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| Linda Hardy | ... | Jill Bioskop | |
| Thomas Kretschmann | ... | Alcide Nikopol | |
| Charlotte Rampling | ... | Elma Turner | |
| Yann Collette | ... | Froebe | |
| Frédéric Pierrot | ... | John | |
| Thomas M. Pollard | ... | Horus | |
| Joe Sheridan | ... | Allgood | |
| Corinne Jaber | ... | Lily Liang | |
| Olivier Achard | ... | Checker | |
| Jerry Di Giacomo | ... | Jack Turner | |
| Dominique Mahut | ... | Hotel Receptionist | |
| Gary Cowan | ... | Tycho Barman | |
| Augustin Legrand | ... | Pusher / Salesman | |
| Javon Constantin | ... | Eugenics Little Boy | |
| Owen Steketee | ... | Horus's Baby | |
| Thomas Murat | ... | Adaptater (voice) | |
| Barbara Scaff | ... | Jill (voice) (as Barbara Weber-Scaff) | |
| Dominic Gould | ... | John (voice) | |
| Geoffrey Carey | ... | Froebe / Checkers (voice) (as Geoffrey Carrey) | |
| Allan Wenger | ... | Hotel Receptionist (voice) | |
| Paul Bandey | ... | Dayaks (voice) | |
| Coralie Seyrig | ... | Bastet (voice) | |
| Goran Vejvoda | ... | Anubis (voice) | |
| Helen Later | ... | Conti / Speaker Meteo (voice) (as Helene Later) | |
| Paul Barrett | ... | Pilot Helico (voice) | |
| Leslie Clack | ... | Co-Pilot / Background Voices (voice) (as Les Clack) | |
| Lemmy Constantine | ... | Voice Over (voice) | |
| Robert Dauney | ... | Security Guard (voice) (as Robert Dawney) | |
| Geoffrey Greenhill | ... | Policeman (voice) | |
| Irene Palko | ... | Background Voices (voice) | |
| rest of cast listed alphabetically: | |||
| Rhonda Constantin | ... | Fonctionnaire | |
| Eddie Crew | ... | Policier 2 | |
| Max Delor | ... | Egyptologue | |
| David Gasman | ... | Client bar Géant | |
| Vanessa Hope | ... | Bastet | |
| Charles Maquignon | ... | Le gérant | |
| Joel Mitchell | |||
| Rochelle Redfield | ... | Schneider | |
| Mark Reed | ... | Policier 1 | |
| Shush Tenin | ... | Anubis | |
| Tony Vanaria | ... | Infirmier | |
| Derrick Brenner | ... | Jonas (uncredited) | |
| Thierry René | ... | Sam (uncredited) | |
| Jacquelyn Toman | ... | Patiente Elma (uncredited) | |
| Jean-Louis Trintignant | ... | Jack Turner (voice: French version) (uncredited) | |
Directed by | |||
| Enki Bilal | |||
Writing credits(in alphabetical order) | ||
| Enki Bilal | comic books "La Foire aux immortels" and "La Femme piège" | |
| Enki Bilal | scenario & adaptation and dialogue | |
| Serge Lehman | scenario & adaptation | |
Produced by | |||
| Dominique Brunner | .... | executive producer | |
| Sylvie Chevreau | .... | line producer | |
| Charles Gassot | .... | producer | |
| Daniel J. Walker | .... | co-producer (as Daniel Walker) | |
Original Music by | |||
| Sigur Rós | |||
| Goran Vejvoda | |||
Cinematography by | |||
| Pascal Gennesseaux | |||
Film Editing by | |||
| Véronique Parnet | |||
Casting by | |||
| Bernard Savin Pascaud | |||
Production Design by | |||
| Jean-Pierre Fouillet | |||
Art Direction by | |||
| Jean-Pierre Fouillet | |||
| Sophie Campbell | (art direction) (uncredited) | ||
Set Decoration by | |||
| Stéphane Blau | |||
| Christophe Faton | |||
| Frédérique Nouailhat | |||
Costume Design by | |||
| Mimi Lempicka | (as Mimi Lempika) | ||
Production Management | |||
| Sylvie Chevereau-Marchais | .... | production manager | |
| Solenn Colas | .... | assistant production manager | |
| Eric Duchêne | .... | unit manager | |
Art Department | |||
| Hervé Babaud | .... | plasterer | |
| Gille Baette | .... | construction manager | |
| Eric Berthet | .... | head carpenter | |
| Hubert Bocquet | .... | carpenter | |
| Marc Bonetti | .... | carpenter | |
| Sophie Campbell | .... | assistant art director | |
| John Cavard | .... | carpenter | |
