| Jackie Shroff | ... | Paravasu | |
| Kumar Iyengar | ... | Senior Courtier | |
| Raveena Tandon | ... | Vishakha | |
| Nagarjuna Akkineni | ... | Yavakri (as Nagarjuna) | |
| Ashfaq Rauf | ... | King | |
| Milind Soman | ... | Arvasu | |
| Sonali Kulkarni | ... | Nittilai | |
| Gopal Piplani | ... | Junior Courtier | |
| Prabhu Deva | ... | Rakshasa (as Prabhudeva) | |
| Tarun Kapoor | ... | Courtier | |
| Raghuvir Yadav | ... | Actor Manager (Sutradhar) | |
| Mohan Agashe | ... | Raibhya | |
| Veena Sajnani | ... | Actor Manager's Wife | |
| Sandeep B.G. | ... | Vishwa | |
| Zul Vellani | ... | Andhaka | |
| Amog | ... | Child | |
| Amitabh Bachchan | ... | Indra (Special Appearance) | |
| Nikita | ... | Child | |
| rest of cast listed alphabetically: | |||
| Dipti Bhatnagar | ... | Dancer ('Chal Re Sajan') (as Deepti Bhatnagar) | |
| Raghupati Fai | ... | Brahmin | |
| Khalid | ... | Chanting Brahmin | |
| Gopi Krishna | ... | Chanting Brahmin | |
| Lakshmi Krishnamurthy | ... | Nittilai's Aunt | |
| Ashok Kumar | ... | Brahmin | |
| Gopi Kumar | ... | Brahmin | |
| Sri Kumar | ... | Chanting Brahmin | |
| Gohul V.B. Nair | ... | Chanting Brahmin | |
| Pradeep | ... | Chanting Brahmin | |
| Pradeesh | ... | Nittilai's Husband | |
| Rajeev | ... | Brahmin (as Rajiv) | |
| Anil Ram | ... | Chanting Brahmin | |
| Sameem Rizvi | ... | Nittilai's Brother | |
| G. Shankar Rao | ... | Nittilai's Father | |
| Deepti Sudhendra | ... | Siddhi | |
| Arun V.S. | ... | Brahmin | |
Directed by | |||
| Arjun Sajnani | |||
Writing credits(in alphabetical order) | ||
| Girish Karnad | play "The Fire and the Rain" | |
| Anil Mehta | screenplay | |
| Arjun Sajnani | screenplay | |
| Atul Tiwari | dialogue | |
| Jayshree T. | screenplay (as T. Tayashree) | |
Produced by | |||
| Meeta Khanna | .... | executive producer | |
| Seema Sawhney | .... | executive producer | |
Original Music by | |||
| Taufiq Qureshi | |||
| Sandesh Shandilya | |||
Cinematography by | |||
| Anil Mehta | |||
Film Editing by | |||
| Jabeen Merchant | |||
Art Direction by | |||
| Shashi Adappa | |||
Costume Design by | |||
| Rukmini Krishnan | |||
| Leena Singh | |||
Makeup Department | |||
| Praveen Bhate | .... | makeup artist: Ms. Tandon (as Praveen Bhatte) | |
| Chandra | .... | assistant makeup artist (as Chandru) | |
| Tanuja Dabir | .... | makeup artist: Ms. Kulkarni | |
| S. Maliq | .... | wigs | |
| Raghu | .... | makeup artist | |
| Rakesh | .... | assistant makeup artist | |
| Ramakrishna | .... | makeup artist (as Rama Krishna) | |
| Shashi Satam | .... | makeup artist: Mr. Shroff | |
Production Management | |||
| Harish Amin | .... | unit manager | |
| M.G. Sathya | .... | production manager | |
Art Department | |||
| Krishna Raichur | .... | art department assistant | |
| Ravi Sarvesh | .... | art department assistant | |
| Sonal Sawant | .... | associate art director | |
Sound Department | |||
| Amit | .... | sound assistant | |
| Sajjan Choudhary | .... | foley artist (as Sajjan) | |
| R. Gupta | .... | foley artist | |
| Boby John | .... | supervising sound editor | |
| Sajith Koyeri | .... | ProTools operator (as Shajith K.) | |
| Sanjay Kurian K. | .... | post-production sound assistant (as Sanjay Kurein) | |
| Ajay Kumar P.B. | .... | sound re-recording mixer | |
| Resul Pookutty | .... | foley engineer | |
| P.M. Satheesh | .... | sound designer: Dolby Digital Design | |
| Karnail Singh | .... | foley artist | |
| Jayant Vajpayee | .... | sound assistant (as Jayant) | |
| Girja Shankar Vohra | .... | location sound (as Girija Vohra) | |
| M.D. Yakub | .... | boom operator | |
Visual Effects by | |||
| Vishal Anand | .... | visual effects | |
| Sachdev Bharat | .... | visual effects | |
| Sherry Bharda | .... | visual effects | |
| Amit Chomal | .... | visual effects | |
| Prakash D'Cunha | .... | visual effects | |
| Sanjay Francis | .... | visual effects | |
| Roshini Joshi | .... | visual effects | |
| Rahul Kallankandy | .... | visual effects (as Rahul Kalankandy) | |
| Pankaj Khandpur | .... | visual effects | |
| Giles Livesey | .... | digital film colorist | |
| Sandesh Pai | .... | visual effects | |
| Rohit Prasad | .... | visual effects editor | |
| Piku Shahani | .... | visual effects | |
| Vandana Shrivastava | .... | visual effects | |
| Aquil Unia | .... | visual effects | |
| Anand Vishal | .... | visual effects | |
Stunts | |||
| Sheikh Aloo | .... | action assistant | |
| Allan Amin | .... | stunt director (as Alan Amin) | |
| Babubhai | .... | action assistant | |
| Gregory D'Souza | .... | action assistant (as Gregory D. Souza) | |
| Firoz Khan | .... | action assistant | |
| Amar Reddy | .... | action assistant | |
| Francis D. Souza | .... | action assistant | |
Camera and Electrical Department | |||
| G.R. Adam | .... | co-grip | |
| Balaram Dawande | .... | lighting technician (as Balaram Davande) | |
| Tukaram Joshi | .... | lighting technician | |
| Nazir Khan | .... | crane operator | |
| Rasool Khan | .... | lighting technician | |
