| Photos (see all 43 | slideshow) | Videos (see all 18 NEW) |
| Sean Penn | ... | Jimmy Markum | |
| Tim Robbins | ... | Dave Boyle | |
| Kevin Bacon | ... | Sean Devine | |
| Laurence Fishburne | ... | Sgt. Whitey Powers | |
| Marcia Gay Harden | ... | Celeste Boyle | |
| Laura Linney | ... | Annabeth Markum | |
| Kevin Chapman | ... | Val Savage | |
| Tom Guiry | ... | Brendan Harris (as Thomas Guiry) | |
| Emmy Rossum | ... | Katie Markum | |
| Spencer Treat Clark | ... | Silent Ray Harris | |
| Andrew Mackin | ... | John O'Shea | |
| Adam Nelson | ... | Nick Savage | |
| Robert Wahlberg | ... | Kevin Savage | |
| Jenny O'Hara | ... | Esther Harris | |
| John Doman | ... | Driver | |
| Cameron Bowen | ... | Young Dave Boyle | |
| Jason Kelly | ... | Young Jimmy Markum | |
| Connor Paolo | ... | Young Sean Devine | |
| T. Bruce Page | ... | Jimmy's Father (as Bruce Page) | |
| Miles Herter | ... | Sean's Father | |
| Cayden Boyd | ... | Michael Boyle | |
| Tori Davis | ... | Lauren Devine | |
| Jonathan Togo | ... | Pete | |
| Shawn Fitzgibbon | ... | Funeral Director | |
| Will Lyman | ... | FBI Agent Birden | |
| Celine du Tertre | ... | Nadine Markum | |
| Ari Graynor | ... | Eve Pigeon | |
| Zabeth Russell | ... | Diane Cestra | |
| Joe Stapleton | ... | Drew Pigeon | |
| Susan Willis | ... | Mrs. Prior | |
| José Ramón Rosario | ... | Lt. Friel (as Jose Ramon Rosario) | |
| Tom Kemp | ... | CSS Tech | |
| Charley Broderick | ... | Medical Examiner (as Charles Broderick) | |
| Lonnie Farmer | ... | Lab Technician | |
| Celeste Oliva | ... | Trooper Jenny Coughlin | |
| Bates Wilder | ... | Loudmouthed Cop | |
| Douglass Bowen Flynn | ... | Cop at Barricade | |
| Bill Thorpe | ... | Neighbor at Barricade | |
| Matty Blake | ... | Cop in Park | |
| Ken Cheeseman | ... | Dave's Friend in Bar | |
| Scott Winters | ... | Detective | |
| Thomas Derrah | ... | Headstone Salesman | |
| Jim Smith | ... | Reporter | |
| Patrick Shea | ... | Handcuffed Man | |
| Duncan Putney | ... | Solicitor in Car | |
| Ed O'Keefe | ... | Communion Priest | |
| Dave Zee Garison | ... | '75 Police Officer | |
| Michael McGovern | ... | '75 Reporter | |
| Bill Richards | ... | Helicopter Pilot | |
| Michael Peavey | ... | Helicopter Pilot | |
| rest of cast listed alphabetically: | |||
| Eric Bruno Borgman | ... | Murder Scene Spectator (uncredited) | |
| Paul Bronk | ... | Detective (uncredited) | |
| Kevin Conway | ... | Theo (uncredited) | |
| Richard DeAgazio | ... | Church family member (uncredited) | |
| James DeVoy | ... | Parade Patron (uncredited) | |
| Sean Patrick Doherty | ... | Boston Cop (uncredited) | |
| John Ferus | ... | Pedestrian (uncredited) | |
| Brian Frates | ... | State Police Detective (uncredited) | |
| John Joyce | ... | Man in Fight Scene (uncredited) | |
| Mikey Kelley | ... | Walkie-talkie (voice) (uncredited) | |
| Stephen Kyle | ... | Shopper (uncredited) | |
| Adam LaFramboise | ... | Parade Spectator (uncredited) | |
| Loy Lee | ... | Bus Boy (uncredited) | |
| Brett Murphy | ... | Boy (uncredited) | |
| Lance Norris | ... | Bartender (uncredited) | |
| Stephen O'Neil Martin | ... | Boston Cop (uncredited) | |
| Ryan Patrick | ... | School boy (uncredited) | |
| John Pungitore | ... | Worker (uncredited) | |
| Frank Ridley | ... | Police Detective (uncredited) | |
| Greg Stechman | ... | Parade Spectator (uncredited) | |
| Anthony Taurasi | ... | Boston Cop (uncredited) | |
| Jerry Trupiano | ... | Baseball Announcer (uncredited) | |
| J.T. Turner | ... | Church Goer (uncredited) | |
| Brian Van Kay | ... | Police Detective (uncredited) | |
| Marc Vos | ... | Bar Patron (uncredited) | |
| Eli Wallach | ... | Mr. Loonie, Liquor Store Owner (uncredited) | |
| Jillian Wheeler | ... | Sara Markum (uncredited) | |
| Brian White | ... | State Trooper (uncredited) | |
| Kris Williams | ... | Spectator (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| Dennis Lehane | (novel) | |
| Brian Helgeland | (screenplay) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Clint Eastwood | .... | producer | |
