| Photos (see all 31 | slideshow) | Videos (see all 6) |
| Luke Wilson | ... | Alex Sheldon / Adam Shipley | |
| Chino XL | ... | Tony / Flamenco Dancer #2 | |
| Lobo Sebastian | ... | Bobby / Flamenco Dancer #1 | |
| Rob Reiner | ... | Wirschafter | |
| Kate Hudson | ... | Emma Dinsmore / Ylva / Elsa / Eldora / Anna | |
| Paul Willson | ... | Whistling John Shaw | |
| David Paymer | ... | John Shaw | |
| Sophie Marceau | ... | Polina Delacroix | |
| Alexander Wauthier | ... | Andre Delacroix | |
| Leili Kramer | ... | Michele Delacroix | |
| Rip Taylor | ... | Polina's Father | |
| Gigi Bermingham | ... | Madame Blanche | |
| Jordan Lund | ... | Claude | |
| François Giroday | ... | Croupier | |
| Robert Costanzo | ... | Bus Driver | |
| Cloris Leachman | ... | Grandmother | |
| Earl Carroll | ... | Bernard Pompier | |
| Jordi Caballero | ... | Flamenco Dancer #3 | |
| Michael St. Michaels | ... | Casino Owner (as Michael Rappaport) | |
| Danica Sheridan | ... | Receptionist | |
| rest of cast listed alphabetically: | |||
| Camden Munson | ... | Scooter Boy (uncredited) | |
| John H. Tobin | ... | Croupier (uncredited) | |
Directed by | |||
| Rob Reiner | |||
Writing credits(WGA) | ||
| Jeremy Leven | (written by) | |
Produced by | |||
| Todd Black | .... | producer | |
| Jason Blumenthal | .... | executive producer | |
| Alan Greisman | .... | producer | |
| Peter Guber | .... | executive producer | |
| James A. Holt | .... | co-producer | |
| Jeremy Leven | .... | producer | |
| Joseph Merhi | .... | co-producer | |
| Rob Reiner | .... | producer | |
| Elie Samaha | .... | producer | |
| Adam Scheinman | .... | co-producer | |
| Tracee Stanley | .... | co-producer | |
| Jeffrey Stott | .... | executive producer | |
| Steve Tisch | .... | executive producer | |
Original Music by | |||
| Marc Shaiman | |||
Cinematography by | |||
| Gavin Finney | |||
Film Editing by | |||
| Alan Edward Bell | |||
| Robert Leighton | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| John Larena | |||
Art Direction by | |||
| Helen Harwell | |||
Set Decoration by | |||
| Andi Brittan | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Jennifer Bell | .... | hair department head | |
| Kathryn Blondell | .... | hair stylist: Kate Hudson | |
| Carol Collini | .... | makeup artist: Ms.Leachman | |
| Renata Helfman | .... | makeup artist: Luke Wilson | |
| Pam Phillips | .... | makeup artist | |
| Colette Slattery | .... | hair stylist | |
| Ronnie Specter | .... | makeup artist: Kate Hudson | |
| Rita Troy | .... | key hair stylist | |
| Patty York | .... | makeup department head | |
| K. Troy Zestos | .... | hair stylist: Luke Wilson | |
Production Management | |||
| Alice S. Kim | .... | post-production supervisor | |
| Catherine S. McComb | .... | production supervisor | |
| Jeffrey Stott | .... | unit production manager | |
Art Department | |||
| Roger Baer | .... | construction foreman | |
| James Davidson Bennett | .... | set dresser | |
| Scott Buckwald | .... | property master | |
| Martin Charles | .... | graphic designer | |
| Camellia Cox | .... | intern | |
| Kristrune Jolfsdottir | .... | intern | |
| Stephen Lynd | .... | art production assistant | |
| Megan Malley | .... | buyer | |
| Joe Monaco | .... | set dresser | |
| John Pollard | .... | on-set dresser | |
| Christopher Schultz | .... | gang boss | |
| F. Andrew Scott | .... | stand-by painter | |
| Abigail Sheiner | .... | art department coordinator | |
| Eric Steinway | .... | leadman | |
| Gaston Wurth | .... | set dresser | |
Special Effects by | |||
| Bart Dion | .... | special effects | |
| Dennis Dion | .... | special effects coordinator | |
Visual Effects by | |||
| Michael Caplan | .... | visual effects producer | |
| Ron Crabb | .... | matte painter | |
| Kirk Douglas | .... | visual effects | |
| Josh Hayes | .... | storyboard artist (as Joshua Hayes) | |
| Eric Heavens | .... | digital compositor | |
| John K. Jenkins | .... | head of pre-viz | |
| John Myers | .... | visual effects executive producer: Ring of Fire | |
