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Directed by | |||
| John Singleton | |||
Writing credits(WGA) | ||
| Gary Scott Thompson | (characters) | |
| Michael Brandt | (story) & | |
| Derek Haas | (story) and | |
| Gary Scott Thompson | (story) | |
| Michael Brandt | (screenplay) & | |
| Derek Haas | (screenplay) | |
Produced by | |||
| Michael Fottrell | .... | executive producer | |
| Heather Lieberman | .... | co-producer | |
| Lee R. Mayes | .... | executive producer | |
| Neal H. Moritz | .... | producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Bruce Cannon | |||
| Dallas Puett | |||
Casting by | |||
| Kim Hardin | (as Kimberly Hardin) | ||
| Bill Marinella | |||
Production Design by | |||
| Keith Brian Burns | |||
Art Direction by | |||
| Lawrence A. Hubbs | |||
Set Decoration by | |||
| Jon Danniells | |||
| Rick Simpson | |||
Costume Design by | |||
| Sanja Milkovic Hays | |||
Makeup Department | |||
| Carla Antonino | .... | makeup artist | |
| Erin Brasfield | .... | makeup artist (as Erin Brasfield-Koplow) | |
| Leo Corey Castellano | .... | additional makeup artist | |
| Hallie D'Amore | .... | key makeup artist | |
| Donna Battersby Greene | .... | hair stylist | |
| Lee Grimes | .... | additional makeup artist | |
| Pauletta O. Lewis | .... | key hair stylist | |
| Bill McCoy | .... | additional makeup artist | |
| Linda Melazzo | .... | makeup artist | |
| Rod Ortega | .... | hair designer: Ms. Mendes | |
| Carol Rasheed | .... | makeup artist | |
| Carol Raskin | .... | hair stylist | |
| Mark Wittenberg | .... | additional makeup artist | |
Art Department | |||
| Chris Alicia Jr. | .... | on-set dresser | |
| Hugh Conlon | .... | construction coordinator: Los Angeles | |
| Robert Crowley | .... | greens foreman | |
| Liba Daniels | .... | art director: second unit | |
| Liba Daniels | .... | assistant art director | |
| Warren Drummond | .... | assistant art director | |
| Gerard V. Engrassia | .... | greens | |
| Michael J. Flynn | .... | prop assistant | |
| James Harris | .... | general foreman | |
| Kevin Long | .... | property master | |
| Kevin Long | .... | property master: second unit | |
| Alexa Marino | .... | art department coordinator | |
| Brian McGee | .... | storyboard artist | |
| Michael Metzel | .... | construction coordinator | |
| Jean-Francois Mignault | .... | concept artist | |
| Philip Schneider | .... | property master (as Phil Schneider) | |
| Nicholas Scott | .... | set designer | |
| Roger Sherman | .... | scenic artist | |
| Xelinda Yancy | .... | art department assistant | |
| Diana Anctil | .... | paint decorator (uncredited) | |
| Kon Iliov | .... | gangboss (uncredited) | |
Visual Effects by | |||
| Chris Allen | .... | R&D supervisor: CIS Hollywood | |
| Johnny Alves | .... | visual effects supervisor: BUF | |
| Chris Anderson | .... | paint artist: CIS Hollywood | |
| Carol Ashley | .... | digital artist: Hammerhead Prods. | |
| Matt Ashton | .... | systems: CIS Hollywood | |
| Erika Bach | .... | 3D scanning assistant coordinator | |
| Louise Baker | .... | pre-visualization artist | |
| Christopher Batty | .... | previsualization artist | |
| Thad Beier | .... | visual effects supervisor | |
| Daniel Birnbaum | .... | I/O operator: Hammerhead Productions | |
| Jonathan Block | .... | main title design & animation | |
| Constance Bracewell | .... | digital supervisor | |
| Richard Britton | .... | lead data technician: LidarVFX | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Daniel Chuba | .... | visual effects executive producer: Hammerhead Productions | |
| Thomas Dadras | .... | animator: Hammerhead Productions | |
| Chris Dawson | .... | motion control camera operator | |
| Tom Daws | .... | digital artist: CIS Hollywood | |
| Michael Degtjarewsky | .... | compositor | |
| Valerie Delahaye | .... | post-production supervisor | |
| Antoine Deschamps | .... | digital artist | |
| Jamie Dixon | .... | animator: Hammerhead Productions | |
| Crystal Dowd | .... | visual effects producer | |
| Syd Dutton | .... | visual effects | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Derek Fisher | .... | previsualization designer | |
| Chris Flynn | .... | digital compositor | |
| Collin Fowler | .... | visual effects coordinator: Illusion Arts | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Lynn M. Gephart | .... | visual effects coordinator | |
| Gilbert Gonzales | .... | digital artist: Hammerhead Productions | |
| Jericho Green | .... | modeler | |
| Sharon Smith Holley | .... | visual effects editor | |
| Justin Jones | .... | digital compositor | |
| Patrick Kavanaugh | .... | digital compositor: CIS Hollywood | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Ntana Key | .... | digital intermediate paint artist | |
| Michael Kory | .... | 3D supervisor | |
| Gregory D. Liegey | .... | digital compositing supervisor: CIS Hollywood | |
| Kevin Lin | .... | digital cleanup artist | |
| Rebecca Marie | .... | animator: Hammerhead Productions | |
| Fumi Mashimo | .... | animator | |
| Mamie McCall | .... | animator: Hammerhead | |
| Kelvin McIlwain | .... | matte artist | |
| Diana Miao | .... | CG artist: CIS Hollywood | |
| Suzanne Mitus-Uribe | .... | senior digital artist: CIS Hollywood | |
| Paolo Moscatelli | .... | digital artist: Hammerhead Prod. | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Josh Novak | .... | lead compositor: end title sequence | |
| Gregory Oehler | .... | senior digital artist: CIS Hollywood | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Jose A. Ortiz Jr. | .... | title animator | |
| Patrick Phillips | .... | visual effects | |
