| Photos (see all 51 | slideshow) | Videos (see all 3) |
| Sun. July 19 | 9:00 PM | FX | |||
| Mon. July 20 | 6:30 PM | FX |
Directed by | |||
| F. Gary Gray | |||
Writing credits(WGA) | ||
| Troy Kennedy-Martin | (1969 screenplay) | |
| Donna Powers | (screenplay) & | |
| Wayne Powers | (screenplay) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Guido Cerasuolo | .... | line producer: Italy | |
| Donald De Line | .... | producer | |
| Jim Dyer | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Wendy Japhet | .... | executive producer | |
| Lynsey Jones | .... | associate producer (as Lynsey Shmukler Jones) | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Wally Pfister | (director of photography) | ||
Film Editing by | |||
| Richard Francis-Bruce | |||
| Christopher Rouse | |||
Casting by | |||
| Sheila Jaffe | |||
Production Design by | |||
| Charles Wood | |||
Art Direction by | |||
| Doug J. Meerdink | (as Doug Meerdink) | ||
| Mark Zuelzke | |||
Set Decoration by | |||
| Denise Pizzini | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Enzo Angileri | .... | hair stylist: Ms. Theron | |
| Germicka Barclay | .... | department head hair stylist: second unit | |
| Christalee | .... | makeup artist | |
| Sterfon Demings | .... | hair designer | |
| Andrea Jackson | .... | key hair stylist | |
| Eileen Kastner-Delago | .... | key makeup artist | |
| Donald Mowat | .... | makeup artist: Mr.Wahlberg | |
| Shane Paish | .... | makeup artist: Ms. Theron | |
| Brian A. Tunstall | .... | key hair stylist (as Brian Andrew Tunstall) | |
| Johnny Villanueva | .... | hair stylist: Mr. Wahlberg | |
| Camille Henderson | .... | makeup artist (uncredited) | |
Production Management | |||
| Enrico Ballarin | .... | production manager: Italy | |
| Matthew J. Birch | .... | production supervisor | |
| Laura Cappato | .... | unit manager: second unit, Italy | |
| Fabrizio Cerato | .... | assistant unit manager | |
| Jim Dyer | .... | unit production manager | |
| Kiki Morris | .... | post-production supervisor | |
| Paolo Rosada | .... | unit manager | |
| David Sardi | .... | unit production manager: second unit | |
Special Effects by | |||
| Eric Allard | .... | special effects designer | |
| Gary D. Bierend | .... | special effects | |
| Chris Brenczewski | .... | special effects technician | |
| Tony Chavez | .... | special effects | |
| Antonio Corridori | .... | special effects supervisor, second unit: Italy (as Corridori Antonio) | |
| Giovanni Corridori | .... | special effects supervisor: Italy unit (as Corridori Giovanni) | |
| Maurizio Corridori | .... | special effects technician | |
| Mike Edmonson | .... | special effects supervisor | |
| Michael Gaspar | .... | second unit special effects coordinator | |
| Michael Holland | .... | special effects technician | |
| Barry McQueary | .... | special effects | |
| Joe D. Ramsey | .... | special effects coordinator (as Joe Ramsey) | |
| Mark Yuricich | .... | special effects | |
Visual Effects by | |||
| Paal Anand | .... | technical director: Gray Matter | |
| Geoffrey E. Baumann | .... | visual effects coordinator: Digital Domain | |
| Melissa Best | .... | rotoscoper: Frantic Films | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Chris Bond | .... | visual effects supervisor: Frantic Films | |
| Jason Booth | .... | digital compositor | |
| Jean-Luc Bouchard | .... | digital compositor | |
| Tatjana Bozinovski | .... | rotoscope artist | |
| Matt Broeska | .... | 3D lead: Frantic Films | |
| Suzanne Buirgy | .... | digital production manager: Digital Domain | |
| Jeremy Buttell | .... | pre-visualization | |
| Patrick Clancey | .... | digital opticals | |
| Sarah Coatts | .... | visual effects producer: main title sequence: yU+co. | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Emanuele Comotti | .... | digital compositor: Digitalia Graphics | |
| Matt Davis | .... | Spydercam rigger technician | |
| Sean Devereaux | .... | visual effects compositor: Digital Domain | |
| Peter Donen | .... | visual effects consultant | |
| Yann Doray | .... | digital artist | |
| Tim Drnec | .... | Spydercam coordinator-flight | |
| Conrad Dueck | .... | 3D supervisor: Frantic Films | |
| Tim Everitt | .... | visual effects animation supervisor: Flash Film Works | |
