| Videos (see all 2 NEW) |
| Samaire Armstrong | ... | Josie | |
| Ryan Alosio | ... | Steve Turley | |
| Andrea Bogart | ... | Stacey | |
| Jaime Bergman | ... | McGowan | |
| Alexis Cruz | ... | Miguel | |
| Aaron Van Wagner | ... | Tom | |
| Sasha Craig | ... | Anna (as Sasha Williams) | |
| Kane Hodder | ... | Biker Guy | |
| Beau Clark | ... | Wayne | |
| Steven Williams | ... | Hartigan (as Stephen Williams) | |
| Tippi Hedren | ... | Mary | |
| Monica Lee | ... | Nurse Sweetie | |
| Rick McCallum | ... | DarkWolf | |
| Vince Lozano | ... | Desk Sergeant | |
| Alex D'Lerma | ... | Reporter | |
| Marilyn Miller | ... | She-wolf | |
| Louis Horowitz | ... | Man in strip club | |
| rest of cast listed alphabetically: | |||
| John M. Coombs | ... | Bar Tender | |
| Sarah Helena Coombs | ... | Bar tenant, Exotic dancer. | |
| Katie Lohmann | ... | Lap dancer | |
| Bruna Rubio | ... | Stripper - Darkwolf hostage | |
| Meghann Scully | ... | Topless Waitress | |
Directed by | |||
| Richard Friedman | |||
Writing credits | ||
| Geoffrey Alan Holliday | (story) | |
| Geoffrey Alan Holliday | (screenplay) | |
| Charles David Scholl | story | |
Produced by | |||
| Diane Cornell | .... | line producer | |
| Richard Friedman | .... | executive producer | |
| Richard Friedman | .... | supervising producer | |
| Steven Hirsch | .... | producer | |
| Don Randles | .... | executive producer | |
| Lawrence Silverstein | .... | producer | |
Original Music by | |||
| Geoff Levin | |||
Cinematography by | |||
| Stuart Asbjornsen | |||
Film Editing by | |||
| Julie Gulnihal Antepli | |||
Casting by | |||
| Lindsay Chag | |||
| Jeff Olan | |||
Set Decoration by | |||
| Linda Louise Sheets | (as Linda Sheets) | ||
Costume Design by | |||
| Sonia Woodfield | |||
Makeup Department | |||
| Bryan Crump | .... | makeup artist | |
| Michelle Rene Elam | .... | makeup department head (as Michelle Torres) | |
| Brandy Dyan Sharp | .... | makeup artist | |
| Molly Tissavary | .... | special makeup effects artist | |
| Alexis Walker | .... | makeup department head | |
| Yvonne Wang | .... | special effects creature assistant | |
Production Management | |||
| Diane Cornell | .... | unit production manager | |
| Reinhard Schreiner | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Diane Cornell | .... | second unit director | |
| Steven Hirsch | .... | first assistant director | |
| Jeff Shiffman | .... | second assistant director | |
Art Department | |||
| Race 'Scott' Banin | .... | property master | |
Sound Department | |||
| David Bolger | .... | sound coordinator | |
| Matthew Bolger | .... | assistant sound editor | |
| Brian Booth | .... | boom operator | |
| Jeff K. Brunello | .... | sound effects editor | |
| Bruce Chianese | .... | sound engineer | |
| Alex D'Lerma | .... | foley artist | |
| Alex D'Lerma | .... | foley mixer | |
| Bino Espinoza | .... | foley mixer | |
| Bino Espinoza | .... | sound re-recording mixer | |
| Gonzalo Espinoza | .... | foley | |
| David Kitchens | .... | sound supervisor | |
| Gregg McCleary | .... | sound mixer | |
| Chris McDonough | .... | foley artist | |
| Chris McDonough | .... | foley mixer | |
| Eric Reuveni | .... | dialogue editor | |
| Eric Reuveni | .... | sound re-recording mixer | |
| Terra Roeschke | .... | sound assistant | |
| Anders Ross | .... | sound effects editor | |
| Ken Skoglund | .... | sound designer | |
| Ken Skoglund | .... | sound effects editor | |
| Sarah Todd | .... | sound assistant | |
| Joseph Tsai | .... | assistant sound editor | |
| Keith Wells | .... | sound coordinator | |
| Ben Zarai | .... | supervising sound editor | |
Special Effects by | |||
| John Carl Buechler | .... | special effects | |
| Roger Matsuo | .... | special effects | |
| Steve Newquist | .... | pyrotechnician | |
| Steve Newquist | .... | special effects | |
Visual Effects by | |||
| Philip Cuenco | .... | digital artist | |
| Nathan Effron | .... | visual effects producer | |
| Koji Hamaguchi | .... | digital artist | |
| Hitoshi Inoue | .... | digital artist | |
| Hitoshi Inoue | .... | visual effects supervisor | |
| Todd Iorio | .... | compositor | |
| Makoto Kitamura | .... | digital artist | |