| Judie Hoyt | .... | producer (as Judie G. Hoyt) | |
| Robert Lorenz | .... | producer | |
Original Music by | |||
| Clint Eastwood | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Richard C. Goddard | |||
Costume Design by | |||
| Deborah Hopper | |||
Makeup Department | |||
| Jerry DeCarlo | .... | hair stylist | |
| Mary Ellen James | .... | makeup artist (as Maryellen James) | |
| Tania McComas | .... | key makeup artist | |
| Carol A. O'Connell | .... | key hair stylist | |
Production Management | |||
| Tim Moore | .... | unit production manager (as Timothy Alan Moore) | |
Second Unit Director or Assistant Director | |||
| Katie Carroll | .... | second second assistant director | |
| Melissa Cummins Lorenz | .... | second assistant director | |
| Robert Lorenz | .... | first assistant director | |
Special Effects by | |||
| H. Barclay Aaris | .... | special effects | |
| William 'Billy Jack' Jakielaszek | .... | special effects technician | |
| Steve Riley | .... | special effects director (as Steven Riley) | |
| Dominic V. Ruiz | .... | special effects | |
Visual Effects by | |||
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Max Gabl | .... | scenic artist | |
| Brad Kalinoski | .... | digital compositor | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Darin McCormick-Millett | .... | digital opticals producer | |
| Liz Radley | .... | video and graphics supervisor (as Elizabeth Radley) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Bob Wiatr | .... | digital compositor | |
Stunts | |||
| Paul Marini | .... | stunt performer | |
| John Vincent Mason | .... | stunts | |
| Buddy Van Horn | .... | stunt coordinator | |
Casting Department | |||
| Mary L. Agnes | .... | extras casting assistant | |
| Matt Bouldry | .... | location casting assistant: Boston | |
| Olivia Harris | .... | casting associate | |
| Geoffrey Miclat | .... | casting assistant | |
| Carolyn Pickman | .... | location casting: Boston | |
| Jodi Purdy-Quinlan | .... | extras casting assistant: Boston (uncredited) | |
Costume and Wardrobe Department | |||
| Brian Callahan | .... | costumer | |
| Ann Culotta | .... | costumer | |
| Lynda Foote | .... | costume supervisor | |
| Parrish Kennington | .... | costume ager/dyer | |
| Mem Macafee | .... | costumer | |
| Deborah Newhall | .... | costumer | |
| Julie Shack | .... | costumer | |
Editorial Department | |||
| Michael Cipriano | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Bob Kaiser | .... | color timer | |
| Gary Roach | .... | assistant editor | |
Music Department | |||
| Donald Harris | .... | music editor | |
| Patrick Hollenbeck | .... | orchestrator | |
| Gennady Loktionov | .... | special musical arrangements | |
| Shawn Murphy | .... | scoring mixer | |
| Lennie Niehaus | .... | conductor | |
| Lennie Niehaus | .... | orchestrator | |
| Craig Pettigrew | .... | assistant music editor | |
| Bruce Ricker | .... | music consultant | |
Transportation Department | |||
| Denise Avallon | .... | driver | |
| Keith Dillin | .... | transportation coordinator | |
| Roy A. Grace | .... | driver | |
| Jennifer McGaffigan | .... | transportation office coordinator | |
| William O'Brien | .... | driver | |
| Alana Stelling | .... | driver | |
| Larry Stelling | .... | transportation captain (as Larry L. Stelling) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
Lovers of great acting had best not pass up 'Mystic River,' Clint Eastwood's powerful, award-laden adaptation of Dennis Lehane's best-selling novel. Sean Penn, Tim Robbins and Kevin Bacon play three working class Bostonians forever bound together by a mutual childhood tragedy that has since gone on to define the kind of people they've become and the kind of lives they've led. The film begins with a brief prologue as we see the three youngsters - Jimmy, Sean and Dave - out playing in the street one day, when they are confronted by a pedophile who, posing as a policeman, tricks one of them, Dave, into getting into the car with him and another man. Fast forward to the present as we pick up the trio as grown men who have, for all intents and