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Gilles Mimouni (film L'Appartement)
Brandon Boyce (screenplay)
3 September 2004 (USA) more
Passion never dies.
A young Chicago advertising executive believes a woman he sees in a café is his long-lost love. His conviction leads to obsession, as he puts his life on hold to trail her. full summary | full synopsis
1 nomination more
Anthony Hopkins As Odin (Not Brian Blessed) And Grant Morrison's Mystery Project In Today's Twitter Report
(From MTV Splash Page. 30 October 2009, 11:31 AM, PDT)
Movie Review: Inglourious Basterds (2009)
(From Rope Of Silicon. 21 August 2009, 5:52 AM, PDT)
An surprisingly good film. more (243 total)
| Josh Hartnett | ... | Matthew | |
| Rose Byrne | ... | Alex | |
| Matthew Lillard | ... | Luke | |
| Diane Kruger | ... | Lisa | |
| Christopher Cousins | ... | Daniel | |
| Jessica Paré | ... | Rebecca | |
| Vlasta Vrana | ... | Jeweller | |
| Amy Sobol | ... | Ellie | |
| Ted Whittall | ... | Walter | |
| Isabel Dos Santos | ... | Chamber Maid | |
| Joanna Noyes | ... | Mary | |
| Kerrilyn Keith | ... | Female Customer | |
| Mark Camacho | ... | Bartender | |
| Marcel Jeannin | ... | Theater Director | |
| Stéfanie Buxton | ... | Ticket Agent | |
| Stanley Hilaire | ... | Stage Manager | |
| Zhenhu Han | ... | Mr. Hong | |
| Lu Ye | ... | Ms. Hsia | |
| Christian Paul | ... | Orsino | |
| Gillian Ferrabee | ... | Robin | |
| Frank Fontaine | ... | Priest | |
| Miranda Handford | ... | Actress Olivia | |
| Benjamin Hatcher | ... | Choreographer | |
| Richard Jutras | ... | Hotel Manager | |
| Kelly Anne Patterson | ... | Hostess | |
| Mary Morter | ... | Old Lady | |
| Erika Rosenbaum | ... | Waitress | |
| Jessica Schulte | ... | Waitress (as Jessica Shulte) | |
| Paul Doucet | ... | Driver | |
| Jamieson Boulanger | ... | Boyfriend | |
| Carrie Colak | ... | Girlfriend | |
| Gordon Masten | ... | Hot Dog Vendor |
Directed by | |||
| Paul McGuigan | |||
Writing credits(WGA) | ||
| Gilles Mimouni | (film L'Appartement) | |
| Brandon Boyce | (screenplay) | |
Original Music by | |||
| Cliff Martinez | |||
Cinematography by | |||
| Peter Sova | |||
Film Editing by | |||
| Andrew Hulme | |||
Casting by | |||
| Deborah Aquila | |||
| Andrea Kenyon | |||
| Randi Wells | |||
| Mary Tricia Wood | |||
Production Design by | |||
| Richard Bridgland | |||
Set Decoration by | |||
| Suzanne Cloutier | |||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Deborah K. Dee | .... | makeup artist: Chicago (as Deborah Dee) | |
| Sandro Di Gioacchino | .... | hair stylist | |
| Réjean Goderre | .... | key hair stylist | |
| Mindy Hall | .... | makeup artist: Mr. Hartnett | |
| Gaétan Landry | .... | assistant hair stylist | |
| Christine Larocque | .... | wig maker | |
| Micheline Trépanier | .... | key makeup artist | |
| Nathalie Trépanier | .... | makeup artist | |
Production Management | |||
| John Anthony | .... | production supervisor | |
| Manon Bougie | .... | production manager | |
| Marc-André Goyer | .... | assistant unit manager | |
| Karyn McCarthy | .... | unit production manager: USA | |
| James McQuaide | .... | post-production supervisor | |
| Tal Meirson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jesabelle Boileau | .... | additional third assistant director | |
| Ariane Côté-Chénier | .... | additional third assistant director | |
| Jennifer Deigl | .... | second second assistant director: Chicago | |
| Pedro Gandol | .... | first assistant director | |
| James Giovannetti Jr. | .... | first assistant director: Chicago | |
| Carl Kouri | .... | additional third assistant director | |
| Richard S. Lederer | .... | key second assistant director: Chicago (as Richard Lederer) | |