| Vincent Dangoise | .... | painter | |
| Frédéric Danos | .... | painter | |
| Pascale Evrard | .... | carpenter | |
| Christian Gazio | .... | property master | |
| Farida Hadjour | .... | art department secretary | |
| Jacky Hardouin | .... | chief carpenter | |
| Jérôme Hayot | .... | painter | |
| Joanna Kotowicz | .... | assistant art director | |
| Jérôme Larivière | .... | carpenter | |
| Xavier Laroyenne | .... | carpenter | |
| Sylvie Léger | .... | painter | |
| Nicolas Le Jeune | .... | prop buyer | |
| Alain Le Méo | .... | carpenter | |
| Caroline Martinet | .... | painter | |
| Frédéric Nollet | .... | painter | |
| Magali Oechsner de Coninck | .... | sculptor | |
| Rodolphe Planchais | .... | trainee art director | |
| Olivier Rouillard | .... | assistant art director | |
| Guillaume Rouzade | .... | painter | |
| Laurent Soulier | .... | head painter | |
| Angélique Verbeck | .... | assistant art director (as Angélique Verbeeck) | |
Sound Department | |||
| Germain Boulay | .... | sound editor | |
| Denis Carquin | .... | boom operator | |
| Pascal Dedeye | .... | foley artist | |
| Toni Di Rocco | .... | sound recordist | |
| Ivan Dumas | .... | additional sound assistant | |
| Eric Ferret | .... | sound recordist | |
| Daniel Gries | .... | assistant foley artist | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Lionel Le Bras | .... | boom operator | |
| Anne Le Campion | .... | sound mixer | |
| Pierre Lenoir | .... | sound | |
| Marion Lorthioir | .... | post-synchronisation | |
| Gréggory Poncelet | .... | sound recordist | |
| Laurent Quaglio | .... | sound designer | |
| Serge Rouquairol | .... | foley sound editor | |
| Eric Tisserand | .... | sound recordist | |
Special Effects by | |||
| Jean-Claude Dauphinot | .... | special effects | |
| Georges Demétrau | .... | special effects | |
| Pierre Foury | .... | special effects | |
| Matthieu Grospiron | .... | lighting supervisor | |
| Sara Helminger | .... | special effects (as Sara Helmlinger) | |
| Jérome Miel | .... | special effects | |
| Jacques-Olivier Molon | .... | assistant special effects | |
| François Philippi | .... | special effects | |
| Benoît Squizzato | .... | special effects | |
| Olivier Zenenski | .... | special effects | |
Visual Effects by | |||
| Catherine Athon | .... | digital coordinator | |
| Quentin Auger | .... | character setup and animation | |
| Alex Bernardi | .... | software engineer: research and development | |
| Farchad Bidgolirad | .... | research & development lead | |
| Axel Bonami | .... | digital compositor | |
| Cyrille Bonjean | .... | digital compositor | |
| Cyrille Bonjean | .... | visual effects coordinator | |
| Lucie Bories | .... | digital compositor | |
| Ronan Broudin | .... | digital compositor | |
| Habbah Bruno | .... | digital compositor | |
| Myriam Catrin | .... | digital artist | |
| Seb Caudron | .... | visual effects supervisor | |
| Julien Charles | .... | digital artist | |
| Gérald Clévy | .... | rotoscopy | |
| Delphine Coffin | .... | texturing supervisor | |
| Julien Cohen Bengio | .... | animation artist | |
| Julien Cohen Bengio | .... | software engineer | |
| Olivier Coulon | .... | matte painter | |
| Stéphane Dalbera | .... | motion capture consultant | |
| Benjamin Deboute | .... | render wrangler | |
| Fabrice Delapierre | .... | animation supervisor | |
| Benoit De Longlee | .... | special visual effects | |
| Valérie de Palma | .... | motion capture lead | |
| Jerome Desvignes | .... | characters modeling supervisor | |
| Lionel Duminil | .... | digital compositor | |
| Jerome Fournier | .... | visual effects | |
| Monteil Fredrik | .... | digital compositor | |
