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A Different Loyalty (2004)
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Overview
User Rating:
Release Date:
14 October 2004 (Portugal) moreAwards:
1 nomination moreUser Comments:
See "Cambridge Spies" instead more (12 total)Cast
(in credits order) (verified as complete)
Directed by | |||
| Marek Kanievska | |||
Writing credits(WGA) | ||
| Jim Piddock | (written by) | |
Produced by | |||
| Michael Cowan | .... | producer (as Michael L. Cowan) | |
| Rupert Everett | .... | executive producer | |
| Gary Hamilton | .... | executive producer | |
| Renée Hébert | .... | associate producer | |
| Oliver Hengst | .... | executive producer | |
| Peter James | .... | executive producer | |
| Allan Joli-Coeur | .... | executive producer | |
| Richard Lalonde | .... | producer | |
| Jim Piddock | .... | co-producer | |
| Jason Piette | .... | producer | |
| Bob Portal | .... | line producer: UK | |
| Matthew Rhodes | .... | executive producer | |
| Demitri Samaha | .... | executive producer | |
| Malcolm Scerri-Ferrante | .... | line producer: Malta | |
| James Simpson | .... | executive producer | |
| Marie Vine | .... | executive producer | |
| Jan H. Vocke | .... | producer | |
Original Music by | |||
| Normand Corbeil | |||
Cinematography by | |||
| Jean Lépine | |||
Film Editing by | |||
| Yvann Thibaudeau | |||
Casting by | |||
| Robin D. Cook | |||
| Celestia Fox | |||
| Lucie Robitaille | |||
Production Design by | |||
| Anne Pritchard | |||
Art Direction by | |||
| Isabelle Guay | (supervising art director) | ||
Costume Design by | |||
| François Laplante | |||
Production Management | |||
| Marc-André Goyer | .... | assistant unit manager | |
| Sergei Gurevich | .... | production manager: Moscow | |
| George Jardon | .... | post-production supervisor | |
| Mario Nadeau | .... | production manager | |
| Simon Sansone | .... | assistant production manager | |
| Malcolm Scerri-Ferrante | .... | production manager: Malta | |
| Leonid Vereschtchaguine | .... | production supervisor: Moscow (as Leonid Vereschagin) | |
Art Department | |||
| Julie Amyot | .... | assistant designer | |
| Liam Collins | .... | props | |
| Nick Cosens | .... | dressing props | |
| Benoit Robert | .... | swing gang | |
| Benoit Robitaille | .... | swing gang | |
| Julian Searle | .... | property master | |
| Eliot W. Smith | .... | assistant art director | |
| Lucie Tremblay | .... | set designer | |
| Edward Seychell | .... | props (uncredited) | |
Sound Department | |||
| Don Cohen | .... | sound recordist | |
| Keith Elliott | .... | sound re-recording mixer | |
| Jamie Gould | .... | re-recording assistant | |
| Stéphane Larivière | .... | special sound effects | |
| Luc Mandeville | .... | sound effects editor | |
| Matthew McKenzie | .... | adr recordist | |
| Colin McLellan | .... | adr recordist | |
| Chris Navarro | .... | adr recordist | |
| Alexis Oscari | .... | french dubbing recordist | |
| Peter Persaud | .... | foley recordist | |
| Martin Pinsonnault | .... | supervising sound editor | |
| Jean-François Sauvé | .... | sound effects editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
| Marilee Yorston | .... | foley assistant | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
Visual Effects by | |||
| Drake Conrad | .... | scanning recording | |
| Thierry Delattre | .... | visual effects supervisor | |
| Anouk Deveault-Moreau | .... | visual effects coordinator | |
| Richard Martin | .... | visual effects supervisor: Hybride | |
| Steve Pelchat | .... | digital artist: Hybride | |
| Pierre Raymond | .... | visual effects producer | |
| Frederic St-Arnaud | .... | digital effects artist | |
| Philippe Theroux | .... | CG supervisor | |
| Jessy Veilleux | .... | matte painter | |
| Chris Wallace | .... | HD colourist | |
