| Videos (see all 7 NEW) |
| Geoffrey Rush | ... | Harold Fingleton | |
| Judy Davis | ... | Dora Fingleton | |
| Jesse Spencer | ... | Tony Fingleton | |
| Tim Draxl | ... | John Fingleton | |
| Deborah Kennedy | ... | Billie | |
| David Hoflin | ... | Harold Fingleton Jr. | |
| Craig Horner | ... | Ronald Fingleton | |
| Brittany Byrnes | ... | Diane Fingleton | |
| Mitchell Dellevergin | ... | Young Tony | |
| Thomas Davidson | ... | Young John | |
| Kain O'Keeffe | ... | Young Harold Jr. | |
| Robert Quinn | ... | Young Ronald | |
| Keeara Byrnes | ... | Young Diane | |
| Mark Hembrow | ... | Tommy | |
| Simon Burvill-Holmes | ... | Brother Campbell | |
| Bob Newman | ... | Panno | |
| Andrew Nason | ... | Burly Labourer | |
| Barrie Young | ... | Pub Patron | |
| Michael Earnshaw | ... | Pub Patron | |
| Remi Broadway | ... | Murray Rose | |
| Melissa Thomas | ... | Dawn Fraser | |
| Andrew Booth | ... | Bruce Humphrey | |
| Brett Bullock | ... | Gary Humphrey | |
| Todd Leigh | ... | Lifeguard | |
| Steven O'Donnell | ... | Lifeguard | |
| Christopher Morris | ... | Medic | |
| Anneliese Fegan | ... | Nurse | |
| Gyton Grantley | ... | Swimmer | |
| Tudor Vasile | ... | Swimmer | |
| Dayle Marriott | ... | Melbourne Swimmer | |
| Nick Crilly | ... | Jason Saunders | |
| Laura Donaldson | ... | Young Girl Fan with Dog | |
| Courtney Ayre | ... | Young Girl Fan #1 | |
| Joanne Dobbin | ... | Young Girl Fan #2 | |
| Todd Levi | ... | Well Dressed Man | |
| Russell Krause | ... | Reporter | |
| Ron Kelly | ... | Reporter | |
| Murray Rose | ... | Reporter | |
| Paul Raynor | ... | Reporter | |
| Justine Anderson | ... | Tearoom Waitress | |
| Dawn Fraser | ... | Dawn Fraser's Coach | |
| Chris Herden | ... | North Sydney Race Starter | |
| Cameron Watt | ... | Valley Pool Starter | |
| Christopher Betts | ... | Valley Pool Starter | |
| Terry Bone | ... | Valley Pool Starter | |
| Peter Marshall | ... | Empire Games Race Starter | |
| Bruce Wainwright | ... | Empire Games Official | |
| Peter Jeremijenko | ... | Pool Marshall | |
| Bruce Shapiro | ... | Pool Man | |
| Chas Green | ... | Striker | |
| Aash Aaron | ... | Striker (as Aaron Aash) | |
| Ray McCabbin | ... | Catholic Priest | |
| Katherine Lyall Watson | ... | Grocery Woman | |
| Raj Ryan | ... | Radio Commentator | |
| rest of cast listed alphabetically: | |||
| Michael Ienna | ... | School Student | |
| Garry Parmenter | ... | Australian Titles Race Starter | |
| Luke Wright | ... | Mark | |
| Des Drury | ... | Mack (uncredited) | |
| Prince Philip | ... | Himself (archive footage) (uncredited) | |
| Sonja Zanger | ... | Indignant woman (uncredited) | |
Directed by | |||
| Russell Mulcahy | |||
Writing credits(WGA) | ||
| Anthony Fingleton | (autobiography) and | |
| Diane Fingleton | (autobiography) | |
| Anthony Fingleton | (screenplay) | |
Original Music by | |||
| Reinhold Heil | |||
| Johnny Klimek | |||
Cinematography by | |||
| Martin McGrath | |||
Film Editing by | |||
| Marcus D'Arcy | |||
Casting by | |||
| Ann Robinson | |||
Production Design by | |||
| Roger Ford | |||
Art Direction by | |||
| Laurie Faen | |||
Set Decoration by | |||
| Kerrie Brown | |||
Costume Design by | |||
| Angus Strathie | |||
Makeup Department | |||
| Anita Morgan | .... | hair stylist | |
| Anita Morgan | .... | makeup artist | |
| Lynne O'Brien | .... | makeup department head | |
| Tracy Reeby | .... | hair stylist | |
| Tracy Reeby | .... | makeup artist | |
| Pamela Roth | .... | makeup artist: Judy Davis | |
| Kym Sainsbury | .... | additional hair stylist | |
| Kym Sainsbury | .... | makeup artist | |
| Zeljka Stanin | .... | hair stylist: Ms. Davis | |
| Dallas Stephens | .... | senior hair stylist | |
| Dallas Stephens | .... | senior makeup artist | |
Production Management | |||
| Steve Bond | .... | assistant unit manager | |
| Jennifer Cornwell | .... | production manager | |
| Bronwyn Gerathy | .... | post-production supervisor | |
| Paul Malone | .... | unit manager | |
| Paul Pompian | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Guy Campbell | .... | second assistant director | |
| Carolynne Cunningham | .... | first assistant director | |