| Ravi Kuduur | .... | crane operator (as Ravi) | |
| Mohan Mishra | .... | lighting technician (as Mohan Misra) | |
| K.U. Mohanan | .... | chief associate camera operator | |
| K. Narayanan | .... | lighting technician | |
| Madhu Neelkanthan | .... | first assistant camera | |
| Bageshwar Pandey | .... | lighting technician | |
| Kishen Parva | .... | lighting technician | |
| Sapnesh Pradham | .... | lighting technician | |
| Ram Prasad | .... | focus puller | |
| Ramana | .... | crane operator (as Ramanna) | |
| C. Ramesh | .... | still photographer | |
| Mohammed Hamid Shah | .... | lighting technician | |
| Sharif Ali Shah | .... | lighting technician | |
| Abdul Hamid Sheikh | .... | gaffer (as Abdul Hamid Shaikh) | |
| R. Siddharth | .... | second assistant camera | |
| Subhan Stavan | .... | lighting technician | |
| Rafiq Virani | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Satyanarayana D.Y. | .... | dresser (as Satyanarayana) | |
| Apparao Govind | .... | dresser | |
| Ramkrishna | .... | dresser | |
| Anna Singh | .... | costume consultant: Ms. Tandon and Mr. Shroff | |
Editorial Department | |||
| Jitendra Matharoo | .... | negative cutter | |
Music Department | |||
| K.S. Chitra | .... | playback singer | |
| John C. | .... | background score recording engineer | |
| Devissaro | .... | choir trainer | |
| Zakir Hussain | .... | musician: tabla | |
| Pamela Jain | .... | playback singer | |
| Kay Kay | .... | playback singer | |
| Ustad Sultan Khan | .... | musician | |
| Jaspinder Narula | .... | playback singer | |
| K. Sethuraman | .... | song recording & mixing | |
| Alka Yagnik | .... | playback singer | |
Other crew | |||
| Mabeet Abbas | .... | marketing and promotions | |
| Shivani Bali | .... | production coordinator | |
| Harish Banavar | .... | production assistant | |
| Arvind Bhanushali | .... | television public relations | |
| Makrand Deshpande | .... | dubbing artist: "Rakshasa" | |
| Prabhu Deva | .... | choreographer (as Prabhudeva) | |
| Bhushan Lakandri | .... | choreographer (as Bhushan Lakhandri) | |
| Rajendra Rao | .... | public relations officer | |
| Akram Shah | .... | production consultant | |
| Vinod Sharma | .... | dubbing artist: "Andhaka" | |
| Daksha Sheth | .... | choreographer | |
| Rajendranath Zutshi | .... | dubbing artist: "Yavakri" (as Raj Zutshi) | |
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| Water | The Darjeeling Limited | Indiana Jones and the Temple of Doom | Hey Ram | Karan Arjun |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb India section | Add this title to MyMovies |
The first major Indian motion picture to have been "showered" with praise by the American media (with raves from the New York Times and L.A. Times) is quite worthy of the acclaim it has received.
Adapted from a play, (which was derived from the Hindu epic the Mahabharata) Sajnani's film is for those who can look beyond the action on screen and deduce various ideas and philosophies from the story being told. The film is loaded with symbolism and deeper meaning, and manages to raise quite a few provocative questions about divinity and society.
The other great attraction here, besides the allegorical plot, is the cinematography. The entire film has been set to celluloid by the camera of Anil Mehta (who has previously helmed the lavish Hum Dil De Chuke Sanam and the epic, Oscar nominated LAGAAN: Once Upon A Time in India). A famous and attractive historical site in India (the temple ruins of Hampi) is portrayed fantastically in the film by Mehta. His wide-angle panoramic scenes must been seen to be believed.
Other aspects of the film are just about alright. Performances are functional, but Sajnani seems to have been torn as to whether he wanted his characters to be completely melodramatic and stage-like or somewhat restrained. As a result, the actors deliver very confused expressions and dialogs throughout the film. Still, actors Jackie Shroff and Raveena Tandon manage to leave quite an impact in their roles. The show-stealer, however, is screen legend Amitabh Bachan. His 'divine' little role is the one that will linger in the cine-goers mind long after its two hour duration comes to an end. The song-and-dance sequences provide a fine break from the dramatics of the film, but one or two of the songs could have been cut. Background music is pretty well done, but the same cannot be said of the special effects.
Despite the merits of the film, I can't help but feel the film could have managed a much stronger impact if Sajnani had opted for a less linear mode of story telling. Something similar to Tarantino's Pulp Fiction could have worked wonders for the film. As it is now, the film is pretty convoluted and has some continuity and pacing issues. Editing is the film's most glaring shortcoming.
In any case, the film is a worthy effort from India and worth a watch. I would especially recommend it to those who are interested in Hindu theology or philosophy.