| Photos (see all 56 | slideshow) | Videos (see all 10 NEW) |
Directed by | |||
| Tim McCanlies | |||
Writing credits(WGA) | ||
| Tim McCanlies | (written by) | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Jack N. Green | |||
Film Editing by | |||
| David Moritz | |||
Casting by | |||
| Ed Johnston | |||
| Emily Schweber | |||
Production Design by | |||
| David J. Bomba | |||
Art Direction by | |||
| John R. Jensen | |||
Set Decoration by | |||
| James Edward Ferrell Jr. | |||
Costume Design by | |||
| Gary Jones | |||
Makeup Department | |||
| Robin Beauchesne | .... | makeup artist | |
| Troy Breeding | .... | makeup artist | |
| Bridget Cook | .... | department head hair | |
| Claude Díaz | .... | key hair stylist | |
| Terri Ewton | .... | hair stylist | |
| Tracy Fleming | .... | assistant hair stylist | |
| Diane Hardin | .... | makeup artist | |
| Darylin Nagy | .... | makeup artist | |
| Carla Palmer | .... | key makeup artist | |
| Manlio Rocchetti | .... | hair stylist: Mr. Duvall | |
| Manlio Rocchetti | .... | makeup artist: Mr. Duvall | |
| Melizah Schmidt | .... | hair stylist | |
| Pamela S. Westmore | .... | makeup artist: Michael Caine | |
| Matt Jordon | .... | special makeup effects artist: Alterian (uncredited) | |
Production Management | |||
| Jan Foster | .... | unit production manager | |
| Erik Holmberg | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| William M. Connor | .... | first assistant director | |
| Jonathan McGarry | .... | second assistant director | |
| Paul Schmitz | .... | additional second assistant director | |
| Katie Tull | .... | second second assistant director | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Steve Bartkowicz | .... | re-recording engineer | |
| John Bires | .... | sound engineer | |
| Stacy Brownrigg | .... | production sound mixer: additional photography | |
| Kerry Ann Carmean | .... | sound effects editor | |
| Matt Colleran | .... | sound re-recordist | |
| Kay Colvin | .... | utility sound | |
| Colin Cooper | .... | adr recordist | |
| Nerses Gezalyan | .... | foley mixer | |
| Laura R. Harris | .... | dialogue editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Jeff Malham | .... | re-recording engineer | |
| Kelly Oxford | .... | adr editor | |
| John Pritchett | .... | sound mixer | |
| David M. Roberts | .... | boom operator | |
| Unsun Song | .... | sound re-recordist | |
| David Stanke | .... | first assistant sound editor | |
| Tami Treadwell | .... | adr recordist | |
| Drew Webster | .... | sound re-recording mixer | |
| Michael D. Wilhoit | .... | supervising sound editor | |
| Scott Wolf | .... | sound designer | |
Special Effects by | |||
| William Dawson | .... | pyrotechnician | |
| Tony Gardner | .... | animatronic effects supervisor | |
| Pete Levin | .... | special effects assistant | |
| Jack Lynch | .... | special effects technician | |
| Paul Salamoff | .... | special effects makeup | |
| R. Bruce Steinheimer | .... | special effects coordinator | |
| Rick Thompson | .... | special effects foreman | |
| Jeffery D. Woodrel | .... | special effects technician | |
| Michael Wilks | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Dave Adams | .... | digital artist | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Shad Davis | .... | visual effects coordinator | |
| Ivan DeWolf | .... | digital artist | |
| Jason Doss | .... | 3D integration lead: Digital Do | |
| Scott Edelstein | .... | 3D Integration supervisor: Digital Domain | |
| Darin K. Grant | .... | digital studio management | |
| Timothy Hoffman | .... | digital artist | |
| Marty Holthaus | .... | tech services: Digital Domain | |
| Todd Isroelit | .... | visual effects producer | |
| John Karner | .... | digital artist | |
| Heather J. Morrison | .... | visual effects editor: Digital Domain | |
| Colleen Murphy | .... | digital production coordinator | |
| Erik Nash | .... | visual effects supervisor | |
| Brian Peyatt | .... | digital producer | |
| Darren Poe | .... | compositing supervisor | |
| J. Brent Poer | .... | digital studio management | |
| Kelly Port | .... | plate supervisor | |
| Olivier Sarda | .... | senior digital compositor | |
| Todd Sarsfield | .... | digital color grader | |
| Tess Spaulding | .... | system administrator | |
| Scott Tessier | .... | digital artist: Digital Domain | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Richard Wardlow | .... | technical director: Digital Domain | |
| Vernon R. Wilbert Jr. | .... | CGI supervisor | |
| Bron Barry | .... | visual effects assistant coordinator (uncredited) | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
| Brian Openshaw | .... | render coordinator (uncredited) | |
Stunts | |||
| Austin Anderson | .... | stunt performer | |
| Tony Lee Boggs | .... | stunt performer (as Tony Boggs) | |
| Tony Lee Boggs | .... | utility stunts: horse work | |
| Joe Bucaro III | .... | stunt double | |
| Joe Bucaro III | .... | stunt performer (as Joey Bucaro) | |
| Payson Burt | .... | utility stunts | |
| Craig Carter | .... | stunts | |
| Will Cascio | .... | stunt performer | |
| Charles Currier | .... | sword fighter | |
| J.J. Dashnaw | .... | stunts | |
| Greg Dolph | .... | sword fighter | |
| David Efron | .... | stunt performer | |
