| Photos (see all 6 | slideshow) | Videos (episode list) |
| William Hurt | ... | Robert P. Hanssen | |
| Mary-Louise Parker | ... | Bonnie Hanssen | |
| David Strathairn | ... | Jack Hoschouer | |
| Ron Silver | ... | Mike Fine | |
| Hilit Pace | ... | Priscilla Galey | |
| Oleg Kalugin | ... | Alexander Kalugin | |
| Lev Prygunov | ... | Leonid Vladimirovich Shebarshin | |
| Wayne Knight | ... | Walter Ballou | |
| Peter Boyle | ... | Howard Hanssen | |
| Scott Gibson | ... | Richard Timber | |
| Dmitry Chepovetsky | ... | Fatelov (as Dmitri Chepovetsky) | |
| Aaron Michael Lacey | ... | Russian Guard | |
| Lubomir Mykytiuk | ... | Degtyar | |
| Barry Flatman | ... | Leroy Wauck | |
| Nola Augustson | ... | Frances Wauck | |
| Kate Trotter | ... | Vivian Hanssen | |
| Bruce Hunter | ... | Mack | |
| Sarah Lafleur | ... | Kimberly Lichtenberg | |
| Colin Fox | ... | Westchester Priest | |
| Frank Moore | ... | Agent Bunky | |
| Cara Pifko | ... | Jane Hanssen | |
| Terra Vnesa | ... | Sue Hanssen (as Terry Vnesa) | |
| J.D. Nicholsen | ... | Firing Range Instructor | |
| Jack Langedijk | ... | FBI Man at Party | |
| Brian Paul | ... | Blue Flamer | |
| Ryan Price | ... | Bob Hanssen: age 6 | |
| Chris Owens | ... | Oath Reader | |
| John Boylan | ... | FBI Official | |
| Neil Crone | ... | Big FBI Man | |
| Geri Hall | ... | FBI Wife at Party | |
| Vadim Pozharsky | ... | KGB Student #1 | |
| Aleksei Yasulovich | ... | KGB Student #2 (as A. Yasulovich) | |
| Aleksei Borzunov | ... | KGB Student #3 (as Aleksey Borzunov) | |
| Eugene Lipinski | ... | Stanislav Andropov | |
| Jim Black | ... | FBI Carage Guard | |
| Yvonne Gaudry | ... | Strip Club Waitress | |
| Sharlene Yuen | ... | Jack's Wife | |
| Craig Eldridge | ... | Father Tierney | |
| rest of cast listed alphabetically: | |||
| John Henry Canavan | ... | Gun Store Clerk | |
| Svetlana Dzenis | ... | Stripper | |
| Jasmine Ellis | ... | Lisa Hanssen | |
| Elizabeth Griffin | ... | Stripper | |
| Michael Johnson | ... | Strip Club MC | |
| Doug Lennox | ... | Mr. Hanssen Sr. | |
| David Macniven | ... | Special Agent Johnston | |
| Cameron Mitchell Jr. | ... | CIA affiliate of Hanssen who lead tour of Russian delegates at the CIA (as Channing Mitchell) | |
| Joe Nascimben | ... | Man In Park | |
| Jacqueline Pillon | ... | FBI Agent | |
| Christopher Redman | ... | Robert Hanssen (20) | |
| Melissa Jane Shaw | ... | Student | |
| Brittany Starkman | ... | Girl in park | |
| Ned Vukovic | ... | Bakutin | |
| Kathryn Zenna | ... | Elizabeth | |
| Markus Alexander | ... | Pedestrian (uncredited) | |
| Ken Arnold | ... | Stand-in (William Hurt) (uncredited) | |
| Jeffrey Coleman | ... | FBI Agent (uncredited) | |
| Rick Kain | ... | FBI Agent (uncredited) | |
Directed by | |||
| Lawrence Schiller | |||
Writing credits(WGA) | ||
| Norman Mailer | (written by) | |
Produced by | |||
| Chris Danton | .... | line producer | |
| Kay Hoffman | .... | producer | |
| Norman Mailer | .... | executive producer | |
| Lawrence Schiller | .... | executive producer | |
Original Music by | |||
| Laurence Rosenthal | |||
Cinematography by | |||
| Alan Caso | |||
Film Editing by | |||
| Anne Goursaud | |||
| William B. Stich | |||
Casting by | |||
| Jaki Brown | (as Jaki Brown-Karman) | ||
| Clare Walker | |||
Production Design by | |||
| Michael Baugh | |||
Art Direction by | |||
| Greg Chown | |||
Set Decoration by | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| David R. Beecroft | .... | hair stylist: William Hunt | |
| Paul Huntley | .... | wig maker | |
| Cathy Shibley | .... | key hair stylist | |
| Tara Smith | .... | hair stylist: Mary-Louise Parker | |
| Geralyn Wraith | .... | makeup artist: Mary-Louise Parker | |
Second Unit Director or Assistant Director | |||
| Yolanda Graci | .... | second assistant director | |
| Doron Loeb | .... | third assistant director | |
| Elizabeth Long | .... | trainee assistant director | |
| Tony Lucibello | .... | first assistant director (as Anthony Lucibello) | |
| Kurt Uebersax | .... | second assistant director | |
| David 'Wex' Wechsler | .... | first assistant director | |