| Eric Gambini | .... | digital artist | |
| Christine Gatto | .... | virtual set supervisor: interior set | |
| Pierre Genin | .... | roto 3D supervisor | |
| Renaut Gilles | .... | layout artist | |
| Pierre Gosset | .... | digital compositor | |
| Bruno Hajnal | .... | lighter | |
| Afif Heukeshoven | .... | on-set match mover | |
| Philippe Huberdeau | .... | 3D layout assistant | |
| Philippe Huberdeau | .... | digital compositor | |
| Philippe Huberdeau | .... | visual effects coordinator | |
| Nicolas Kermel | .... | digital artist | |
| Farid Khadiri-Yazami | .... | lighting & modeling: Duran | |
| Aurelie Lajoux | .... | digital compositor | |
| Aurelie Lajoux | .... | visual effects coordinator | |
| Julien Lambert | .... | lead lighting artist | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Jean Baptiste Lère | .... | visual effects technical director assistant | |
| Yann Leroux | .... | digital compositor | |
| Julien Leveugle | .... | lighting technical director | |
| Emmanuel Linot | .... | senior animator | |
| Sergeï Lourié | .... | digital compositor | |
| Catherine Macresy | .... | visual effects production manager | |
| Antoine Moulineau | .... | rendering lead | |
| Malik Nahassia | .... | digital effects artist | |
| Prothais Nicolas | .... | senior animator | |
| Alban Orlhiac | .... | lead texture artist | |
| Fred Palacio | .... | virtual set supervisor: outside set | |
| Stephane Paris | .... | modeling technical director | |
| Arnaud Pecqueur | .... | lead texture artist | |
| Claire Pegorier | .... | digital effects artist | |
| Cecile Peltier | .... | digital compositor | |
| Carlos Perona | .... | lighting artist | |
| Carlos Perona | .... | modeler | |
| Cyril Pichard | .... | research & development | |
| Jacquemin Piel | .... | visual effects supervisor | |
| Olivier Pinol | .... | lead lighter | |
| Sebastien Rame | .... | digital compositor | |
| Olivier Renouard | .... | character setup supervisor | |
| Caroline Rézeau | .... | lead texture artist | |
| Florian Salanova | .... | lighting artist | |
| Pierre Salazar | .... | modeler | |
| Pascal Savignac | .... | lead texture artist | |
| Denis Scolan | .... | digital compositor | |
| Gaël Seydoux | .... | on-set supervisor: Duboi | |
| Gaël Seydoux | .... | visual effects consultant: Telema | |
| Majid Taibi | .... | visual effects | |
| Nina Taraud | .... | render wrangler | |
| Sebastien Terme | .... | digital artist | |
| Chris Thunig | .... | digital matte artist: Duran | |
| Georges Tornero | .... | digital artist | |
| Marine Tuloup | .... | CGI set and props production coordinator | |
| Patrice Wechsler | .... | lighting production manager | |
| Veronique Zylberfain | .... | matte painter | |
Stunts | |||
| Laurent Avare | .... | stunts | |
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts | |
| Alexandre Cauderlier | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Yan Dron | .... | stunt double | |
| Pascaline Girardot | .... | stunts | |
Animation Department | |||
| Guillaume Aliquot | .... | animator | |
| Jean Marc Ky | .... | animator | |
| Jean-Paul Tétu | .... | layout artist | |
Casting Department | |||
| Alexandra Paraboschl | .... | casting assistant | |
| Jean-Jacques Pugliese | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Adélaïde Gosselin | .... | wardrobe supervisor | |
| Laetitia Harvey | .... | wardrobe assistant | |
| Clara Le Picard | .... | wardrobe assistant | |
| Maira Ramedhan Lévy | .... | wardrobe assistant | |
Editorial Department | |||
| Serge Anthony | .... | grader | |
| Jérôme Arthuis | .... | color grading coordinator | |
| Stéphanie Carré | .... | post-production coordinator | |