| Laurence Mercier | .... | third assistant director | |
| Natalie Plante | .... | additional third assistant director | |
| Dandy Thibaudeau | .... | second assistant director (as Dandy Thibodeau) | |
Art Department | |||
| Sandra Borromeo | .... | assistant art department coordinator | |
| Real Capuano | .... | scenic technician | |
| Erik Gosselin | .... | custom props | |
| Martin Handfield | .... | on-set property master | |
| Lucie Tremblay | .... | set designer | |
| Paul Le Maire | .... | set dresser (uncredited) | |
Sound Department | |||
| David Franklin Bergad | .... | adr editor (as David Bergad) | |
| Mark Berger | .... | supervising re-recording mixer | |
| Maxime Ferland | .... | boom operator | |
| Malcolm Fife | .... | sound effects editor | |
| Piotr Filipowski | .... | sound effects editor | |
| Kim Foscato | .... | foley editor | |
| Curt Frisk | .... | sound mixer: Chicago | |
| Henry Godding Jr. | .... | adr recordist: Montreal | |
| Samuel H. Hinckley | .... | sound effects editor (as Samuel Hinckley) | |
| Jason Johnston | .... | utility sound: Chicago | |
| Douglas Murray | .... | sound designer | |
| Douglas Murray | .... | supervising sound editor | |
| John Nutt | .... | adr editor | |
| Richard Quinn | .... | dialogue editor (as Rich Quinn) | |
| Blair Scheller | .... | boom operator: Chicago | |
| Michael Semanick | .... | sound re-recording mixer | |
Special Effects by | |||
| Francis Choquette | .... | special effects technician | |
| Louis Craig | .... | special effects supervisor | |
| Mario Dumont | .... | special effects coordinator | |
| John Rigden | .... | special effects foreman: Chicago | |
| Philippe Roberge | .... | special effects technician | |
Visual Effects by | |||
| Gary E. Beach | .... | visual effects coordinator (as Gary Beach) | |
| Artaya Boonsoong | .... | senior technical artist | |
| Gary J. Brown | .... | Inferno artist (as Gary Brown) | |
| Chad Dombrova | .... | visual effects | |
| H Haden Hammond | .... | visual effects: Luma Pictures | |
| Justin Johnson | .... | senior visual effects artist | |
| Trent Johnson | .... | digital film colorist | |
| Wendy Klein | .... | visual effects: Luma Pictures | |
| James McQuaide | .... | visual effects supervisor | |
| Glenn Morris | .... | digital artist | |
| Ian Noe | .... | visual effects artist | |
| Phil Pham | .... | digital compositor: Luma Pictures | |
| Burke Roane | .... | compositor: Luma Pictures | |
| Trey Roane | .... | compositor: Luma Pictures | |
| Christopher Sage | .... | digital effects artist: Luma Pictures | |
| Jason Scherbert | .... | digital artist | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Thanapoom Siripopungul | .... | visual effects artist: Luma Pictures | |
| Wilson Tang | .... | digital restoration | |
| Daniel E. Zobrist | .... | lead matchmove artist (as Daniel Emil Zobrist) | |
| Chih-Jen Chang Andy | .... | digital compositor: Luma Pictures (uncredited) | |
Stunts | |||
| Marc Désourdy | .... | stunt coordinator | |
| Martin Williams | .... | stunt rigger | |
Camera and Electrical Department | |||
| Jean-François Abran | .... | electrician | |
| Faires Anderson | .... | aerial camera operator | |
| Yves Arseneau | .... | electrician | |
| Sylvain Bernier | .... | gaffer | |
| François Daignault | .... | camera operator: "a" camera | |
| Mathieu Décary | .... | first assistant camera: dailies | |
| Jean-Yves Denis | .... | grip | |
| Attila Dory | .... | still photographer | |
| Zachary Gannaway | .... | camera loader: Chicago | |
| Rémi Giroux | .... | grip | |
| John Harris | .... | pre-light electrician | |