| Vladimir Zhelezniakov | .... | first assistant director | |
Art Department | |||
| Scott Ejercito | .... | property assistant | |
| Dar Higden | .... | set dresser | |
| Tom Jung | .... | storyboard artist | |
| Derrick Kardos | .... | photo manipulation | |
| Matthew Lammerich | .... | key scenic artist | |
| Chris Pellegrini | .... | property master (as Chris Pelligrini) | |
| Donald Vandewater | .... | construction coordinator (as Don Vandewater) | |
Sound Department | |||
| Bob Costanza | .... | sound effects editor | |
| Kevin Fisher | .... | sound effects editor | |
| Tommy Goodwin | .... | foley mixer | |
| Bob Goold | .... | dialog editor | |
| Thomas Hidderley | .... | sound recordist (as Tom Hidderley) | |
| Andy Peach | .... | post-production sound recordist | |
Special Effects by | |||
| Laird McMurray | .... | special effects coordinator | |
Stunts | |||
| Aaron Michael Lacey | .... | stunt driver | |
Camera and Electrical Department | |||
| Kathy Amerman | .... | still photographer | |
| Mark Cowden | .... | best boy electric | |
| John Duke | .... | dolly grip | |
| Dave Ferguson | .... | key grip (as Dave Fergie Ferguson) | |
| Brian Gedge | .... | camera operator | |
| John Hickey | .... | first assistant camera | |
| Scott Inge | .... | first assistant camera: "b" camera: Washington D.C. | |
| Edward Lipscombe | .... | key rigging grip | |
| Walter Lipscombe | .... | best boy rigging grip | |
| Rob Nardi | .... | best boy grip | |
| Becky Parsons | .... | second assistant camera | |
| John Sztejnmiler | .... | generator operator | |
| Franco Tata | .... | gaffer | |
Casting Department | |||
| Sidra Smith | .... | casting associate | |
| Clare Walker | .... | casting: Toronto | |
Costume and Wardrobe Department | |||
| Natalie Bronfman | .... | assistant costume designer | |
| Brenda Gilles | .... | costume supervisor | |
Editorial Department | |||
| Lynn Abroms | .... | assistant editor | |
| Emyr G. Graciano | .... | post-production assistant | |
| Sean Sforza | .... | post-production coordinator | |
| Mike Sowa | .... | digital color timer (2002) | |
Music Department | |||
| Shie Rozow | .... | music editor | |
| Curt Sobel | .... | composer: song "Kings" | |
Transportation Department | |||
| Richard Gaal | .... | driver: set decoration | |
| Bruce McLean | .... | transportation coordinator | |
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This film contains one of William Hurt's best performances and anybody who is an acting fan in general or a William Hurt fan in particular will enjoy it.
I thought that the ideology of the film was quite complex, but ultimately dishonest and reactionary. The film wants to convince us that Robert Hanson was only a strange mentally-ill man who betrayed his family, friends, religion, colleagues and country. They have little sympathy for his painful situation.
If one looks at the facts that the story presents, instead of the way the movie presents them, this is clearly not the case. Hanson has to choose between his family, friends and religion and his government and job. He chose his family, friends and religion over his job and his government. He was simply a very intelligent man in an incredibly difficult position. If he had not sold secrets to the Soviet Union and Russians, he could not have afforded the lifestyle to maintain his family, friends and religion. His alternative was to lose his job and everything he loved most in life. His choice can be seen as incredibly courageous on some level.
The producer Lawrence Schiller and the writer Norman Mailer are very rich men who do not have to worry about making money every day (as Hanson did).
The film deserves credit for at least raising some quite interesting lines of defense for Hanson. For example, the film brings up the point that it is possible that his actions of helping the Soviets and Russians actually made the world a safer place and saved the world from nuclear catastrophe. The film should have seriously considered that in betraying his country, he may have saved the human race. Instead, the film presents this as merely one more fantasy on the part of Hanson.