| Videos |
| Hugh Dancy | ... | Daniel Deronda | |
| Romola Garai | ... | Gwendolen Harleth | |
| Hugh Bonneville | ... | Henleigh Grandcourt | |
| Jodhi May | ... | Mirah Lapidoth | |
| Edward Fox | ... | Sir Hugo Mallinger | |
| Amanda Root | ... | Mrs. Davilow | |
| David Bamber | ... | Lush | |
| Greta Scacchi | ... | Lydia Glasher | |
| Barbara Hershey | ... | Contessa Maria Alcharisi | |
| Celia Imrie | ... | Mrs. Meyrick | |
| Jamie Bamber | ... | Hans Meyrick | |
| Allan Corduner | ... | Herr Klesmer | |
| Michael Attwell | ... | Rev. Gascoigne | |
| Jordan Frieda | ... | Rex Gascoigne | |
| Anna Steel | ... | Catherine Arrowpoint | |
| Nicholas Day | ... | Lord Brackenshaw | |
| Marcus Baron | ... | Pash | |
| Josh Cole | ... | Mr. Clintock | |
| Daniel Arden | ... | Gideon | |
| Jacqueline Pearce | ... | Baroness Langen | |
| Lesley Stratton | ... | Adelaide Cohen | |
| Michael Elwyn | ... | Mr. Arrowpoint | |
| Daniel Marks | ... | Jacob Cohen | |
| Sarah Marks | ... | Rebecca Cohen | |
| Georgie Glen | ... | Lady Mallinger | |
| Delia Lindsay | ... | Mrs. Arrowpoint | |
| Nickolas Grace | ... | Vandernoodt | |
| Raymond Brody | ... | Leubronn Jeweller | |
| Joe Starrs | ... | Young Henleigh | |
| Kate Maberly | ... | Kate Meyrick | |
| Lisa Jackson | ... | Mab Meyrick | |
| Serena Martin | ... | Phoebe Meyrick | |
| Gillian Maguire | ... | Bertha Davilow | |
| Anna Popplewell | ... | Fanny Davilow | |
| Anna Maguire | ... | Isobel Davilow | |
| Steffan Boje | ... | Lebronn Undermanager | |
| Mia Soteriou | ... | Casino visitor #1 | |
| Holly De Jong | ... | Casino visitor #2 | |
| William Brand | ... | Casino visitor #3 | |
| Clarista Hoult | ... | Mallinger girl #1 | |
| Emma Deigman | ... | Mallinger girl #2 | |
| Poppy Rogers | ... | Mallinger girl #3 | |
| Stephanie Jacob | ... | Gadmere servant | |
| rest of cast listed alphabetically: | |||
| Diana Brooks | ... | Mrs. Cohen | |
| Anna Cachia | ... | Curious bystander | |
| John Dallimore | ... | Park Lane footman | |
| Philip Dunbar | ... | Grosvenor Square footman | |
| Richard Durden | ... | Gentleman | |
| Daniel Evans | ... | Mordecai | |
| Keeley Gainey | ... | Meyrick maid | |
| Jane How | ... | Lady Pentreath | |
| Joseph Long | ... | Italian doctor | |
| Toby Salaman | ... | Miller | |
| Simon Schatzberger | ... | Ezra Cohen | |
| Sarah Twist | ... | Lady | |
| Sally Watts | ... | Ryelands housekeeper | |
Directed by | |||
| Tom Hooper | |||
Writing credits(in alphabetical order) | ||
| Andrew Davies | writer | |
| George Eliot | novel | |
Original Music by | |||
| Robert Lane | (as Rob Lane) | ||
Film Editing by | |||
| Philip Kloss | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Don Taylor | |||
Art Direction by | |||
| Grant Montgomery | |||
Set Decoration by | |||
| Nicola Barnes | |||
Costume Design by | |||
| Mike O'Neill | |||
Makeup Department | |||
| Rebecca Cole | .... | makeup artist | |
| Ashley Johnson | .... | makeup artist | |
| Caroline Noble | .... | hair designer | |
| Caroline Noble | .... | makeup designer | |
| Tapio Salmi | .... | makeup artist | |
Production Management | |||
| Crispin Hardy | .... | unit manager | |
| Caroline McCarthy | .... | unit manager | |
| Katryna Samut-Tagliaferro | .... | production manager: Malta | |
Art Department | |||
| Nicola Barnes | .... | production buyer | |
| Frank Carr | .... | stagehand | |
| Craig Cheeseman | .... | props storeman | |
| Noel Cowell | .... | chargehand | |
| Chris Cull | .... | prop master | |
| Robert J. Dugdale | .... | assistant scenic artist | |
| Claire Grainger | .... | set dresser | |
| Douglas Ingram | .... | storyboard artist | |
| Oliver Kubicki | .... | art department assistant | |
| Charlie Macher | .... | stand-by rigger | |
| Rob MacPherson | .... | stand-by props | |
| Barry Moll | .... | construction manager | |
| Alan Payne | .... | stand-by art director (as Alan S. Payne) | |
| Tony Power | .... | stand-by painter | |
| Martin Richards | .... | stagehand | |
| Simon Riley | .... | stand-by props | |
| Nick Slater | .... | stand-by carpenter | |
| Sarah Stuart | .... | assistant art director | |
| Howard Weaver | .... | scenic artist | |
| Billy Wilson | .... | dressing props | |
Sound Department | |||
| Robert Brazier | .... | foley editor | |
| Paul Cridlin | .... | boom operator | |
| Jamie Gambell | .... | additional boom operator | |
| Paul Hamblin | .... | dubbing mixer | |
| Graham Headicar | .... | sound effects editor | |
| Stefan Henrix | .... | dialogue editor | |
| Christian Joyce | .... | sound recordist: second unit | |
| Steve Little | .... | assistant sound editor | |
| Becki Ponting | .... | sound effects editor | |
| John Taylor | .... | sound mixer | |
| John Taylor | .... | sound recordist | |
| Rowena Wilkinson | .... | foley artist | |
Special Effects by | |||
| Colin Gorry | .... | special effects coordinator | |
Visual Effects by | |||
| Steve Murgatroyd | .... | visual effects supervisor | |
| Lorea Hoye | .... | visual effects producer: Mill Film (uncredited) | |
Stunts | |||
| Rowley Irlam | .... | stunt double | |
