| Photos (see all 3 | slideshow) |
| Jean-Pierre Kalfon | ... | Lebel | |
| Ann-Gisel Glass | ... | Nana | |
| André Marcon | ... | Le clochard | |
| Nadège Beausson-Diagne | ... | Rita | |
| Carolkim Tran | ... | Kim | |
| Grégory Fitoussi | ... | Nico | |
| Laurence Gormezano | ... | Fame | |
| Charlie Bazire | ... | Justine | |
| Aïssa Maïga | ... | La soeur de Rita | |
| rest of cast listed alphabetically: | |||
| Emmanuelle Michelet | ... | La gironde | |
Directed by | |||
| Viviane Candas | |||
Writing credits(in alphabetical order) | ||
| Viviane Candas | writer | |
Produced by | |||
| Humbert Balsan | .... | co-producer | |
| Paulo Branco | .... | producer | |
Original Music by | |||
| Daniel Teruggi | |||
Cinematography by | |||
| Jacques Loiseleux | |||
Film Editing by | |||
| Claudine Dumoulin | |||
Production Design by | |||
| Max Berto | |||
Costume Design by | |||
| Christine Lamblin | |||
Makeup Department | |||
| Christophe Giraud | .... | key makeup artist | |
Production Management | |||
| Frédéric Marboeuf | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jean-Louis Bouchaud | .... | first assistant director | |
Sound Department | |||
| Jean-Luc Bardyn | .... | sound | |
| Yves Servagent | .... | sound editor | |
Camera and Electrical Department | |||
| Frédéric Mainson | .... | first assistant camera | |
Editorial Department | |||
| Annie Pierre | .... | assistant editor | |
Other crew | |||
| Karine Lecoq | .... | script supervisor | |
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| Swimming Pool | Saint Francis | Hey Ram | Ultimo tango a Parigi | Nettoyage à sec |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
The director shows a clear talent to create atmospheres, and develop a narrative out of what -at first- seems desperately casual. The whole movie is shot behind the doors of a sex-shop, except a few scenes. You are taken into a theatrical universe, where different streams collapse : the everyday life of the strippers coming to work, the strip-show and video rooms in the back of the shop, the front shop and the "customers" stepping in. All these are intermingled in the eye of the camera: the shop labyrinthal architecture (dressing rooms, cabinets, closets, corridors, mirror rooms); the showrooms exiguity (mirrored circular stages surrounded by private cabinets, pay-time shutters); the sexy videos and video-surveillance play-back... The director manages an absorbing, dark reverie. The acting is quite good. The "overdosed" character, played by Michel Kalfon, finally opens a way to dream and hallucination into the whole picture. Well done. 7/10