purposes, gone their separate ways. Penn is Jimmy Markum, a former petty thief who spent two years in the slammer but who has since turned straight and now owns a neighborhood liquor store. When Jimmy's daughter from his first marriage turns up murdered, the three men's lives intersect in ways they could never have imagined. Bacon is Sean Divine, a homicide detective assigned to the case, and Robbins is Dave Boyle, a sporadically employed man who may be a prime suspect in the murder. Dave still lives with the trauma of that earlier soul-shattering experience, while Jimmy and Sean wrestle with why they managed to escape the cruel finger of fate that pointed so grimly at their hapless playmate. The film is about how the events of our early lives (and, in the case of Jimmy, it doesn't stop at this one incident) can end up coming back to haunt us later down the road.
The Brian Helgeland screenplay makes the pain that each of these men experiences vivid and palpable. The grief Jimmy feels over the loss of his beloved child, the psychological torment Dave suffers as a result of his abuse, and the bewilderment and loneliness Sean experiences from a failed marriage all become integral to this dark tale of bitterness, revenge and attempted healing. At times, we do find ourselves wishing that the script would concentrate less on the details of the murder investigation and more on the inner workings of the three main characters. Too often we feel as if we are only scratching the surface of the roiling psychological torment taking place deep in the bowels of these men. The plotting, particularly towards the end, often feels more contrived than it needs to be, with heavy-handed ironies and obtruding parallelisms that don't seem to know when to leave well enough alone. Laura Linney, as Jimmy's second wife, has a key Lady Macbeth moment late in the film that might have been effective had we been more fully prepared for it and had her character been more thoroughly developed throughout the course of the film. As it is, the scene seems to come out of nowhere and leaves us both bewildered and hanging.
Still, these are minor quibbles when it comes to a movie as finely acted and directed as this one is. Penn hits all the right notes as a man facing the worst experience life could possibly throw at a person - the murder of one's child - trying to make sense of a tragedy that defies any rational explanation. Robbins beautifully underplays the role of a man scarred forever by what happened to him in his youth, now endeavoring to function as an adult when he was robbed of any semblance of a childhood. Bacon is excellent as the man who attempts to put all the pieces together, not only of the case but of the shattered lives he and his two buddies have been living all these years, and Marcia Gay Harden is outstanding as Dave's loving wife who struggles with what is perhaps the greatest moral dilemma faced by any character in the movie. Linney, Lawrence Fishburne and Tom Guiry offer fine supporting performances.
As director, Eastwood allows his superb cast ample time to develop their characters, never hurrying the proceedings along and always allowing the conversations to play themselves out. He recognizes the quality of the material and feels no need to gussy it up with self-conscious camera angles or fancy editing. He also uses the bleak settings of blue collar Boston as an effective backdrop to the stark, chilly tale he is telling.
Perhaps it is just an odd coincidence that three of the very best movies of 2003 - '21 Grams,' 'The House of Sand and Fog' and 'Mystic River' - all suffer from the same tendency on the part of the filmmakers to move away from reality and towards melodrama and contrivance in the final act. Of the three, '21 Grams' and 'The House of Sand and Fog' are harmed less by this than 'Mystic River' because they have a somewhat deeper thematic base and richer character development than does the Eastwood film. Still, 'Mystic River' is a mighty impressive achievement for those who made it and a rich, memorable experience for those who see it.