| Rosmawaty Lawah | .... | digital artist | |
| Jack Noriaki Matsumoto | .... | lead digital artist | |
| Noriaki Matsumoto | .... | digital artist | |
| Hisashi Ono | .... | digital artist | |
| Paul Roupinian | .... | visual effects producer | |
| Agus Santosa | .... | digital artist | |
| Megumi Shimizu | .... | digital artist | |
| Rie Taki | .... | digital artist | |
| Tomoko Tanaka | .... | digital artist | |
Stunts | |||
| Christopher 'Critter' Antonucci | .... | stunts (as Chris Antonucci) | |
| Keith Campbell | .... | stunts | |
| Kimberly Cossette | .... | stunts | |
| Lisa Hoyle | .... | stunts | |
| Maria R. Kelly | .... | stunts (as Maria Kelly) | |
| Diana R. Lupo | .... | stunts (as Diana Lupo) | |
| Rick McCallum | .... | stunt coordinator | |
| Chuck Waters | .... | stunts | |
Casting Department | |||
| Tony Rasmussen | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kelli Lassen | .... | costumer assistant | |
Editorial Department | |||
| Rick Brunick | .... | color timer | |
| Todd Iorio | .... | on-line editor | |
Music Department | |||
| Bruce Chianese | .... | orchestrator | |
| Bruce Chianese | .... | score mixer | |
| Geoff Levin | .... | orchestrator | |
Other crew | |||
| Phil Bradley | .... | craft service | |
| Robert Dika | .... | assistant to producer | |
| Laurette Dobson | .... | script supervisor (as Laurette 'Tita' Dobson) | |
| Jenny Fitzgibbons | .... | production accountant | |
| Joyce Gregg | .... | production coordinator | |
| Efren Lapig | .... | production assistant | |
| Lee Martino | .... | choreographer | |
| Sean Russell | .... | key set production assistant | |
| Summer Shiffman | .... | set production assistant | |
| Jon Tatum | .... | assistant production coordinator | |
| Ric Trader | .... | title designer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
Hip. Erotic. Wickedly sexy ... whatever. It's "The Terminator" with werewolves.
No, seriously. The cop saves the girl (waitress!) from the big monster and refers to himself as her 'protector'. The lead actor Ryan Alosio does a pretty good job of emulating Kyle Reese ... there's a massacre in a police precinct ... the bad guy is muscular with red eyes ... and it even contains dialogue along the lines of "You said it yourself, he won't ever stop. Never." The dire script comes from a first-time screenwriter who, thank God, hasn't sold anything since this, and it's all thrown together by famously bad director Richard Friedman.
The movie opens in a strip bar (always a good sign), and a mean-looking biker guy bursts in for no apparent reason, pursued by three cops. One of them is black, and (shock horror!) he's the one who gets killed in the first five minutes. The film goes downhill for the next hour or so, then picks up a little with some decent action sequences, before rounding it all up with an abysmal ending.
For the most part, the cast come across as competent actors doing what they can with a bad script and a director who's willing to settle for less. If nothing else they appear to be learning how to act in this movie and Alosio, along with some of the supporting cast, shows signs of talent. DarkWolf in his human form is played by gargantuan Kane Hodder -- famous for his numerous portrayals of Jason Vorhees in the 'Friday the 13th' movies. He's decent enough, especially considering he isn't used to speaking roles.
It's become famous amongst groups of horny teenage boys for the lesbian rooftop scene between Andrea Bogart and Sasha Williams, who gets her kit off a couple of times in the grand tradition of former 'Power Rangers' actresses. And it's unnervingly clear that the editor spent WAY too much time on that scene ... anyway, the main redeeming feature is that the physical werewolf effects are rather good, and the design of the wolf isn't bad at all.But the CGI is bad. Just plain bad. I mean seriously, if you can't reach some level of realism - why bother? Just throw a little extra money into the make-up! Aside from the terrible script, this movie does have it's moments, many of which are unintentionally funny. It's good for a laugh if you don't have anything better to do, but just don't spend any money on it. Please.