koffler | .... | producer | |
| Hannah Leader | .... | executive producer | |
| David Levy | .... | producer | |
| David Ley | .... | producer | |
| Karyn McCarthy | .... | line producer | |
| Jonas McCord | .... | executive producer | |
| Dieter Meyer | .... | executive producer | |
| Roland Pellegrino | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
Original Music by | |||
| Van Dyke Parks | |||
Cinematography by | |||
| Andrew Dunn | |||
Film Editing by | |||
| Geraldine Peroni | |||
Casting by | |||
| Pam Dixon | |||
| Mickie Paskal | |||
| Jennifer Rudnicke | |||
Production Design by | |||
| Gary Baugh | |||
Art Direction by | |||
| Craig Jackson | |||
Set Decoration by | |||
| Karen Bruck | |||
Costume Design by | |||
| Susan Kaufmann | |||
Makeup Department | |||
| Agnes M. Gibicar | .... | key hair stylist (as Agnes Gibicar) | |
| Jamie Sue Weiss | .... | key makeup artist (as Jamie Weiss) | |
Production Management | |||
| Sarah Connors | .... | post-production supervisor | |
| Karyn McCarthy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jennifer Deigl | .... | second second assistant director | |
| James Giovannetti Jr. | .... | first assistant director | |
| Richard S. Lederer | .... | second assistant director | |
Art Department | |||
| Troy Borisy | .... | lead man | |
| Alan Broadbent | .... | paint foreman | |
| David J. Chamerski | .... | assistant property master | |
| Ron Coy | .... | sign painter | |
| Frank D. Dambra | .... | painter | |
| William Dambra | .... | property master | |
| Joeseph H. Gilmartin | .... | set carpenter | |
| Peter Hurley | .... | paintings at Joffrey Studio | |
| John P. Kenny III | .... | set carpenter | |
| Cyril A. Matthys | .... | swing gang | |
| Tom Mulvihill | .... | assistant to art director | |
| Michael V. Nichols | .... | lead man | |
| Jon Nicholson | .... | on-set dresser | |
| Benjamin Nowicki | .... | art department coordinator | |
| Timothy J. Osman | .... | set carpenter | |
| Tom Osman | .... | construction coordinator | |
| Tom Osman | .... | set carpenter | |
| Troy Osman | .... | construction foreman | |
| Tyler Osman | .... | construction coordinator | |
| Lia Roldan | .... | art department assistant | |
| Daniel R. Sarich | .... | painter (as Dan Sarich) | |
| John Schultz | .... | head painter | |
| Paul Schultz | .... | stand-by painter | |
| Matthew Tufano | .... | swing gang | |
| Merje Veski | .... | assistant decorator | |
Sound Department | |||
| Gina Alfano | .... | supervising adr editor | |
| Michael Barry | .... | sound re-recording mixer | |
| Vincent Cirilli | .... | ProTools engineer | |
| Ajae Clearway | .... | assistant sound editor | |
| Karl Dondlinger | .... | sound intern | |
| Stefan Fraticelli | .... | foley assistant | |
| Nicholas Gibson | .... | sound engineer | |
| Peter Glossop | .... | production sound mixer | |
| Mike Howells | .... | audio post coordinator | |
| Ira Ingber | .... | synthesizer pre-lay | |
| John Keating | .... | stereo sound consultant: DTS | |
| Dan Korintus | .... | sound editor | |
| Goro Koyama | .... | foley artist | |
| Malaika Langa | .... | audio post coordinator | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley recording mixer (as Ron Mellegers) | |
| Tony Martinez | .... | sound editor | |
| Eric McAllister | .... | supervising sound assistant | |
| Shaun Mills | .... | boom operator | |
| Carol Mintz | .... | audio post coordinator | |
| Stephen Muir | .... | foley recording assistant | |
| Eliza Paley | .... | sound | |
| Eliza Paley | .... | supervising sound editor | |
| John Roseberg | .... | contractor | |
| Jac Rubenstein | .... | supervising dialogue editor | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| Greg Steele | .... | adr mixer | |
| Eric Strausser | .... | apprentice sound editor | |
| Bill Sweeney | .... | sound editor | |
| Don White | .... | foley recording mixer | |
| Don White | .... | location foley recording mixer | |
| Rebecca Wright | .... | foley recording assistant | |
| Ronald L. Wright | .... | boom operator | |
Special Effects by | |||
| Ryan Evans | .... | special effects | |
| Rodman Kiser | .... | special effects coordinator | |
| John D. Milinac | .... | special effects coordinator | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects supervisor | |
| Tom Bristow | .... | I/O manager | |
| J. John Corbett | .... | visual effects | |
| Thomas Mathai | .... | data manager (uncredited) | |
Animation Department | |||
| J. John Corbett | .... | digital artist | |
| Amit Sethi | .... | digital artist | |
Casting Department | |||
| Rebecca Rian | .... | casting assistant | |
| Rachel Tenner | .... | casting: Chicago | |
| Bruce Winant | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Patrick Caulfield | .... | set costumer | |
| Lizzie Cook | .... | set costumer | |
| Gretchen Gain | .... | set costumer | |
| Gina Panno | .... | set costumer | |
| Heather Pollock | .... | set costumer | |
Editorial Department | |||
| Steve Bowen | .... | digital color timer | |
| Ben Estrada | .... | digital colorist assistant | |
| Affonso Gonçalves | .... | additional editor | |
| May Kuckro | .... | assistant editor | |
| Hilda Saffari | .... | digital intermediate producer | |
| Mike Stanwick | .... | color timer | |
| Nicholas Corrao | .... | apprentice editor (uncredited) | |
| Harry Muller | .... | color timer (uncredited) | |
Music Department | |||
| Tim Boyle | .... | scoring mixer | |
| Mark Gasbarro | .... | additional orchestrator | |