| Cas Hall | .... | third assistant director | |
| Tim Hughes | .... | third assistant director | |
| Kelly Johanson | .... | assistant director: cast | |
| Charles Mann | .... | additional assistant director | |
| Dean Mountford | .... | additional assistant director | |
Sound Department | |||
| Christian Bass | .... | sound editor | |
| Greg Burgmann | .... | production sound mixer | |
| Gethin Creagh | .... | additional sound mixer | |
| Paul Jons | .... | boom operator | |
| Sonal Joshi | .... | adr editor | |
| Nada Mikas | .... | dialogue editor | |
| Damon Mouris | .... | sound mixing assistant | |
| Linda Murdoch | .... | sound editor: atmosphere | |
| Bronwyn Murphy | .... | assistant sound editor | |
| Andrew Plain | .... | supervising sound editor | |
| Liam Price | .... | assistant sound editor | |
| Blair Slater | .... | foley engineer | |
| Peter D. Smith | .... | sound re-recording mixer | |
| Robert Sullivan | .... | temp dub mixer | |
| Lidia Tamplenizza | .... | assistant sound editor | |
| Michael Thompson | .... | adr engineer | |
| Glen Townson | .... | second boom operator | |
| Mario Vaccaro | .... | foley artist | |
| Mark Ward | .... | sound effects editor | |
| Andy Wright | .... | adr recordist | |
Special Effects by | |||
| Harry Ward | .... | special effects supervisor | |
Visual Effects by | |||
| Tim Baier | .... | digital compositor: Animal Logic | |
| Chris Burn | .... | digital compositor: Animal Logic | |
| Robert Cunynghame | .... | visual effects editorial assistant | |
| Jonathan Dixon | .... | digital liaison | |
| Jeanmarc Furio | .... | digital compositor: Animal Logic | |
| Jonathan Hairman | .... | digital compositor | |
| Mark Harmon | .... | digital opticals | |
| Michelle Jenkinson | .... | digital compositor: Animal Logic | |
| Rita Kunzler | .... | digital compositor: Animal Logic | |
| Maryanne Lauric | .... | digital compositor: Animal Logic | |
| Jolene McCaffrey | .... | digital compositor: Animal Logic | |
| Amber Naismith | .... | visual effects producer | |
| Zareh Nalbandian | .... | visual effects executive producer: Animal Logic | |
| Graham Olsen | .... | digital opticals effects | |
| John Pope | .... | scanning | |
| Dane Rapaport | .... | systems administrator | |
| Danielle Rubin | .... | visual effects coordinator | |
| Robert Sandeman | .... | digital opticals effects | |
| Anthos Simon | .... | digital opticals effects | |
| Chris Swinbanks | .... | scanning supervisor | |
| Kat Szuminska | .... | digital compositor: Animal Logic | |
| Tim Trumble | .... | film recording technician | |
| Philip Whitely | .... | matte painter | |
| Simon Whitley | .... | matte painter (as Simon Whiteley) | |
| Simon Whitley | .... | visual effects supervisor (as Simon Whiteley) | |
| Frederick Wolff | .... | scanning | |
| Henry Yekanians | .... | digital opticals effects | |
| George Zwier | .... | digital compositor | |
Stunts | |||
| Chris Anderson | .... | stunt coordinator | |
| Ray Anthony | .... | stunts | |
| Danny Baldwin | .... | stunts | |
| Mick Corrigan | .... | stunts | |
| Harley D'Jekic | .... | stunts | |
| Simon Durante | .... | stunts | |
| Sam Elia | .... | stunts | |
| Peter Jeremijenko | .... | stunts | |
| Nigel King | .... | stunts | |
| Rick MacLure | .... | stunts (as Rick MacClure) | |
| Nick McKinless | .... | stunts | |
| Stephen Robinson | .... | stunts | |
| Darko Tuscan | .... | assistant stunt coordinator (as Darko Tuskan) | |
| Darko Tuscan | .... | stunts (as Darko Tuskan) | |
| Darrell Walshe | .... | stunts | |
Camera and Electrical Department | |||
| Jesse Christidis | .... | clapper loader: second camera | |
| Simon Christidis | .... | Steadicam operator | |
| Phil Cross | .... | camera operator | |
| Phil Cross | .... | underwater camera operator (as Philip Cross) | |
| Phil Cross | .... | underwater director of photography | |
| Celia Do Carmo Jong | .... | video split operator | |
| Mark Green | .... | electrician | |
| David Griffiths | .... | assistant grip | |
| Glenn Jones | .... | generator operator | |
| Kristen Jones | .... | film loader | |
| Jamieson Lowe | .... | camera loader | |
| Brett Marks | .... | key grip | |
| Margie McClymont | .... | focus puller | |
