| Photos (see all 35 | slideshow) | Videos (see all 3) |
Directed by | |||
| Michael Rymer | |||
Writing credits | ||
| Glen A. Larson | (earlier teleplay) | |
| Ronald D. Moore | (written by) and | |
| Glen A. Larson | (written by) (as Christopher Eric James) | |
Produced by | |||
| David Eick | .... | executive producer | |
| Harvey Frand | .... | producer | |
| Michael R. Joyce | .... | consulting producer | |
| Glen A. Larson | .... | consulting producer | |
| Ronald D. Moore | .... | executive producer | |
Original Music by | |||
| Richard Gibbs | |||
Cinematography by | |||
| Joel Ransom | |||
Film Editing by | |||
| Dany Cooper | |||
Casting by | |||
| Heike Brandstatter | |||
| Eric Dawson | |||
| Carol Kritzer | |||
| Coreen Mayrs | |||
| Robert J. Ulrich | |||
Production Design by | |||
| Richard Hudolin | |||
Art Direction by | |||
| Doug McLean | |||
Set Decoration by | |||
| Shirley Inget | |||
Costume Design by | |||
| Deborah Everton | |||
Makeup Department | |||
| Hayley Miller | .... | assistant makeup artist | |
| Bill Terezakis | .... | special makeup effects design | |
Production Management | |||
| Craig Forrest | .... | unit manager | |
| Ron French | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Dashkewytch | .... | first assistant director | |
| Sara Irvine | .... | third assistant director | |
| Brad Jubenville | .... | second assistant director | |
Art Department | |||
| Dominique Arcadio | .... | art researcher | |
| David Asmodeus | .... | props buyer | |
| Sandra Baier | .... | assistant properties | |
| Nancy Anna Brown | .... | set designer | |
| John Burke | .... | set designer | |
| Eric Chu | .... | concept designer | |
| Joelle Ciona | .... | set designer | |
| Chris Claridge | .... | construction coordinator | |
| Jennifer Donaldson | .... | set designer | |
| Osheen Harruthoonyan | .... | set dresser | |
| Ray Lai | .... | illustrator | |
| Richard Carl Livingston | .... | concept artist | |
| Michael Love | .... | assistant property master | |
| Max Matsuoka | .... | first assistant property master | |
| Colin Meacham | .... | on-set dresser | |
| Ken Rabhel | .... | additional art director | |
| Paitoon Ratanasirintrawoot | .... | concept artist | |
| Margot Ready | .... | assistant art director | |
| Dan Sissons | .... | property master | |
| Gary Young | .... | prop builder | |
Sound Department | |||
| Vince Balunas | .... | sound editor | |
| Chris Boyett | .... | adr editor | |
| Chris Boyett | .... | sound editor | |
| Murray Brown | .... | sound | |
| Jeff K. Brunello | .... | sound editor (as Jeff Brunello) | |
| Daniel Colman | .... | sound designer | |
| Daniel Colman | .... | sound editor | |
| Wendy Czajkowsky | .... | adr mixer: Vancouver | |
| Sean Keegan | .... | foley mixer | |
| Jack Levy | .... | supervising sound editor | |
| Doug Madick | .... | foley artist | |
| Roderick Matte | .... | boom operator | |
| Frank Nolan | .... | adr supervisor | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Dennis Petersen | .... | sound recordist | |
| Paulette Victor-Lifton | .... | sound facility supervisor | |
Special Effects by | |||
| Douglas W. Beard | .... | special effects technician | |
| Terry Sonderhoff | .... | special effects coordinator | |
| Robert Yeager | .... | special effects assistant | |
| Kenneth Thomson Jr. | .... | special effects (uncredited) | |
Visual Effects by | |||
| Sean Apple | .... | digital compositor | |
| William L. Arance | .... | 3D modeler | |
| Joel Ashman | .... | digital compositor: Zoic Studios | |
| Robert J. Baldwin | .... | digital artist (as Rob Baldwin) | |
| Justin Ball | .... | senior systems engineer: Zoic Studios | |
| Raoul Bolognini | .... | visual effects coordinator | |
| Rob Bonchune | .... | computer graphics artist | |
| Corey Bramall | .... | digital artist | |
| Kristen Branan | .... | visual effects producer | |
| Jamie Clark | .... | digital artist | |
| Jarrod Davis | .... | digital artist | |
| Patti Gannon | .... | lead visual effects compositor | |
| Aram Granger | .... | digital artist | |
| Gary Hutzel | .... | miniature cinematographer | |
| Gary Hutzel | .... | visual effects supervisor | |
| Chris John Jones | .... | creative director: Zoic Studios | |
| Christopher Jones | .... | lead visual effects compositor | |
| Gabriel Köerner | .... | digital artist | |
| Errol Lanier | .... | digital artist | |
| Paul Maples | .... | previsualization artist | |
| Steven Meyer | .... | digital compositor | |
| Terry Naas | .... | digital artist | |
| Fabio Passaro | .... | digital artist | |
| Jose Perez | .... | visual effects | |
| Kevin Quattro | .... | digital artist | |
| Jeffery Quinn | .... | effects production assistant | |
| Mark Rasmussen | .... | design supervisor: Enigma Studios Inc | |
| Jon Rosenthal | .... | digital artist | |
| Mark Shimer | .... | visual effects animator | |
| Emile Edwin Smith | .... | digital effects supervisor | |
| Mark Spatny | .... | visual effects producer: Modern VideoFilm | |
| Lee Stringer | .... | CG supervisor | |
| Kyle Toucher | .... | digital artist | |
| Jesse Toves | .... | digital artist | |
| Scott Wheeler | .... | digital effects artist | |
| Nina Yoon | .... | paint/roto artist | |
Stunts | |||
| Lauro Chartrand | .... | stunt performer | |
| Janina Dall | .... | stunts | |
| Crystal Dalman | .... | stunt double (unconfirmed) | |
| Monique Ganderton | .... | stunt double | |