| Kyle Robinson | .... | pre-vis consultant | |
| Michelle Rothburgh | .... | digital assistant | |
| Dixiana Rubio | .... | post production assistant | |
| Mark Russell | .... | visual effects producer: Black Box Digital | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Tom Slovick | .... | production manager: CIS Hollywood | |
| Bill Taylor | .... | visual effects | |
| Alexander Vegh | .... | previsualization supervisor | |
| Jason Wardle | .... | lead CG artist: CIS Hollywood | |
| Mike Wassel | .... | visual effects supervisor | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Peipei Yuan | .... | animator: Pixel Liberation Front | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Thanh Nguyen | .... | modeler (uncredited) | |
| Rodrigo Teixeira | .... | digital compositor: red car (uncredited) | |
| Bryan Thombs | .... | 3D artist: title sequence (uncredited) | |
Animation Department | |||
| Peipei Yuan | .... | animator | |
Casting Department | |||
| Leah Daniels | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Winsome Sinclair | .... | extras casting | |
| Lori Wyman | .... | casting: Florida | |
Costume and Wardrobe Department | |||
| Yaa Boaa Aning | .... | costumer | |
| Camille Argus | .... | costume supervisor | |
| Valerie Fusaro | .... | set costumer (as Valarie Fusaro) | |
| Lorenzo Hearns Jr. | .... | key set costumer | |
| Heather Holmes | .... | costumer | |
| E. Melanie Moore | .... | assistant costume designer | |
| Lawrence Quon | .... | set costumer | |
| Irena Stepic | .... | key costumer (as Irena Stepic Rendulic) | |
| Catherine Peña | .... | costumer (uncredited) | |
Editorial Department | |||
| Justin Bourret | .... | associate editor | |
| Gary Burritt | .... | negative cutter | |
| Elizabeth Dionne | .... | post-production coordinator | |
| Scott Janush | .... | assistant editor | |
| Maggie Ostroff | .... | assistant editor | |
| David Raymond | .... | assistant editor | |
| Jeff Smithwick | .... | color timer | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Jordan Corngold | .... | music editor | |
| Debbi Datz-Pyle | .... | orchestra contractor | |
| Robert Fernandez | .... | scoring mixer | |
| Carlton Kaller | .... | music editor | |
| Stephanie Murray | .... | score stage administrator | |
| Rob Playford | .... | music programing: score | |
| Paul Stewart | .... | music consultant | |
| Melodee Sutton | .... | music consultant | |
| Paul Wertheimer | .... | music recordist | |
| Shie Rozow | .... | music editor (uncredited) | |
Transportation Department | |||
| Brian Allen | .... | driver: cast | |
| John Feinblatt | .... | picture car coordinator | |
| Duke Foster | .... | transportation captain | |
| Kevin Hudis | .... | driver: car hauler | |
| Joyce M. Lark | .... | transportation coordinator | |
| Craig Lietzke | .... | transportation captain | |
| Douglas Miller | .... | transportation co-captain | |
| Rana Morrison | .... | race car driver | |
| Ted Moser | .... | transportation coordinator | |
| Cyril O'Neil | .... | consultant: picture cars | |
| Marty Osborne | .... | driver | |
| Ron Parsell | .... | driver | |
| Michael Ralph Price | .... | picture car captain | |
| Lisa Robertson | .... | picture car transportation liaison | |
| Rick S. Sulier | .... | transportation accountant | |
| Chad Wadsworth | .... | production van operator | |
| Jeff Woodward | .... | driver | |
| David Neil Enfinger | .... | driver (uncredited) | |
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| S.W.A.T. | Fast & Furious | Bad Boys II | Licence to Kill | The Spider Returns |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
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I don't think this movie deserves to be called a sequel to "The Fast and the Furious",not because it is a bad movie,it is great and it does not fail to entertain most of the public,but for those who really liked the first one,this one is not a sequel.The first was very original,its conflicts were original,the movie was really about cars,and driving,and street racing,this one,in the other hand,presents us conflicts that we have seen for the last decades,the police couple that don't like each other,and at the end of the movie they finish kissing and hugging each other,the guy that falls in love with a woman that could make him fail his mission,the guy that has a drug empire in Miami,and pretends to become more powerful,the police that's trying to stop him,this are most of the conflicts we see in this movie,and we have seen in other movies,so it's not original.The Fast and the Furious was very original with great conflicts,it wasn't as fun as "its sequel",but it was awesome as well.But I think that this is the reason why this movie was released in the summer,to make critics say "well,is not original it has some cars stunts that are hard to believe,but is a summer movie,what the hell".I also did not like the decision of the director of making the movie in Miami because usually the backgrounds of street racing are nocturnes,Miami is usually more popular on daylight,street racing is usually on high ways in big cities like New York or Los Angeles,but it is clear that the director was just trying to make the movie more attractive to the summer-movie lovers because a lot of people identifies Miami with summer.This movie is more like a cop movie than a street racing movie,you can notice how hard is for the writers to make a space for races,and how easy is for the writers to find space for those things that usually a cop has to deal with.Is not a bad movie,but it is not original,and it cant be called a sequel.