| Ioan Gruffudd | ... | Commander Horatio Hornblower | |
| Robert Lindsay | ... | Admiral Sir Edward Pellew | |
| Paul McGann | ... | Lieutenant Bush | |
| Lorcan Cranitch | ... | Wolfe | |
| Tony Haygarth | ... | Master Prowse | |
| Julia Sawalha | ... | Maria Mason | |
| Barbara Flynn | ... | Mrs. Mason | |
| Paul Copley | ... | Matthews | |
| Sean Gilder | ... | Styles | |
| Greg Wise | ... | Major Côtard | |
| Ian McElhinney | ... | Captain Hammond | |
| Christian Coulson | ... | Midshipman John 'Jack' Hammond | |
| Ron Cook | ... | Steward James Doughty | |
| Jonathan Forbes | ... | Midshipman Charles Orrock | |
| Jim McManus | ... | Pawnbroker | |
| John Sheahan | ... | Irishman | |
| Neil Conrich | ... | Bailiff | |
| Simon Delaney | ... | French Midshipman |
Directed by | |||
| Andrew Grieve | |||
Writing credits(in alphabetical order) | ||
| C.S. Forester | novel "Horatio and the Hotspur" | |
| Niall Leonard | screenplay | |
Produced by | |||
| Andrew Benson | .... | producer | |
| Michele Buck | .... | executive producer: Granada/LWT | |
| Liz Bunton | .... | line producer | |
| Delia Fine | .... | executive producer: A&E Network | |
| Emilio Nunez | .... | supervising producer: A&E Network | |
Original Music by | |||
| John E. Keane | (as John Keane) | ||
Cinematography by | |||
| Chris O'Dell | |||
Film Editing by | |||
| Keith Palmer | |||
Casting by | |||
| Susie Parriss | |||
Production Design by | |||
| Rob Harris | |||
Art Direction by | |||
| Stephen Campbell | |||
| Paul Cross | |||
| Peter Wenham | |||
Set Decoration by | |||
| Tina Jones | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Suzan Broad | .... | hair designer | |
| Suzan Broad | .... | makeup designer | |
| Maureen Hannaford-Naisbitt | .... | makeup artist | |
| Joe Hopker | .... | makeup artist | |
Production Management | |||
| Gail Kennett | .... | executive in charge of production | |
| Louise Rowe | .... | unit manager | |
Art Department | |||
| Dave Channon | .... | construction manager | |
| Garry Dawson | .... | stand-by props | |
| Kevin Day | .... | stand-by prop | |
| Katie Lee | .... | props buyer | |
Sound Department | |||
| James Bain | .... | boom operator | |
| James Bain | .... | sound maintenance | |
| Rudi Buckle | .... | sound mixer | |
| Rudi Buckle | .... | sound recordist | |
| Enzo Cannatella | .... | sound effects editor | |
| Michael Crouch | .... | supervising sound editor | |
| Colin Martin | .... | dubbing mixer | |
| Dave Sloss | .... | foley recordist | |
| Mark Verner | .... | sound editor | |
Special Effects by | |||
| Alex Gurucharri | .... | special effects | |
| Tom Harris | .... | special effects | |
| Jeremy Lovett | .... | senior technician: model unit | |
| Jared Manley | .... | special effects technician | |
Visual Effects by | |||
| Phil Attfield | .... | digital effects supervisor | |
| Robin Beard | .... | digital effects artist | |
| Neil Cunningham | .... | visual effects supervisor | |
| Tom Hocking | .... | digital compositor: men-from-mars | |
| Viv Jim | .... | digital compositor: Men From Mars | |
Stunts | |||
| Jeff Hewitt-Davis | .... | stunt arranger | |
Costume and Wardrobe Department | |||
| Alan Flyng | .... | costume supervisor | |
| Alan Flyng | .... | wardrobe master | |
| Barbara Rutter | .... | assistant costume designer | |
| Barbara Rutter | .... | costume supervisor | |
Editorial Department | |||
| Simon Harris | .... | assistant film editor | |
| Vincent Narduzzo | .... | telecine colorist (as Vince Narduzzo) | |
| Shane Warden | .... | editor: video tape | |
Other crew | |||
| Peter Foster | .... | runner | |
| Linda Gibson | .... | script supervisor | |
| Will Gould | .... | script editor | |
| George Griffiths | .... | location manager | |
| Martin Gutteridge | .... | director: model unit | |
| Ryan Harrington | .... | production coordinator | |
| Sasha Harris | .... | production coordinator | |
| Pat Karam | .... | location manager | |
| Steve Morphew | .... | stand-in: Ioan Gruffudd | |
| Louise O'Malley | .... | production accountant | |
| Douglas M. Ray | .... | contact: London | |
| Natalie Rogers | .... | assistant to producer | |
| Kerry Smith | .... | assistant accountant | |
| Derek Wax | .... | script executive | |
| Marlea Willis | .... | senior unit publicist: A&E Network | |
| Recent Posts (updated daily) | User |
|---|---|
| Major Andre Cotard | elio-12 |
| John Hammond (Christian Coulson) | SirinJulia |
| Seeing Hammond(senior) die | apple_blossom88 |
| Hornblower 3 | BirdieGrrl |
| Maria | howerd |
| Midshipman Charles Orrock | socialgal5 |
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| Master and Commander: The Far Side of the World | Hornblower: The Even Chance | Hornblower: The Examination for Lieutenant | Hornblower: Duty | Hornblower: The Duchess and the Devil |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
| Add this title to MyMovies |
By now this series has attracted its own set of fans, so the issue of how faithful it remains to the Forester stories may be moot. Still, I've always been puzzled by one element of the credits -- the show never seems to say which of "the novels of C.S. Forester" a particular movie is based on. LOYALTY and DUTY are loosely based on HORNBLOWER AND THE HOTSPUR, the tale of Hornblower's first command. Gruffudd, though a good enough actor and quite charming, seems to miss what was always the key element of Forester's Hornblower -- his constant self-doubt and crushing insecurity. The power of the novels comes from Hornblower's inability to see his own heroism and greatness for it is. He might be a hero to the world; to himself he was always the gangling Midshipman who was "seasick at Spithead." Julia Sawahla, on the other hand, is a perfect choice for Maria. A comment objected to her seeming "dowdy" -- that is precisely the point. Hornblower's unhappy marriage and unrewarding personal life were always intended to contrast with his glory on the sea. The show is fine -- the books are true classics. If you like the show, be sure to read the book.