| Photos (see all 11 | slideshow) | Videos (see all 2) |
| Robert McNamara | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Barry Goldwater | ... | Himself (archive footage) (uncredited) | |
| Lyndon Johnson | ... | Himself (archive footage) (uncredited) | |
| John F. Kennedy | ... | Himself (archive footage) (uncredited) | |
| Nikita Khrushchev | ... | Himself (archive footage) (uncredited) | |
| Curtis LeMay | ... | Himself (archive footage) (uncredited) | |
| Errol Morris | ... | Interviewer (voice) (uncredited) | |
| Richard Nixon | ... | Himself (archive footage) (uncredited) | |
| Harry Reasoner | ... | Himself - TV interviewer (archive footage) (uncredited) | |
| Franklin Delano Roosevelt | ... | Himself (voice) (archive footage) (uncredited) | |
| Woodrow Wilson | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Errol Morris | |||
Produced by | |||
| Julie Ahlberg | .... | producer | |
| Robert Fernandez | .... | co-producer | |
| Jon Kamen | .... | executive producer | |
| Adam Kosberg | .... | associate producer | |
| Jack Lechner | .... | executive producer | |
| Robert May | .... | executive producer | |
| Errol Morris | .... | producer | |
| Ann Petrone | .... | associate producer | |
| Frank Scherma | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Michael Williams | .... | producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Robert Chappell | (director of photography) (interviews) | ||
| Peter Donahue | (director of photography) | ||
Film Editing by | |||
| Doug Abel | |||
| Chyld King | |||
| Karen Schmeer | |||
Production Design by | |||
| Ted Bafaloukos | |||
| Steve Hardie | |||
Set Decoration by | |||
| Liz Chiz | |||
Makeup Department | |||
| Donyale McRae | .... | makeup artist | |
| Maria Scali | .... | makeup artist: interviews | |
Production Management | |||
| Tonya Bertram | .... | production supervisor | |
| Brad Fuller | .... | post-production supervisor | |
| Sarah Gold | .... | production supervisor: China | |
| Dia Sokol | .... | production supervisor | |
| Ben Schneider | .... | production supervisor: Berlin shoot (uncredited) | |
| Ronald Vietz | .... | production manager: Germany (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lennie Appelquist | .... | first assistant director (uncredited) | |
Art Department | |||
| Jennifer Ho | .... | art department coordinator | |
| Steve McNulty | .... | art director: interviews | |
| Gary Shartsis | .... | property master | |
| Daniel Turk | .... | construction coordinator (as Dan Turk) | |
| Jim Utter | .... | leadman | |
Sound Department | |||
| Coll Anderson | .... | supervising sound editor | |
| Dan Bora | .... | additional sound engineer | |
| Stephen Bores | .... | production sound mixer: interviews (as Steve Bores) | |
| Brian Bowles | .... | dialogue editor | |
| Hector Castillo | .... | recording engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Sean Garnhart | .... | sound effects editor | |
| Harry Higgins | .... | sound recordist | |
| Terrance Laudermilch | .... | sound recordist (as Terry Laudermilch) | |
| Ichiho Nishiki | .... | technical assistant | |
| Tom Paul | .... | sound designer | |
| Christian Rutledge | .... | production assistant: sound department | |
| Marilyn Teorey | .... | assistant sound editor | |
| Sean Garnhart | .... | sound re-recording mixer (uncredited) | |
| Daniel Perlin | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Robin Hobart | .... | visual effects supervisor | |
| Zachary Morong | .... | 3D animator | |
| Evan Olson | .... | animator | |
| Evan Olson | .... | visual effects | |
Animation Department | |||
| Tom Karras | .... | coloring assistant | |
Costume and Wardrobe Department | |||
| Eddie Marquez | .... | wardrobe | |
| Critter Pierce | .... | wardrobe assistant | |
| Julie Vogel | .... | wardrobe | |
Editorial Department | |||
| Eric Alvarado | .... | digital intermediate colorist | |
| Steven Hathaway | .... | associate editor | |
| Peter Heady | .... | on-line editor: HDTV | |
| Fred Heid | .... | color timer | |
| Danny Hogan | .... | assistant to editor: HDTV (as Dan Hogan) | |
| Dan Mooney | .... | associate editor (as Daniel Mooney) | |
| Benjamin Murray | .... | digital intermediate titling | |
| Charles Silver | .... | editorial consultant | |
| Tricia Wilk | .... | post-production assistant | |
Music Department | |||
| Cat Celebrezze | .... | associate music producer | |
| Don Christiansen | .... | producer: CD soundtrack | |
| Jim Keller | .... | executive music producer | |
| John Kusiak | .... | composer: additional music | |
| Kurt Munkacsi | .... | music producer | |
| Ichiho Nishiki | .... | music assistant | |
| Michael Riesman | .... | musical director | |
Other crew | |||
| Christian Akers | .... | production assistant | |
| Jamie Anschultz | .... | production assistant | |
| Heidi August | .... | production accountant | |
| Sarah Belanger | .... | intern | |
| Kara Bilof | .... | studio manager | |
| James Blight | .... | special advisor | |
| Paul Brennan | .... | production counsel: Sloss Law Office | |
| John Cefalu | .... | location manager | |
| Karen Corsica | .... | production coordinator: interviews | |
| Jeff Crocker | .... | research assistant | |