| Gareth Milne | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Chris Bird | .... | best boy | |
| Steve Casey | .... | electrician | |
| Adam Coles | .... | focus puller | |
| Martin Foley | .... | camera operator | |
| Gary Hayler | .... | electrician | |
| Ray Meere | .... | assistant camera | |
| Ronan Murphy | .... | grip | |
| Scott Napier | .... | electrician | |
| Paul Preca Trapani | .... | video assist operator | |
| Jamie Southcott | .... | clapper loader | |
| Laurie Sparham | .... | still photographer | |
| Simon Starling | .... | camera operator | |
| Simon Starling | .... | director of photography: second unit | |
| Fred Tammes | .... | lighting director | |
| Roger Tooley | .... | Steadicam operator | |
| Oliver Upton | .... | still photographer | |
| Tammo van Hoorn | .... | focus puller: second unit | |
| Jon White | .... | gaffer | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant | |
| Mavis Formosa | .... | casting coordinator: Malta | |
| Tamara Gillon | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Yvonne Zarb Cousin | .... | set costumer | |
| Denny Edwards | .... | wardrobe assistant | |
| Angela Egan | .... | wardrobe assistant | |
| Rebecca Gore | .... | wardrobe assistant | |
| Samantha Horn | .... | assistant costume designer | |
| Mark Lord | .... | wardrobe assistant | |
| Thomas Sjolander | .... | embroidery | |
| Faith Thomas | .... | wardrobe assistant | |
Editorial Department | |||
| Rupert Hall | .... | assistant editor | |
| Adam Scott | .... | telecine operator | |
Music Department | |||
| Steve Parr | .... | music mixer | |
| Steve Parr | .... | music recordist | |
Transportation Department | |||
| Martin Birmingham | .... | transportation | |
Other crew | |||
| Maggie Anson | .... | artist contracts | |
| Adrian Borg Ghigo | .... | production runner: Malta | |
| Adam Browne | .... | location manager | |
| Emma Brown | .... | production secretary | |
| Christine Buttner | .... | title designer | |
| Christopher Coote | .... | production runner | |
| Tom Crooke | .... | location manager | |
| Steve Dent | .... | horse master | |
| Clifford De Spenser | .... | dialect coach (as Clifford De Spencer) | |
| Mavis Formosa | .... | production secretary: Malta | |
| Henry Forsyth | .... | floor runner | |
| Jane Gibson | .... | choreographer | |
| Christine Healy | .... | production coordinator | |
| Melanie Howard | .... | production executive | |
| Karen Jones | .... | script supervisor | |
| Neil Jones | .... | production accountant | |
| Kate Lewis | .... | script editor | |
| Daniel Liddiard | .... | assistant accountant | |
| Darren Mackie | .... | floor runner | |
| Carole Montague | .... | production coordinator | |
| Heather Noble | .... | floor runner | |
| Jane Perkins | .... | unit nurse | |
| Cindy Thomson | .... | location manager: scotland | |
| Jenny Uglow | .... | historical advisor | |
| Joan Washington | .... | voice coach | |
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| The Man Who Cried | Die Blechtrommel | La tregua | Bloom | Sunshine |
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| News articles | IMDb Drama section | IMDb UK section |
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Having never read George Eliot's novel, I came into the film with only what I know based on the information friends have given me. The film is utterly exquisite. The costuming alone will have Anglophiles like myself crying from sheer envy, and there's enough archery, riding, and balls to weigh out the seriousness of the film, which is essentially two plots woven into one. An utterly heartless and wretched marriage for a spoiled young Gwendolyn in the form of the evil Grandcourt, a landowner whose sole pleasure lies in torment. Be it his wife or dogs, our heartless villain never takes greater pleasure than in dangling something before them and tearing it away again, only to feed it to someone else. We see a kind of barbarism in this act, be it with the family spaniel or his impoverished, abandoned mistress.
The second plot line, which I found slightly less interesting, was about the film's lead, Daniel Deronda, a presumed illigitimate boy who has been raised a country gentleman. One day while out boating he saves a Jewish singer from drowning herself, and sets out to discover his own true identity through finding her family. I don't know why, but I found myself itching through these scenes to get back to Gwendolyn and her pathetic plight of enslavement to her husband. A second viewing, once I knew the course of the characters, settled me a bit.
The acting is very stellar. There's not a weak link in the cast, although I have to say seeing Barbara Hershey seemed a little out of place in this Victorian paradox. The film makes numerous contrasts between good and evil, selfishness and humility, lies and deception. It's actually quite an achievement, and I was pleased at the amount of restraint showed by the filmmakers. The sexual tension between man and wife will go over most younger viewer's heads, something for which I'm grateful. It's rare we get a wonderful Victorian bodice ripper where the bodice stays on.