| Charles S. Hodes | .... | still photographer | |
| Isabelle Lecompte | .... | second assistant camera | |
| Charles Marcotte | .... | electrician | |
| Nicolas Marion | .... | first assistant camera: "a" camera | |
| Michel Périard | .... | key grip | |
| Ryan Puckett | .... | grip | |
| John S. Robertson | .... | key grip | |
| Dan Schroer | .... | second assistant camera: Chicago | |
| Dean M. Simmon | .... | first assistant camera | |
| Michel St. Martin | .... | grip | |
| Stephane Tanguay | .... | electrician | |
| Marco Venditto | .... | electrician | |
Casting Department | |||
| Gabriel Lavina | .... | casting assistant: Montreal | |
| Shawn Roberts | .... | casting assistant | |
| Jennifer L. Smith | .... | casting associate | |
Editorial Department | |||
| Tony Dustin | .... | digital color assist | |
| Kenn Elliott | .... | dailies colorist | |
| David Heinz | .... | post-production assistant | |
| Trent Johnson | .... | digital film colorist | |
| Peter Kwong | .... | assistant editor | |
| Mike Mertens | .... | color consultant | |
| Beth Ostermann | .... | digital intermediate producer | |
| Bob Peishel | .... | digital intermediate producer | |
| Mike Sowa | .... | digital preview timer | |
Music Department | |||
| Richard Henderson | .... | music editor | |
| Charles B. Kim | .... | music programmer (as Charles Kim) | |
| Stephen Krause | .... | music scoring mixer | |
| Stephen Krause | .... | score recordist | |
| Michael A. Levine | .... | composer: additional music (as Michael Levine) | |
| Cliff Martinez | .... | score producer | |
| Liza Richardson | .... | music supervisor | |
| Fredrik Sarhagen | .... | additional score mixer | |
| Fredrik Sarhagen | .... | additional score recordist | |
Transportation Department | |||
| Bertrand Calmeau | .... | driver: Matthew Lillard | |
| Alexandre Juaneda | .... | transportation captain | |
Thanks | |||
| Robert L. Benun | .... | thanks: end titles | |
Obsessed (USA) (working title)
more
Rated PG-13 for sexuality and language.
114 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
Australia:M | Malaysia:U | Canada:PG (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Iceland:10 (original rating) | Iceland:12 (video rating) | Portugal:M/12 | South Korea:15 | Argentina:13 | Chile:14 | Finland:K-7 | Germany:o.Al. | Ireland:12 | Norway:A | Peru:14 | Philippines:PG-13 | Singapore:PG | UK:12A | USA:PG-13 (certificate #40403)
Freddie Prinze Jr. was also considered for the role of Matt. more
Audio/visual unsynchronized: When Matt tells Luke he has to go to a funeral, his mouth doesn't match what he's saying. more
[first lines]
Jeweller:
[holding a diamond ring] Magnificent, aren't they? "God's tears".
Matthew:
Yeah. It's beautiful. So are the others, I... I guess I just have to make the right decision.
Jeweller:
In the end it's not your eye that must decide.
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I Miss You Now more
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It was a lazy Sunday night and the only movies playing were Wicker Park and Super Babies Baby Geniuses 2. Well, I picked the film with a more attractive cast.
After about the first thirty minutes of Wicker Park I was laughing because it seemed like this was the most absurd movie I had ever seen. However, as the film progressed the laughter subsided and intrigue ensued. By the last thirty minutes of the film I was hooked. When it was over, I was surprised that a movie that had started out so poorly ended up being one of the better films I have seen in a while.
If one sees this film, I recommend he/she be patient. I found the overall experience, despite the bad beginning, to be quite good.
4/5 stars