| Chia Evers | .... | rotoscope artist | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Jammie Friday | .... | digital compositor | |
| Derry Frost | .... | director of production: Amalgamated Pixels | |
| Ben Grossmann | .... | digital compositor | |
| Christopher Gwynne | .... | technical director: Gray Matter | |
| Scott Harper | .... | visual effects | |
| Claas Henke | .... | compositing supervisor: Digital Domain | |
| Brad Herman | .... | 3D digital modeling and lighting: Digital Domain | |
| Chris Holmes | .... | digital compositor | |
| Joel Hynek | .... | visual effects supervisor: Digital Domain | |
| Bruce Jones | .... | visual effects supervisor | |
| Lincoln Kupchak | .... | visual effects editor: Flash Film Works | |
| Markus Kurtz | .... | CG supervisor: Digital Domain | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Margaux Mackay | .... | visual effects producer: Gray Matter | |
| Stefano Marinoni | .... | visual effects supervisor: Digitalia Graphics | |
| Gray Marshall | .... | visual effects supervisor: Gray Matter | |
| William Mesa | .... | visual effects supervisor: Flash Film Works | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels Inc. | |
| Heather J. Morrison | .... | visual effects editor: Digital Domain | |
| Peter W. Moyer | .... | visual effects supervisor: Digital FilmWorks (as Pete W. Moyer) | |
| Davy Nethercutt | .... | visual effects compositor: Digital Domain | |
| Erin Nicholson | .... | modeler: Frantic Films | |
| David Niednagel | .... | data integration lead | |
| Dan Novy | .... | visual effects technical supervisor: Flash Film Works | |
| Jeremy Oddo | .... | visual effects | |
| Alex Ongaro | .... | technical supervisor: Digitalia Graphics | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels Inc. | |
| Marco S. Paolini | .... | digital compositor | |
| Chris Pember | .... | animator: Frantic Films | |
| Kelly Port | .... | effects animator: Digital Domain | |
| Scott Ramsey | .... | visual effects producer | |
| Will Robbins | .... | compositor | |
| Alex Romano | .... | visual effects: Pacific Title & Arts Studio | |
| Robert Rowles | .... | digital compositor | |
| Mark Russell | .... | visual effects producer: Black Box Digital | |
| Todd Sarsfield | .... | digital color grader | |
| Gregory S. Scribner | .... | digital artist | |
| Todd Semmes | .... | aerial effects coordinator | |
| Michael Shand | .... | CGI supervisor: Frantic Films (as Mike Shand) | |
| Ben Britten Smith | .... | spydercam flight control | |
| Tess Spaulding | .... | system administrator | |
| George Taylor | .... | compositor | |
| K. Susan Thurmond | .... | visual effects producer: Gray Matter (as Susan Thurmond) | |
| Tommy Tran | .... | digital effects artist | |
| Paola Trisoglio | .... | visual effects producer: Digitalia Graphics | |
| Archie Villaverde | .... | pre-visualization animator | |
| Darren Wall | .... | previs art director | |
| Joey Wartnerchaney | .... | aerial effects-spydercam | |
| Jeffrey White | .... | visual effects producer: Flash Film Works | |
| Chad Wiebe | .... | visual effects: Frantic Films | |
| Earl Wiggins | .... | aerial effects supervisor | |
| Rhett Butler | .... | stagehand (uncredited) | |
| Jesse James Chisholm | .... | stage manager: Digital Domain (uncredited) | |
| Jason Cobill | .... | visual effects lead (uncredited) | |
| Jason Hughes | .... | facilities production assistant: Digital Domain (uncredited) | |
| Dave Jacobs | .... | visual effects production assistant: Flash Film Works (uncredited) | |
| Alex Jaeger | .... | concept designer: mini damage (uncredited) | |
| Mark Larranaga | .... | compositor (uncredited) | |
| Danny Lee | .... | digital compositor (uncredited) | |
| Brian Openshaw | .... | render coordinator (uncredited) | |
| Blair Werschler | .... | animator: Frantic Films (uncredited) | |
Animation Department | |||
| Tim Linklater | .... | animator | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Daniela Foà | .... | extras casting: Italy | |
| Barbara Harris | .... | adr voice casting | |
| Tiziana Kinkela | .... | casting assistant | |
| Mike Lemon | .... | extras casting: Philadelphia | |
| Meg Morman | .... | casting associate | |
Costume and Wardrobe Department | |||
| Fran Allgood | .... | set costumer: second unit | |
| Robert Bolger | .... | set costumer | |
| John Casey | .... | costume supervisor | |