| Yanick Wilisky | .... | computer graphics supervisor: Hybride | |
Stunts | |||
| Mark Antony Krupa | .... | stunt actor | |
| Martin Williams | .... | stunt rigger | |
Camera and Electrical Department | |||
| Joe Allen | .... | best boy: UK | |
| Adrian Bartolo | .... | set lighting | |
| Véronique Boncompagni | .... | still photographer | |
| Adrian Borg Ghigo | .... | video assist operator: Malta | |
| Hamish Doyne-Ditmas | .... | assistant camera: UK | |
| Bertrand Dupuis | .... | best boy grip | |
| Serge Hughes | .... | second assistant camera | |
| Dylan Jones | .... | video assistant | |
| Maarten Kroonenburg | .... | first assistant camera | |
| Dan Lowe | .... | electrian | |
| John Preca Trapani | .... | camera loader: Malta | |
| Martin Scanlan | .... | clapper loader: UK | |
| Andrey Schtaff | .... | key grip: moscow | |
| Matt Wilson | .... | electrician: UK | |
Casting Department | |||
| Robin D. Cook | .... | casting: Toronto | |
| Nicole Hilliard-Forde | .... | casting associate: Toronto | |
| Alex Johnson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Grace Camilleri | .... | wardrobe department coordinator: Malta | |
| Anne Duceppe | .... | assistant costume designer | |
| Odette Gadoury | .... | costume designer: selected costumes, Ms. Stone | |
| Rebecca Gore | .... | wardrobe mistress | |
| Françoise Lecours | .... | wardrobe assistant: Ms. Stone | |
| Brunhilde Pradier | .... | dresser: Ms. Stone | |
Editorial Department | |||
| Arthur Montreuil | .... | color timer | |
Music Department | |||
| Geoff Foster | .... | score recordist | |
Transportation Department | |||
| Bertrand Calmeau | .... | driver | |
| Joseph Formosa Randon | .... | transportation coordinator | |
| Alexandre Juaneda | .... | transportation captain | |
| Julian Zammit | .... | picture car coordinator: Malta | |
Production CompaniesDistributors
- DIA Distributori Indipendenti (2004) (Italy) (theatrical)
- MegaVision (2004) (Philippines) (theatrical)
- Imagem Filmes (2005) (Brazil) (DVD)
- Lions Gate Films
- Manga Films
- Splendid Film (2004) (Germany) (DVD)
- Hybride Technologies (visual effects)
- Cine-Byte Imaging (digital optical effects)
- Effects Associates (special effects: UK)
- Intrigue (special effects)
- Deluxe Post-Production post-production facilities
Additional Details
MPAA:
Rated R for sexuality and some language.Parents Guide:
Add content advisory for parentsRuntime:
96 min | Canada:104 min (Ontario)Color:
ColorSound Mix:
Dolby DigitalCertification:
Finland:K-11 | Canada:PG (Ontario) | Iceland:LH | Netherlands:12 | Australia:M | South Korea:15 | USA:R | Germany:12Fun Stuff
Goofs:
Anachronisms: One of the shots of Moscow in the 1960s shows The Cathedral of Christ the Saviour. It was destroyed by Stalin in the 1930s, and rebuilt during the 1990s. In the 1960s an outdoor pool would have been in its place. moreSoundtrack:
Fascination moreFAQ
This FAQ is empty. Add the first question.more (12 total)
Message Boards
Discuss this movie with other users on IMDb message board for A Different Loyalty (2004)| Recent Posts (updated daily) | User |
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| U.S. DVD release: May 10 | Knightswimming |
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An 
company.
What a disappointment! After watching the film, there is a very good reason that actual names were not used - other than general similarities to circumstance, this is entirely a work of fiction.
Even a fictionalized account (inspired by the McClean story) could have been entertaining if had successfully delivered an historically accurate context (forget accuracy). There could have been a story of complex emotions, motivations and consequences but instead, you get a superficial drama that misses its mark or worse, doesn't even aim at the interesting targets.
This is a true waste of talent for such a great cast.