| Leslie Ann Jones | .... | scoring mixer | |
| Wayne Kaiser | .... | music copying | |
| Andrew Kinney | .... | orchestrator: additional arrangements | |
| Christopher Klatman | .... | supervising orchestrator | |
| Annette Kudrak | .... | supervising music editor | |
| Arnie Roth | .... | music producer: dance | |
| Carl Sealove | .... | music editor | |
| Mark Willsher | .... | music editor | |
Transportation Department | |||
| Thaddeus E. Larkowski | .... | transportation captain (as Ted Larkowski) | |
Other crew | |||
| Mike Altman | .... | operator: Darbeevision | |
| Kate Amer | .... | production coordinator | |
| Jeremy Beiermann | .... | production secretary | |
| Adam Berry | .... | additional production assistant | |
| Jennifer Byrne | .... | assistant production coordinator | |
| Drucilla Ann Carlson | .... | script supervisor | |
| Nicholas Carranza | .... | production assistant | |
| Amy Clark | .... | location assistant | |
| Laura Comerford | .... | insurance services | |
| J. John Corbett | .... | title designer | |
| Janet Cowperthwaite | .... | manager: Kronos Quartet | |
| Kathleen Dagis | .... | stand-in | |
| Sara Ellingen | .... | production assistant | |
| Bill Feightner | .... | vice president of technology | |
| Sarah Foerster | .... | production intern | |
| Jennifer Gaylord | .... | legal services | |
| Lisa Gillespie | .... | production assistant | |
| Chris Gober | .... | production intern | |
| Carrie Goodman | .... | location assistant | |
| Todd Helbing | .... | assistant: Barbara Turner | |
| Jeffrey Hurt | .... | craft service foreman | |
| Renee Kitterman | .... | accounting assistant | |
| Sarah Klein | .... | assistant: Josh Astrachan | |
| Keith Kolecki | .... | production assistant | |
| Ross L. Kulma | .... | set medic | |
| Arona Martin | .... | assistant: Neve Campbell | |
| Allison McKenzie | .... | assistant: Barbara Turner | |
| Tom Nicoll | .... | key set production assistant | |
| Sara Nudelman | .... | production intern | |
| Noel Olken | .... | location manager | |
| Carrie Oviatt | .... | payroll accountant | |
| Stefan Rand | .... | production assistant | |
| Harriet Ross | .... | artistic manager: Joffrey Ballet | |
| Albert G. Ruben | .... | insurance services | |
| Adrienne Swan | .... | first assistant accountant | |
| Jon Maichel Thomas | .... | title designer | |
| Christi Tidman | .... | production accountant | |
| Brett Tyne | .... | assistant: Robert Altman and David Levy | |
| Dan Urbain | .... | remote head technician | |
| Jan Watson | .... | company manager | |
| Meghan K. Wicker | .... | assistant: Killer Films | |
| Candace Wirt | .... | production intern | |
| Stuart Wolf | .... | unit publicist | |
| Mark N. Woods | .... | technocrane operator | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Michael Landers | .... | additional voices (uncredited) | |
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| Center Stage | The Man Who Cried | Bend It Like Beckham | The Aviator | Shall We Dance |
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The ballet sequences are probably the most breathtaking we've seen in a fiction film. Altman succeeds in putting ballet in the fore, instead of characters or story. This was his intention, and on this front he gets a 8/10. However, where there are not ballet scenes, there is a story: Neve Campbell wrote it. And she seems not to have seen any other romance movie since the dawn of time. Its just the kind of romance subplot a little girl WOULD write: with soft lighting, flickering candlelight, a beautiful boy who does nothing wrong, listens to your problems, sleeps with you, and lets you get on with your dancing. He appears when it is convenient for both Neve and Bob Altman to insert a romantic scene: and just as gimmicky a brushstroke as this, is his entrance always being marked by the same song, My Funny Valentine. It was nice how they had four different versions of the song, for different moods: the upbeat poolhall number for their meeting, the romantic one for the seduction, and a more melancholy one when she's missing him. Anyone who knows this song (most of us), feel how gimmicky a device this is when it arrives again.
So far is this from the dramatic conflict between love and dancing in Powell and Pressburger's The Red Shoes that we're almost barren of any narrative drive or dramatic conflict at all. That's my main problem with The Company - nothing goes wrong. Or when it does go wrong (raining on the night of a performance), it always serves to improve the moment for the protagonists: indeed it is an incredible scene, Neve dancing a duet with a Joffret dancer. A moving, beautiful dance. But that's precicely the problem: there is no problem!
Malcolm McDowell is no good. He gets a C-. He tries, but its so obvious throughout that he knows not a jot about ballet, and he just walks around play-acting at a ballet coach from the movies, while the real Joffret coaches tell the dancers what they need to know. And his calling everyone "babies" is a clumsy attempt to create character through a catchphrase.
6/10
Beautiful ballet scenes, A+ for putting the dancing centre-stage, so to speak (as opposed to the tawdry melodrama called Centre Stage). But all we've got to go on narrative-wise is a thin-as-a-ballet-ribbon romance subplot. If this wasn't there, actually, it might have been a very successful art movie - but its gimmicky presence is so clumsy its a fault.