| Lisa A. Doyle | .... | costumer: Mark Wahlberg | |
| Becky Gelbart | .... | costumer | |
| Lori Harris | .... | costumer | |
| Cookie Lopez | .... | set costumer: Charlize Theron | |
| Stephen Oh | .... | set costumer | |
| Christine Orth | .... | key costumer | |
| Catherine Buyse Dian | .... | wardrobe supervisor: Italy (uncredited) | |
Editorial Department | |||
| Paul Carrera | .... | first assistant editor | |
| Brett Carroll | .... | first assistant film editor | |
| John Dietrick | .... | post-production assistant | |
| Mark Fitzgerald | .... | additional editor | |
| Jennifer Mangan | .... | assistant editor | |
| Sarah Ogletree | .... | post-production coordinator | |
| Jim Passon | .... | color timer | |
| Hilda Saffari | .... | digital intermediate producer | |
| James Schermerhorn | .... | assistant editor (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Bob Bornstein | .... | music preparation | |
| Thomas A. Carlson | .... | music editor: score (as Tom Carlson) | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Elizabeth Finch | .... | orchestrator | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | orchestrator (as Walter Fowler) | |
| Julianne Jordan | .... | co-music supervisor | |
| Julianne Jordan | .... | music supervisor | |
| T.J. Lindgren | .... | composer: additional music | |
| Jason Lloyd | .... | scoring assistant | |
| Ladd McIntosh | .... | orchestrator | |
| James McKee Smith | .... | composer: additional music | |
| Alan Meyerson | .... | music scoring mixer | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Kathy Nelson | .... | music supervisor | |
| Rupert Parkes | .... | composer: additional music | |
| Photek | .... | composer: additional music | |
| Liza Richardson | .... | music consultant | |
| Jay Selvester | .... | scoring assistant | |
| John Ashton Thomas | .... | composer: additional music | |
| Richard Ziegler | .... | music editor | |
Transportation Department | |||
| Rich Bennetti | .... | transportation co-captain | |
| Jeff Bova | .... | driver | |
| Bryan C. Cawthon | .... | driver generator operator | |
| David Diaz | .... | transportation co-captain | |
| Chris Gorden | .... | driver | |
| Shane Greedy | .... | transportation captain | |
| William McCleery | .... | transportation captain: second unit | |
| Jack Jay Reece | .... | driver (as Jay Reece) | |
| Brenda Ryan | .... | driver | |
| Lin C. Smith | .... | driver | |
| Rick S. Sulier | .... | transportation accountant | |
| Paul Tumber | .... | transportation | |
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| The Italian Job | Ocean's Eleven | Live Free or Die Hard | The Score | Heat |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
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Over the last few months, I have seen a lot of reviews for The Italian Job, many of them negative. The gist of almost all of these pessimistic criticisms is that, for all its modernistic bravado and high-budget technology, the film doesn't have much substance where it counts. Look, people, it's just a fun movie. This is the type of picture where you're supposed to sit back, relax, and just enjoy the steady-moving pace of the film. Like Ocean's Eleven (2001), you can concentrate on the characters and the plot at the same time without having to do much thinking (lucky for some of us). Granted, "Ocean" is a better movie, but who cares? The plot may have some holes (there's a huge one about 3/4 of the way through), the action may not be as gratifyingly gratuitous as the trailers made it out to be, and some of the dialogue may seem pointless and cheesy, but again, who really cares? Cool characters, Mini Coopers, big explosions, Charlize Theron. What more do you want? I think it's time to drop the fake Roger Ebert meets Gene Shalit act and enjoy yourself for once! Oh, and another thing, whatever you do, don't compare it to the original because, to reiterate what F. Gary Gray has told the press a million times, THIS IS NOT A REMAKE!! My advice- if you're interested in nit-picking your way through a good-humored, fun flick, don't even bother seeing The Italian Job. But, if you don't have a severe inferiority complex and/or want to see Ed Norton get jacked by a bunch of Ukranians, go ahead. The Bottom Line, my fellow moviegoers, is: Lighten Up and Have Fun, Dammit.