| Jane Goodall | ... | Herself / Narrator | |
| rest of cast listed alphabetically: | |||
| Marc Strange | ... | Narrator (additional) | |
Directed by | |||
| David Lickley | |||
Writing credits(in alphabetical order) | ||
| Stephen Low | writer | |
Produced by | |||
| Michael Boeckmann | .... | associate executive producer | |
| Mike Day | .... | executive producer | |
| Becky Kirkpatrick | .... | associate executive producer | |
| James Lahti | .... | associate producer | |
| David Lickley | .... | producer | |
| Kathryn Liptrott | .... | line producer (as Kathryn Liptrott Galligan) | |
| Jim Marchbank | .... | executive producer | |
| Freda Nicholson | .... | executive producer | |
| Carolyn Thain | .... | associate executive producer | |
Original Music by | |||
| Amin Bhatia | |||
Cinematography by | |||
| James Neihouse | |||
| Reed Smoot | |||
Film Editing by | |||
| James Lahti | |||
Production Management | |||
| Charles Braive | .... | production manager: second unit | |
| Rick Gordon | .... | post-production supervisor | |
| Annie Toth | .... | post-production manager | |
Sound Department | |||
| Alek Bromke | .... | voiceover recordist | |
| Richard Calistan | .... | adr mixer | |
| Ed Douglas | .... | sound editor | |
| Henry Godding Jr. | .... | voice recordist: French version | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Cory Mandel | .... | sound re-recording mixer | |
| Christopher Miller | .... | assistant sound editor | |
| Don White | .... | foley recording mixer | |
| Don White | .... | sound re-recording mixer | |
Visual Effects by | |||
| Jon Cowley | .... | visual effects art director: Toybox | |
| Mark Goldberg | .... | rotoscope artist | |
| James Jacobs | .... | 3D animator: ToyBox | |
| Phil Jones | .... | visual effects supervisor | |
| Zachary V. Lowe | .... | computer animator | |
| Nick Perks | .... | 3D animator: ToyBox | |
| Fiona Campbell Westgate | .... | visual effects producer | |
Music Department | |||
| Jamie Hopkings | .... | orchestrator | |
| Cory Mandel | .... | score recordist | |
| Cory Mandel | .... | scoring mixer | |
Other crew | |||
| Steven Lewis | .... | production attorney | |
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| Red Crabs Crazy Ants | And the Band Played On | The Lawnmower Man | Cats: Caressing the Tiger | Tarzan and His Mate |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
I've seen this documentary first at an IMAX theatre and later on DVD. The reason to view it was due to the music of Johnny Clegg featuring in it. In my opinion, the best IMAX movies are those which show spectacular nature because that would be most impressive on a large IMAX screen. Jane Goodall's Wild Chimpanzees is about chimps, not impressive natural phenomena, so my expectations where moderate. Thankfully, it was better then I expected, and not because the short arial shot of Africa, but due to the content of the story.
The emphasis of the documentary is clearly on Jane Goodall and the chimpanzees she studies: the documentary briefly tells what she discovered beside telling the story of her life. Despite the sad truth that only 150.000 chimpanzees remain in Africa today (against 1 to 2 million a century ago), the mood of the documentary remains positive and focuses on the human aspect (no pun intended). I appreciated that the documentary refrained from having too many emotional taglines, which seems to be common in American documentaries. I recall that the movie only became melodramatic (bweh) once; the other times it either remained with the facts or it was clearly an opinion of Jane which was portraited.
Comparing it to other IMAX documentaries I recently watched: it was better then "Greatest places", which has more great (IMAX like) footage but has no storyline, but not as good as "Dolphins". I think the music (songs) and score (background music), which beautifully blend together, are better in this documentary, but I may be biased.
As for the DVD, it's not the same as seeing in an IMAX theatre, and despite that the source has such a high quality, I personally did not see that much of a difference between this and DVD made with regular cameras. However, the many bonus features on this DVD, like the behind-the-scenes, trailers, making of the music, commentaries (both from Jane Goodall and the director) make it a great addition to the movie.