| Maurice McKay | .... | assistant grip | |
| Ken Moffatt | .... | gaffer | |
| Kai Nemeth | .... | electrician | |
| Margaret Stancombe | .... | camera attachment | |
| Ivan Tatarovic | .... | best boy grip | |
| Vince Valitutti | .... | still photographer | |
Casting Department | |||
| Sally Mann | .... | casting assistant | |
| Jade Tam | .... | extras casting | |
Costume and Wardrobe Department | |||
| Alison Coady | .... | costume buyer | |
| Saffron Firkins | .... | costume cutter | |
| Eliza Godman | .... | costume supervisor | |
| Kim Green | .... | costume extras coordinator | |
| Julie Herlihy | .... | costume supervisor (as Julie Herlily) | |
| Shereen Khan | .... | stand-by costume: extras | |
| Matthew Kinman | .... | assistant stand-by wardrobe | |
| Helen Mains | .... | key costume stand-by | |
| Emma Shakes | .... | costume maker | |
Editorial Department | |||
| Pamela Barnetta | .... | film conform editor | |
| Mario Barrera | .... | colorist | |
| David Burrows | .... | film conform editor | |
| Frayne Dyke-Walker | .... | additional editor | |
| Alan Hansen | .... | digital colorist | |
| Susan Horsley | .... | film conform editor | |
| Paula Lourie | .... | film conform editor | |
| Tony Manning | .... | film grader | |
| Omneya 'Nini' Mazen | .... | post-production consultant | |
| Antonio Mestres | .... | assistant editor | |
| Rebecca Murphy | .... | assistant editor | |
| Cleo Myles | .... | first assistant editor | |
| Karen Psaltis | .... | negative matcher | |
| Milena Romanin | .... | assistant editor | |
Music Department | |||
| Shawn K. Clement | .... | composer: additional music | |
| Leah Curtis | .... | music preparation | |
| Arlene Fishbach | .... | music supervisor | |
| Alan Hewitt | .... | composer: additional music | |
| Bronwen Jones | .... | orchestrator | |
| Simon Leadley | .... | music editor | |
| Tommy Lockett | .... | music editor | |
| Gabriel Isaac Mounsey | .... | music programmer | |
| Dana Niu | .... | orchestrator | |
| Tim Ryan | .... | music editor | |
| David Sabee | .... | conductor | |
| Mike Slamer | .... | composer: additional music | |
| Mike Slamer | .... | music editor | |
| Susan Slamer | .... | music supervisor | |
| Jesse Voccia | .... | music programmer | |
| Katrina Schiller | .... | music editor: temp music (uncredited) | |
Other crew | |||
| Caroline Austin | .... | production secretary | |
| Bish Bishop | .... | unit assistant | |
| Kira Bohn | .... | script supervisor | |
| Pina Brancalini | .... | location assistant | |
| Kerrin Crompton | .... | unit assistant | |
| Elaine Crowther | .... | production accountant | |
| Karin Davis | .... | production assistant | |
| Cameron Hoy | .... | production runner | |
| Mark Learmont | .... | unit assistant | |
| Nicole Matthews | .... | production runner | |
| Rebecca McElroy | .... | location scout | |
| Jamie McLennan | .... | location manager | |
| Kerry Mulgrew | .... | production coordinator | |
| Tim O'Connor | .... | accounting assistant | |
| Bob Parsons | .... | armorer | |
| Tonia Pearson | .... | assistant: Andrew Mason | |
| Nathalia Rayfield | .... | assistant: Geoffrey Rush | |
| N. Sandberg | .... | senior consultant: film production | |
| N.L. Sandberg | .... | senior consultant: film production | |
| Fiona Searson | .... | unit publicist | |
| Nick Smith | .... | assistant location manager | |
| Julian Summers | .... | armorer | |
| Fiona Wallis | .... | animal wrangler | |
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| Across the Universe | 1969 | El diputado | Breakfast on Pluto | Boy A |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb Australia section | Add this title to MyMovies |
This true story of Australian swimmer Tony Fingleton is not your typical "inspirational" tale of rising above the odds to become a champion, it is rather a tale about the real meaning of success. Success is about realising yourself, not the deeds you do or the medals you win. For Tony this was a tough lesson to learn.
The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.
The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.
Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!