| Matthew Davey | .... | laser film recording: Arri | |
| Christopher Fadale | .... | technical supervisor: interviews (as Chris Fadale) | |
| Joe Harley | .... | intern | |
| Kevin Hayes | .... | production coordinator | |
| Peter Heady | .... | io data editorial | |
| Paul Hu | .... | photo: McNamara and Nguyen Co Thach | |
| Jeff Huston | .... | laser film recording: Arri | |
| Claire Jones | .... | research assistant | |
| Chris Kasick | .... | assistant to director (as Chris 'Ox' Kasick) | |
| Dan Kemp | .... | location manager | |
| Katherine Kim | .... | intern | |
| Jason Kohn | .... | research assistant | |
| Alexandra Kreuter | .... | graphics supervisor (as Alex Kreuter) | |
| Jeff Krulik | .... | research assistant | |
| Janet Lang | .... | special advisor | |
| John Latenser V | .... | location manager | |
| Paul Loram | .... | research assistant | |
| Justin Milner | .... | intern | |
| Nico Muhly | .... | assistant: Philip Glass & Michael Riesman | |
| Ann Petrone | .... | archival research supervisor | |
| Dina Marie Piscatelli | .... | production coordinator | |
| Luke Poling | .... | production assistant | |
| Andy Rice | .... | research assistant | |
| Justin Rice | .... | assistant to director | |
| Ben Schneider | .... | assistant to production | |
| Julia Sheehan | .... | special advisor | |
| John Sloss | .... | production counsel: Sloss Law Office | |
| Tim Spitzer | .... | executive producer: HD & data services | |
| Shawn Tabor | .... | military consultant | |
| Shawn Tabor | .... | research assistant | |
| Joe Violante | .... | coordinator: Technicolor | |
| Jared Washburn | .... | office production assistant | |
Thanks | |||
| James Blight | .... | acknowledgment: archival footage and photographs provided by | |
| Tim Bono | .... | special thanks | |
| John Canaday | .... | special thanks | |
| Jonny Cranson | .... | special thanks | |
| Frances Fitzgerald | .... | special thanks | |
| Ellen Fitzpatrick | .... | special thanks | |
| Chris Florio | .... | special thanks | |
| Deborah Fortson | .... | special thanks | |
| Jane Gillooly | .... | special thanks | |
| Harvey Goldberg | .... | in memory of: University of Wisconsin history professor | |
| Alfred Guzzetti | .... | special thanks | |
| Peter Hall | .... | special thanks | |
| Alison Harris | .... | special thanks | |
| Steven Harris | .... | special thanks | |
| Paul Jankowski | .... | special thanks | |
| Caroline Kaplan | .... | very special thanks | |
| Alice Kelikian | .... | special thanks | |
| Craig McNamara | .... | acknowledgment: archival footage and photographs provided by | |
| Craig McNamara | .... | special thanks | |
| George L. Mosse | .... | in memory of: University of Wisconsin history professor | |
| Jamie Mylar | .... | special thanks | |
| Tom O'Malley | .... | special thanks | |
| Kenn Rabin | .... | special thanks | |
| Deborah Ricketts | .... | special thanks | |
| Ron Rosenbaum | .... | special thanks | |
| Jay Rubin | .... | special thanks | |
| Elizabeth Sadoff | .... | special thanks | |
| Jonathan Sehring | .... | very special thanks | |
| Gary Stern | .... | special thanks | |
| Rosemary Taylor | .... | special thanks | |
| Kathryn Tucker | .... | special thanks | |
| Patricia Vanderbeek | .... | special thanks | |
| Lawrence Waschler | .... | special thanks | |
| Lewis D. Wheeler | .... | special thanks (as Lewis Wheeler) | |
| Bonnie Willette | .... | special thanks | |
| Kyla Wilson | .... | special thanks | |
| Dino Zervos | .... | special thanks | |
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| Thirteen Days | 68 | Fail-Safe | Why We Fight | JFK |
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I just watched the movie the "Fog of War". It is a candid interview with Robert McNamara. He is an 85 year old veteran of WWII and was Secretary of Defense under John Kennedy and Lydon Johnson. Of course, that made him Secretary during the Viet Nam war.
It is an amazing account of the lessons learned from a man who lived in interesting times in a powerful position of influence. I get the sense that it is exceptionally honest - about both the success and failures. It was directed by Earl Morris and has a kind of refreshing balance that is NOT present in the films of Michael Moore. I highly recommend this movie.
Perhaps the most disturbing aspect of the movie is that the lessons McNamara learned are still not understood by the Bush administration with respect to the Iraq conflict. The parallels to that conflict and the conflict in Iraq are scary. Once of the eleven enumerated lessons are a need to respect and understand the culture of the people with whom you are engaged in conflict. He made the statement that he believes that the reason that the Cuban Missile Crisis in 1962 ended peacefully was that they reached a point where they really tried to understand the Soviets. The reason that Viet Nam failed is that we never learned to understand the culture of the people of Viet Nam. He also mentioned that none of our allies with largely shared values were opposed to our involvement in Viet Nam. We should have recognized that as a warning sign that perhaps we were doing something wrong.
Scary, isn't it!