| Isabelle Julien | .... | color timer | |
| Magali Magnan | .... | assistant editor | |
| Annick Ménier | .... | post-production coordinator | |
| Laurent Pelé | .... | first assistant editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Emmanuelle Zelez | .... | first assistant editor | |
Music Department | |||
| Valérie Lindon | .... | music supervisor | |
| Ralph Rainger | .... | composer: song "June in January" | |
Other crew | |||
| Julie Adams | .... | dialect coach | |
| Jérôme Arthuis | .... | scan editing supervisor | |
| Sophie Bernard | .... | production coordinator | |
| Thomas Foncelle | .... | lead render wrangler | |
| Laurence Granec | .... | publicist | |
| Christophe Huchet | .... | title designer: main titles | |
| Laurence Lemaire-Bazi | .... | script supervisor (as Laurence Lemaire) | |
| Ash Malde | .... | auditor: Malde & Co. (as Ashit Malde) | |
| Peggy Plessas | .... | dialogue coach (as Peggy Hall Plessas) | |
| Vaden Shah | .... | auditor: Malde & Co. | |
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| L'intrus | Midnight Cowboy | Infamous | Le temps qui reste | The Dreamers |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb France section | Add this title to MyMovies |
Enki Bilal's film version of his excellent comic from more than 20 years ago, is a more coherrent and better structured story than what we read in the graphic novels.
The same images are here, in the film, as in the comic. That's very good, and works well. Some scenes are almost taken directly from the comic, as when Horus help Nikopol for the first time in the subway.
The world is more detailed in the film and the story is now more tightly spun around Jill, Horus and Jill's friend John - plus of course Nikopol who serve as the spider in this web.
Many here complain over the computer animations. Especially when it comes to some of the cast. I can only say that it is was a sad decision to create the senator and his two friends as computer animations, since live actors would probably been a wiser decision. It had helped the movie flow a little bit more, and we hadn't been so hung up on that they actually were computer animated. However, after a while, it works and we don't care too much about it. They have so little screen time anyway.
Horus is also animated, but since he's a God, it doesn't matter. And he's better done too. All the other animations are just splendid and work wonders for this graphical and visually stunning film.
Immortel is a very nice film with a better story than I thought. I was expecting a difficult and completely un-logical version of the comic - since I've read the reviews - but what we have here is actually a nice and very good movie, told beautifully.
If you haven't read the graphic novels, I suggest you find a copy or two and read them. They are a good introduction to this weird sci-fi world, and it is probably easier to understand the overall theme if you have read them. However, don't get disappointed when some story elements don't show up in the film. (I especially missed the hockey-game!)
I sincerely hope that Enki Bilal makes more movies like this one, or even a sequel. I would really like to know what happens next... Enki Bilal's mind is beautiful - and this film will be a classic within a few decades. For now, it's just a little bit too before its time to be taken the way it should. But soon, people will discover it and see the nice little details that lay inside the world of future New York.
I give it a 7 of 10. I would have given it higher if it wasn't for some bad animations and that I didn't like the way they plotted the sharp-teethed alien that I never remember the name of. :-)