| Photos (see all 3 | slideshow) | Videos |
| Emmanuelle Béart | ... | Odile | |
| Gaspard Ulliel | ... | Jean Delgas alias Yvan | |
| Grégoire Leprince-Ringuet | ... | Philippe | |
| Clémence Meyer | ... | Cathy | |
| Samuel Labarthe | ... | Robert | |
| Jean Fornerod | ... | Georges | |
| Eric Kreikenmayer | ... | Le garde | |
| Nicholas Mead | ... | Le soldat blesse | |
| Robert Eliot | ... | Le jeune gendarme | |
| Nigel Hollidge | ... | Le réfugie |
Directed by | |||
| André Téchiné | |||
Writing credits | ||
| Gilles Perrault | (novel "Le Garçon aus Yeux Gris") | |
| Gilles Taurand | (screenplay, adaptation and dialogue) & | |
| André Téchiné | (screenplay, adaptation and dialogue) | |
Produced by | |||
| Adam Betteridge | .... | executive producer | |
| Michael Cowan | .... | co-producer (as Michaël Cowan) | |
| Pierre Héros | .... | co-producer | |
| Alex Marshall | .... | associate producer | |
| Jason Piette | .... | co-producer | |
| Jean-Pierre Ramsay-Levi | .... | producer | |
| David Rogers | .... | executive producer | |
| Jonathan Vanger | .... | co-producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Agnès Godard | |||
Film Editing by | |||
| Martine Giordano | |||
Casting by | |||
| Jacques Grant | |||
Production Design by | |||
| Zé Branco | |||
Costume Design by | |||
| Christian Gasc | |||
Makeup Department | |||
| Cédric Gérard | .... | key makeup artist | |
| Suzanne Jansen | .... | key hair stylist | |
| Isabelle Luzet | .... | key hair stylist | |
| Olivier Seyfrid | .... | hair stylist | |
Production Management | |||
| Guillaume Bounaud | .... | unit manager trainee | |
| Muriel Delcayre | .... | post-production manager | |
| Daniel Szuster | .... | production manager | |
| Bruno Vignier | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sandra Mainguené | .... | first assistant director | |
| Yann Saint-Pé | .... | second assistant director | |
Art Department | |||
| Virginie Le Romain | .... | assistant to art director | |
Sound Department | |||
| Jean-Raphaël Dedieu | .... | sound editor | |
| Geraldine Falieu | .... | sound edit assistant | |
| Gilles Fargout | .... | dialog editor | |
| Olivier Goinard | .... | supervising sound editor | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Jean-Paul Mugel | .... | sound | |
| Yves-Marie Omnes | .... | boom operator | |
Visual Effects by | |||
| Alan Church | .... | visual effects supervisor | |
| Simon Giles | .... | visual effects producer | |
| Foad Shah | .... | digital compositor | |
| Mark Slade | .... | digital compositor | |
Stunts | |||
| Emilie Lelouch | .... | stunts | |
| Claire Leroy | .... | stunts | |
| Stéphane Margot | .... | stunts | |
| Barbara Pruvosd | .... | stunts | |
| Catherine Robert | .... | stunts | |
| Thierry Saelens | .... | stunt coordinator | |
| Alain Vanneville | .... | stunts | |
| Daniel Vérité | .... | stunt coordinator | |
| Julien Vérité | .... | stunts | |
Casting Department | |||
| Meriem Amari | .... | extras casting | |
Costume and Wardrobe Department | |||
| Laurence Guindollet | .... | wardrobe (as Laurence Michelland Guindollet) | |
Editorial Department | |||
| Camille Toubkis | .... | assistant editor | |
Other crew | |||
| Jean-Pierre Azéma | .... | historical consultant | |
| Shirine Best | .... | development assistant: UK | |
| Sarah Devos | .... | script supervisor assistant | |
| Mel Hider | .... | assistant: Mr. Cowan and Mr. Piette | |
| Richard Hyland | .... | production accountant: UK | |
| Emily Kyriakides | .... | assistant to producer: UK | |
| Mario Luraschi | .... | horse master | |
| Lucy Shuttleworth | .... | development executive: UK | |
| Claudine Taulère | .... | script supervisor | |
Thanks | |||
| Monique Wittig | .... | dedicatee | |
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| Europa Europa | If.... | The Notebook | L'accompagnatrice | Malèna |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
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Even when he's not in top form, Téchiné makes movies that tell you more per frame than just about anyone around. In this case, he's using a screenplay that is just a little too glib, with a closing plot twist well beneath his league. But his handling of young actors is, as always, impeccable, and his ability to convey the confusion and uncertainty of life as it is lived, moment to moment, remains unsurpassed. The opening scenes of ordinary families fleeing Paris and being strafed on the open road by the Luftwaffe are masterful, haunting and, alas, still and always timely. And you get several of what you always come back to Téchiné for: unforgettable portraits of wholly unique and credible human beings.
The film has been poohpoohed in France and as a result may never make into a proper U.S. release. Compared to a lot of what does get hurled out into the art-house market here, "Les Egarés" is a towering masterpiece and, for all its manifest imperfections, needs to be seen by serious moviegoers everywhere.