| Amanda Foreman | ... | Natalie Reed | |
| Vincent Ventresca | ... | Thomas Reed | |
| Jason Brooks | ... | Martin Reed | |
| John Jabaley | ... | Trucker | |
| Alexandra Holden | ... | Sunny Burkhardt | |
| Pat Corley | ... | Roy | |
| Ford Rainey | ... | Phil (as Ford Raney) | |
| Kevin Alejandro | ... | Owen Mecklin | |
| Gregg Henry | ... | Dean Mecklin | |
| Nicholas Turturro | ... | Johnny Ramos | |
| Brian Austin Green | ... | Randy Mecklin | |
| Robert Wu | ... | Store Owner (as Robert C. Wu) | |
| David Markey | ... | Security Guard | |
| Royce D. Applegate | ... | Det. Travis McGill |
Directed by | |||
| Harris Done | |||
Writing credits(in alphabetical order) | ||
| Harris Done | writer | |
| Diane Fine | writer | |
Produced by | |||
| Craig Ayers | .... | line producer | |
| Raymond Chao | .... | executive producer | |
| John J. Kelly | .... | producer | |
| Paul McMinn | .... | associate producer | |
Original Music by | |||
| Sean Murray | |||
Cinematography by | |||
| Pedro Castro | |||
Film Editing by | |||
| Michael Mayhew | |||
Production Design by | |||
| Jacqueline Masson | |||
Makeup Department | |||
| Linda Vallejo | .... | makeup department head | |
Production Management | |||
| Craig Ayers | .... | production manager | |
Art Department | |||
| Aaron Ponciano | .... | swing gang | |
Sound Department | |||
| Paul Drenning | .... | adr mixer | |
| Stephen Fitzmaurice | .... | sound re-recording mixer | |
| Stephen M. Galvin | .... | adr editor | |
| Stephen M. Galvin | .... | dialog editor | |
| Stephen M. Galvin | .... | sound editor | |
| Patrick M. Griffith | .... | supervising sound editor | |
| Mike Hall | .... | sound mixer | |
| Peter Hansen | .... | boom operator | |
| Steve McCarty | .... | sound editor | |
| Chris Ostler | .... | sound recordist | |
| Timothy Pearson | .... | foley artist | |
| Noel Vought | .... | foley artist | |
| John Peccatiello | .... | foley coordinator (uncredited) | |
Stunts | |||
| Jeff Danoff | .... | stunts | |
Costume and Wardrobe Department | |||
| Jeanine Castle | .... | set costumer | |
Editorial Department | |||
| Chuck Winston | .... | color timer | |
Music Department | |||
| Gregg Henry | .... | composer: song "Wide Streth of the Road" (as Henry Lee Gregg) | |
Transportation Department | |||
| Harry Zabounian | .... | transportation coordinator | |
Other crew | |||
| Tim Shuler | .... | set medic | |
| Karen Toronjo | .... | production coordinator | |
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| Gilda | Malice | White Sands | The Quiet American | The Lost Boys |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section | Add this title to MyMovies |
I am so happy not to live in an American small town. Because whenever I'm shown some small town in the States it is populated with all kinds of monsters among whom flesh hungry zombies, evil aliens and sinister ghosts are most harmless. In this movie a former doctor, who's just done time for an accidental killing of his wife in a car crash, directs his steps to the nearest small town - he must have never in his life seen a flick about any small towns - which happens to be the Purgatory Flats. And, of course, as soon as he arrives there all the hell breaks loose. He meets a blond chick who out of all creatures most resembles a cow both in facial expressions and in brain functioning and at once falls in love with her. But there is a tiny handicap, she is already married to a very small-time drug dealer who in a minute gets himself shot pitifully not dead. To know what has come out of all this you should watch the movie for yourself. I'll just tell you that it's slightly reminiscent of U Turn by Oliver Stone but is a way down in all artistic properties.