| Michael S. Pryor | .... | visual effects producer | |
| Jerry Spivack | .... | animation supervisor: main titles | |
| Jerry Spivack | .... | visual effects supervisor | |
Stunts | |||
| Donna Evans | .... | stunts | |
| Diamond Farnsworth | .... | stunt coordinator | |
| Jeremy Fitzgerald | .... | stunts | |
| Steve Kelso | .... | stunts | |
Camera and Electrical Department | |||
| Norman Ash | .... | set lighting technician | |
| Paul Birk | .... | electrician | |
| Jeff Case | .... | key grip | |
| John T. Connor | .... | assistant camera | |
| Brandon M. Cox | .... | film loader | |
| Scott Crabbe | .... | video assist operator | |
| Don Estes | .... | grip | |
| Carlos M. Gallardo | .... | grip (as Carlos Gallardo) | |
| Bob Gorelick | .... | Steadicam operator | |
| Bob Gorelick | .... | camera operator | |
| Brendan Keefe | .... | electrician: Boston | |
| Scott Kidner | .... | assistant chief lighting technician | |
| Bill Pollock | .... | best boy | |
| David W. Slodki | .... | lighting console programmer | |
| Suzanne Tenner | .... | still photographer | |
| Frans Wetterings III | .... | gaffer: Boston | |
| Greg Wimer | .... | first assistant camera | |
| Eric Komar | .... | dolly grip: "a" camera, second unit (uncredited) | |
| Ron Newburn | .... | lighting technician (uncredited) | |
Casting Department | |||
| Michelle Lewitt | .... | casting associate | |
| Jocelyn E. Thomas | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Jennifer Lax | .... | costume shopper | |
| Robin Roberts | .... | costume supervisor | |
| Candice Sabbah | .... | costumer: Ms. Hudson (as Candice Sabbah Dobkousky) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Aaron Marshall | .... | first assistant editor | |
| David Orr | .... | color timer | |
| Tom Scully | .... | assistant editor | |
| Jim Towne | .... | assistant editor | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Frank Bennett | .... | orchestrator | |
| Tim Boyle | .... | score mixer | |
| Vincent Cirilli | .... | scoring | |
| Jane Antonia Cornish | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Jon Kull | .... | orchestrator | |
| Patrick Russ | .... | orchestrator | |
| Carl Rydlund | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Scott Stambler | .... | music editor | |
| Diana Stata | .... | music clearances | |
| Nick Vidar | .... | music programmer | |
| Laura Ziffren | .... | music supervisor (as Laura Z. Wasserman) | |
Transportation Department | |||
| Adrian Cannon | .... | driver: Mr. Reiner | |
| Kelsey Kimes | .... | driver | |
| Mike Miliotti | .... | driver: production van | |
| Jack Jay Reece | .... | driver (as Jay Reece) | |
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| The Bad and the Beautiful | Basic Instinct | The Devil Wears Prada | Love Actually | Suspicion |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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The critic Ebert has a complete and accurate review, for anyone who wants to know more details. I saw it on VHS from my public library, when we see that Luke Wilson and Kate Hudson are in it, we can pretty well figure out what the ultimate outcome will be. So, the story requires that we witness how. He is an apparently good author who also is a bad gambler, and needs to complete a novel quickly to get out of debt and save his skin. She becomes his stenographer, even though he can't pay her yet, because she has a kind heart. The novelty of this movie is that we see the novel as it is being written, brought to life with Luke Wilson and Kate Hudson, plus a few others, as a movie within this movie. For me that kept my interest moderately high. How good may be the book, or its movie we see, is not the point. The point is the relationship that develops between Wilson and Hudson. Unfortunately for us, there is absolutely nothing particularly new or interesting about their relationship. Not a BAD romantic comedy, just not a particularly good one either.
August 2006 edit - I saw it again, I enjoyed it a bit better, knowing ahead of time how it was constructed.