| Ramon Frank | .... | stunt performer | |
| Joey Hamlin | .... | stunt performer | |
| Brian McMillan | .... | stunt double | |
| Kevin McMillian | .... | stunt performer | |
| Víctor Quintero | .... | stunt performer | |
| Jessica Schwartz | .... | stunt double | |
| Jessica Schwartz | .... | stunt performer | |
| Ann Scott | .... | stunt performer | |
| Walter Scott | .... | stunt coordinator | |
| R.L. Tolbert | .... | stunt performer | |
| Diane Towery | .... | stunt performer | |
Casting Department | |||
| Kelly Bogdan | .... | casting assistant | |
| Lyndsey Gayer | .... | casting assistant | |
| Kevin Kray | .... | casting assistant | |
| Beth Sepko | .... | extras casting | |
Costume and Wardrobe Department | |||
| Stephany Baskin | .... | set costumer | |
| Stephen M. Chudej | .... | costume supervisor | |
| Melanie Armstrong Fletcher | .... | stitcher | |
| Jessica Peel | .... | assistant costume designer | |
| Nina Proctor | .... | costume supervisor | |
| Leeann Radeka | .... | costumer | |
| John H. Smith | .... | costume stitcher | |
| Yvonne Wilburn | .... | set costumer | |
Editorial Department | |||
| Toni Allen | .... | negative cutter | |
| Rick Downey | .... | negative cutter | |
| Peter Ettinger | .... | first assistant editor | |
| Amanda Kirchhoff | .... | post-production assistant | |
| Dennis McNeill | .... | color timer | |
| Matthew O. Murphy | .... | apprentice editor: film | |
| Gina Zappala | .... | first assistant editor | |
Music Department | |||
| Bob Bowen | .... | music executive | |
| Geoff Foster | .... | score recordist | |
| Peter Fuchs | .... | score recordist | |
| Paul Rabjohns | .... | music editor | |
| Maggie Rodford | .... | score producer | |
| James Shearman | .... | conductor | |
| Graham Sutton | .... | music editor | |
| Nick Wollage | .... | score recordist | |
| Youki Yamamoto | .... | keyboard programmer | |
| Youki Yamamoto | .... | music programmer | |
Transportation Department | |||
| Monica Allen | .... | transportation dispatcher | |
| Don Baer | .... | driver: Florida | |
| Jon Bergholz | .... | transportation co-captain: Florida | |
| Charles Coulter | .... | driver: honeywagon | |
| Sam Craytor | .... | driver: construction | |
| Greg Faucett | .... | transportation captain | |
| Phil Schriber | .... | transportation coordinator | |
| John H. Stephens | .... | transportation captain: Florida | |
| Steven Willhoite | .... | utility driver | |
| Russell E. Scott | .... | picture cars (uncredited) | |
Thanks | |||
| John Sayles | .... | special thanks | |
| Guillermo del Toro | .... | special thanks | |
|
|
|
|
|
| The Goonies | It's a Mad Mad Mad Mad World | The Incredibles | Back to the Future | Superman Returns |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Cartoonist Josh Lucas (of "A Beautiful Mind") gets a phone call telling that his two great-uncles have been in an accident. Immediately we see the Lucas character in the form of young Haley Joel Osment as he is literally dropped off with great-uncles Michael Caine and Robert Duvall by lousy mother Kyra Sedgwick in the 1960s. It seems that the two supposedly have a huge fortune somewhere on their property in Texas and Sedgwick, along with several others, have been trying to find the treasures for themselves. Osment seems out-of-place completely at first and his two uncles appear to be cold and unfeeling, but soon Duvall is seen sleep-walking and acts like he is sword-fighting while he does. Osment has never seen anyone act this way before and he becomes curious. He finds a photo of the beautiful and exotic Emmanuelle Vaugier in the house's tower and his want to know the pasts of his uncles' builds. Caine tells Osment of a time at the start of World War I when the duo unwittingly became a part of the French Legion, fighting with the Allies during the war. The war comes and goes and Caine starts to tell of Duvall's love for Vaugier when he was a young man. Naturally she was also wanted by an evil sheik (Adam Ozturk) and thus he had to protect she and himself at all times. Eventually the stories conclude and Osment finds out how the two got their money. But could it be possible that what Caine has been conveying are just stories and not the true reality? "Secondhand Lions" (the title refers to an old lion that Duvall and Caine buy during the course of the picture) is one of those movies that makes you feel that there are still good people in Hollywood who really want to develop nice family-oriented films that cater to all age groups. Writer/director Tim McCanlies shows real potential here and Osment continues to amaze. He holds his own with legends Caine and Duvall from the word go. Osment, who is the most atypical youngster in Hollywood these days (never selling out to be in junk like "Freddy vs. Jason" or "The Texas Chainsaw Massacre" remake), just keeps on growing and maturing as a performer. His range was amazing in "The Sixth Sense" and he has not lost his gift, instead he has cultivated it further. Definitely not a perfect film, but still a very enjoyable trip to the movies that stands tall during a year of sub-par movies. With all the shortcomings from Hollywood in 2003, the family films have been surprisingly the best productions by far. 4 stars out of 5.