| Videos |
| Stefania Rocca | ... | Anna Mari | |
| Liam Cunningham | ... | John Brennan | |
| Silvio Muccino | ... | Remo | |
| Adalberto Maria Merli | ... | Police Commissioner | |
| Claudio Santamaria | ... | Carlo Sturni | |
| Fiore Argento | ... | Lucia Marini | |
| Cosimo Fusco | ... | Berardelli | |
| Mia Benedetta | ... | Francesca | |
| Giovanni Visentin | ... | C.I.D. Chief | |
| Claudio Mazzenga | ... | Mario | |
| Conchita Puglisi | ... | Marta | |
| Micaela Pignatelli | ... | Professor Terzi | |
| Luis Molteni | ... | Pathologist | |
| Carlo Giuseppe Gabardini | ... | Anti-Hacker #1 | |
| Alessandro Mistichelli | ... | Anti-Hacker #2 | |
| Francesco Guzzo | ... | Anti-Hacker #3 | |
| Pier Maria Cecchini | ... | Flying Squad Chief (as Piermaria Cecchini) | |
| Jennifer Poli | ... | Christine Girdler, First Victim | |
| Elisabetta Rocchetti | ... | Second Victim | |
| Irene Quagliarella | ... | Friend of the Second Victim | |
| Vera Gemma | ... | Third Victim | |
| Ulisse Minervini | ... | Alvaro | |
| Antonio Cantafora | ... | Vice Squad Chief Marini | |
| Mario Opinato | ... | Inspector Morgani | |
| Gualtiero Scola | ... | Crime Scene Investigator | |
| Robert Madison | ... | Gustavo | |
| Emanuel Bevilacqua | ... | Slot Machine Arcade Owner | |
| Robert Dawson | ... | Embassy Employee (as Robert Dawson) | |
| Adriana Fonzi Cruciani | ... | Bunny | |
| Carla Fonzi Cruciani | ... | Bunny's Sister | |
| Elena Falgheri | ... | Teacher | |
| Michele Pellegrini | ... | Young Man | |
| Isabella Celani | ... | Doctor | |
| rest of cast listed alphabetically: | |||
| Francis Pardeilhan | ... | Carlo Sturni (voice) | |
| Lynn Swanson | ... | C.I.D. wife (uncredited) | |
| Franco Vitale | ... | Police Photographer (uncredited) | |
Directed by | |||
| Dario Argento | |||
Writing credits(in alphabetical order) | ||
| Dario Argento | screenplay | |
| Dario Argento | story | |
| Jay Benedict | dialogue | |
| Franco Ferrini | screenplay | |
| Franco Ferrini | story | |
| Phoebe Scholfield | dialogue | |
Produced by | |||
| Claudio Argento | .... | executive producer | |
| Dario Argento | .... | producer | |
Original Music by | |||
| Claudio Simonetti | |||
Cinematography by | |||
| Benoît Debie | |||
Film Editing by | |||
| Walter Fasano | |||
Casting by | |||
| Fabrizio Bava | |||
Production Design by | |||
| Marina Pinzuti Ansolini | |||
| Massimo Antonello Geleng | (as Antonello Geleng) | ||
Art Direction by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Patrizia Chericoni | |||
| Florence Emir | |||
Makeup Department | |||
| Bernadette Grampa | .... | makeup artist | |
| Fabrizio Nanni | .... | key hair stylist | |
| Raffaella Ragazzi | .... | makeup artist | |
Production Management | |||
| Gianluca Borelli Stracca | .... | unit manager | |
| Tommaso Calevi | .... | production supervisor | |
| Riccardo Folgore | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Fabrizio Bava | .... | first assistant director | |
| Francesco Perri | .... | second assistant director | |
Sound Department | |||
| Tullio Arcangeli | .... | additional sound effects | |
| Tullio Arcangeli | .... | sound designer | |
| Piergiorgio De Luca | .... | sound effects editor | |
| Maurizio Di Coste | .... | sound mixer | |
| Tommaso Quattrini | .... | sound | |
| Bruno Ventura | .... | sound editor | |
Special Effects by | |||
| Danilo Bollettini | .... | special effects | |
| David Bracci | .... | special mechanical effects | |
| Francesca R. Di Nunzio | .... | sculptor | |
| Barbara Morosetti | .... | models | |
| Franco Ragusa | .... | special effects | |
| Sergio Stivaletti | .... | special effects | |
Visual Effects by | |||
| Simone Fontana | .... | digital mastering editor | |
| Giulia Infurna | .... | digital compositor: Proxima | |
| Gian Luca Rizzo | .... | visual effects producer | |
| Giuseppe Squillaci | .... | visual effects: Proxima | |
| Sergio Stivaletti | .... | visual effects | |
| Paolo Verrucci | .... | digital mastering colorist | |
Stunts | |||
| David Ambrosi | .... | stunt double | |
| Massimiliano Bianchi | .... | stunt rigger | |
| Alessandro Borgese | .... | stunt performer | |
| Riccardo Mioni | .... | stunt coordinator | |
| Stefano Maria Mioni | .... | stunt coordinator | |
| Emiliano Novelli | .... | stunt double | |
| Valentina Paradiso | .... | stunt double | |
| Franco Maria Salamon | .... | stunt supervisor | |
| Massimiliano Ubaldi | .... | stunts | |
Camera and Electrical Department | |||
| Alessandro Bolognesi | .... | Steadicam operator | |
| Claudio Del Gobbo | .... | grip | |
| Stefano Di Pasquali | .... | additional grip | |
| Stefano Marino | .... | gaffer | |
| Giorgio Pezzotti | .... | grip | |
| Cristiano Sergioli | .... | grip truck | |
| Franco Vitale | .... | still photographer | |
Casting Department | |||
| Carol L. Dudley | .... | casting: UK | |
Editorial Department | |||
| Alessandro Di Cola | .... | second assistant editor | |
| Maria Cristina Marra | .... | assistant editor | |
| Sarah McTeigue | .... | assistant editor | |
| Irma Misantoni | .... | first assistant editor | |
| Irma Misantoni | .... | post-production coordinator | |
Music Department | |||
| Bruno Ventura | .... | music editor | |
Other crew | |||
| Carla Alonzo | .... | production secretary | |
| Maria Rita Gagliano | .... | payroll accountant | |
| Marcello Lanza | .... | production accountant | |
| Luca Padrini | .... | production assistant | |
| Lynn Swanson | .... | dialogue coach | |
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| La coda dello scorpione | Il gatto a nove code | L'uccello dalle piume di cristallo | Cosa avete fatto a Solange? | La tarantola dal ventre nero |
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What can I say about this film? It certainly is not a typical Argento film (and I mean that in a very broad sense - there are some things you expect from an Argento film, like gore, tension and a certain visual style), but is it really bad? Well, it's not a terrible movie but from the man that gave us Suspiria, Deep Red and Tenebrae I expected much more.
First of all it's not giallo but more of a run of the mill detective story. Now, this wouldn't be bad if it was a good detective story, but it's not. The identity of the killer was predictable and some parts of the story did not make any sense. On top of that, the acting was not very good and the music was at best tolerable. And the final scene was just bad and did not make much sense.
The only good things about the movie were some great shots of Rome, and a couple of good, powerful scenes (like the first 2 murders) that reminded me a little of Argento's better films.
It's not a very bad movie, it's just a mediocre one. But since it's an Argento movie I expected much more. I give it 5 out of 10.