| Mike Mitchell | .... | stunt coordinator | |
| Aleks Paunovic | .... | boxing coordinator | |
Camera and Electrical Department | |||
| Jean Chiasson | .... | dolly grip | |
| Curt Griebel | .... | key grip | |
| Simon Hall | .... | video playback operator | |
| Jeffrey M. Hoffman | .... | camera operator | |
| Prem Marimuthu | .... | electrician | |
| Ryan McMaster | .... | camera operator: "a" camera | |
| Scott Mitchell | .... | best boy | |
| Scott Mitchell | .... | rigging electrician | |
| Saubrie Mohamed | .... | rigging best boy | |
| Joe Waistell | .... | additional first assistant camera | |
| Christian Stevens | .... | camera trainee (uncredited) | |
Casting Department | |||
| Corbin Bronson | .... | casting associate | |
| James Forsyth | .... | extras casting | |
| Rita Foung | .... | casting associate | |
| Sibby Kirchgessner | .... | casting associate | |
| James Moore | .... | casting assistant | |
| Jill Warner | .... | casting intern | |
Costume and Wardrobe Department | |||
| Cori Burchell | .... | assistant costume designer | |
| Shane Deschamps | .... | set costume supervisor | |
| Nicole Gorsuch | .... | costume supervisor | |
| Scott Maple | .... | costume consultant: classic "Cylon" costumes | |
| Katherine Wigzell | .... | truck costumer | |
Editorial Department | |||
| Jason Dale | .... | first assistant editor | |
| Luben Izov | .... | first assistant editor | |
| Sondra Watanabe | .... | second editor | |
Music Department | |||
| Jordan Corngold | .... | music editor | |
| Robert Fernandez | .... | orchestral engineer | |
| Steve Kaplan | .... | score mixer | |
| Bear McCreary | .... | composer: additional music | |
Other crew | |||
| John K. Alexander | .... | assistant location manager | |
| Craig Anderl | .... | assistant: director | |
| Carol Bailey | .... | first assistant accountant | |
| Ron Blecker | .... | technical advisor: military | |
| Laurie Boyle | .... | production accountant | |
| Charles Crossin | .... | extras wrangler | |
| Maril Davis | .... | assistant: Ronald D. Moore | |
| Tee Fargo | .... | lead stand-in | |
| Carol Green-Lundy | .... | second script supervisor | |
| Jennifer Harland | .... | background coordinator | |
| Carol Marks-George | .... | unit publicist | |
| Shaun Mckay | .... | payroll accountant | |
| Bonny Northcott | .... | scout | |
| Nicole Oguchi | .... | assistant production coordinator | |
| Cara Rogers | .... | production coordinator | |
| Peter Ruttan | .... | playback designer | |
| Tisha Simpkins | .... | key production assistant | |
| Kent Sponagle | .... | location manager | |
| Ryan Steacy | .... | armorer | |
| Scott Steyns | .... | playback coordinator | |
| Camryn Thomas | .... | assistant: Ronald D. Moore | |
| Elizabeth Weinstein | .... | photo double (uncredited) | |
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I've read a lot of your comments, and it amazes me how some people seem to think that the function of this mini-series (and hopefully series) is to cater to the whims of the fans of the original series. Sorry, that's not it.
The die-hard types -- the "fans" (and I am one, of BSG, BSG2003, Trek, B5, etc.) -- are never going to be more than a small fraction of the viewership of any television program. It must appeal to a broader audience, or it is DOOMED.
Ronald D. Moore -- in my opinion, one of the better writer-producers in sci-fi today -- took a concept that pleased just about nobody but the fans and reproduced it in a manner that made it interesting and watchable to a modern audience. And if you step outside of your "I want Lorne Greene, Richard Hatch, and Dirk Benedict" temper tantrums, you will find it interesting and watchable as well.
As for some of the main cast members -- like the Adamas pere et fils -- being stiff and inhuman...my friends, welcome to career military officer types. I would bet you're the same people who complained about Commander Jeffrey Sinclair in the first season of Babylon 5 as well. These are TRUE TO LIFE heroes, not the Saturday morning cartoon comic book heroes.
As for remolding Starbuck (does she drink a lot of coffee? ;-) and Boomer into women... well, I had my doubts at first, but I thought they did a magnificent job. As for the Cylons looking like humans now... well, only some of them do. And, to be perfectly honest, it makes a lot of sense for them to be able to blend in with their enemies. Anyone who has knowledge of terrorists in the Middle East knows that the reason they can get in to major civilian population centers and cause hideously evil damage and destruction is because THEY BLEND IN. Use some logic, people!
Much like when going to see a movie based on one of Tom Clancy's novels, I didn't go into this expecting to see the original. I went into it expecting to see something new and interesting with some similarities at the plot level. And I was not disappointed.
Since ENTERPRISE seems to be killing the Trek franchise -- and I admit, I enjoy ENTERPRISE a lot of the time, but a lot of people don't, and I can see why -- I am in high hopes a series based on BSG2003 can revitalize hope for on-going TV science fiction. I don't see why it shouldn't as long as people stop thinking they're going to get Lorne Greene. They're getting Edward James Olmos, one of the most brilliant actors in Hollywood, coming BACK to TV after a successful movie career... and how often does THAT happen?!?