| Photos (see all 7 | slideshow) |
| Greta Scacchi | ... | Julia Reuter | |
| Jürgen Prochnow | ... | Erik Westermark | |
| Donald Sutherland | ... | Lou Aldryn | |
| Dieter Laser | ... | Gehrig | |
| Jürgen Schornagel | ... | Jan Peters | |
| Barbara Schöne | ... | Ingrid Peters | |
| Rein Oja | ... | Captain Arvo Kallas | |
| Herb Andress | ... | Juri Roos | |
| Birgit Stein | ... | Tiina Ronk | |
| Thure Riefenstein | ... | Mika Galt | |
| Francis Fulton-Smith | ... | Markus Dackel (as Francis Fulton Smith) | |
| Jürgen Tarrach | ... | Gregor Karpatitsch | |
| Andreas Günther | ... | Rock Weber (as Andreas Guenther) | |
| Patrizia Moresco | ... | Elke Groat | |
| Michael Schreiner | ... | Dr. Sergei Raspoff | |
| Jens Neuhaus | ... | Ivo Varres | |
| Detlef Bothe | ... | Victor Renko | |
| Wolf-Dietrich Berg | ... | Captain Valme | |
| Suzanne von Borsody | ... | Ms. Sundwall | |
| Axel Milberg | ... | Ovaska | |
| Sissi Perlinger | ... | Roos' Secretary | |
| Yoshij Grimm | ... | Max Westermark | |
| Cort Kibler-Melby | ... | Danny Reuter | |
| Peter Gilbert Cotton | ... | Guy Reuter (as Peter Cotton) | |
| Gitte Hænning | ... | Lou Aldryn's wife | |
| Axel Pape | ... | Sven Nyberg | |
| Schota Grandell | ... | Ene Kallas (as Chotta Grandell) | |
| Henrik Suttinger | ... | Boatswain Andres | |
| Oliver Petszokat | ... | Second Officer | |
| Sönke Städtler | ... | First Officer | |
| Dietmar Wunder | ... | Hospital Spokesperson | |
| Tibor Taylor | ... | Coast Guard Spokesperson | |
| Clayton Nemrow | ... | Sergeant Werntz | |
| Gundis Zambo | ... | Swedish Police Officer | |
| Helje Kaskel | ... | Nurse | |
| Joe Bausch | ... | Swedish Coast Guard Officer | |
| Timo Merkhofer | ... | Reporter | |
| Kaj Holmberg | ... | Ticket Taker | |
| Alexander Stahl | ... | Functionary | |
| Lena Wintruff | ... | Nurse Berlin | |
| Catherine Bollyn | ... | Kati Kallas | |
| Christopher Bollyn Jr. | ... | Sascha Gehrig | |
| Paul Wuthe | ... | Band | |
| Jens Meyer | ... | Band | |
| Sascha Otto | ... | Band | |
| Anne Schultz | ... | Band (as Anne Schulz) | |
| Katarina Holmberg | ... | Band | |
| Björn Lindbom | ... | Band (as Björn 'Ricky Delin' Lindbom) | |
| rest of cast listed alphabetically: | |||
| Armin Sauer | ... | KGB-Agent | |
| Bill Clinton | ... | Himself (archive footage) (uncredited) | |
| Trevor McDonald | ... | Himself - TV Newsreader (archive footage) (uncredited) | |
| Jon Snow | ... | Himself - TV Newsreader (archive footage) (uncredited) | |
| Boris Yeltsin | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Reuben Leder | |||
Writing credits | ||
| Reuben Leder | (written by) | |
| Jutta Rabe | (story) and | |
| Kaj Holmberg | (story) and | |
| Henning Witte | (story) | |
| J.A. Gaudet | first screenplay (as J. Aldric Gaudet) | |
Produced by | |||
| Guy Collins | .... | executive producer | |
| Keith Cousins | .... | executive producer | |
| Kaj Holmberg | .... | producer | |
| Timo Lahtinen | .... | associate producer (as Timo T. Lathinen) | |
| Mimi Leder | .... | executive producer | |
| David Marlow | .... | co-producer | |
| Terence S. Potter | .... | executive producer | |
| Jacqueline Quella | .... | executive producer (as Jackie Quella) | |
| Jutta Rabe | .... | producer | |
| Birgit Stein | .... | associate producer | |
Original Music by | |||
| Mauri Sumén | |||
Cinematography by | |||
| Nicolas Joray | |||
| Robert Nordström | |||
Film Editing by | |||
| Alan Strachan | |||
Casting by | |||
| Jed Curtis | |||
| Birgit Stein | |||
Production Design by | |||
| Joris Hamann | |||
Art Direction by | |||
| Joris Hamann | |||
Set Decoration by | |||
| Frank Herzog | |||
| Alexander Schulz | |||
Costume Design by | |||
| Tanja Weck | |||
Makeup Department | |||
| Lena Lazzarotto | .... | makeup artist | |
| Lena Lazzarotto | .... | makeup department head | |
| Björn Rehbein | .... | hair stylist: Donald Sutherland | |
| Björn Rehbein | .... | makeup artist: Donald Sutherland | |
| Sabine Schumann | .... | makeup artist | |
Production Management | |||
| Julian Blom | .... | unit manager: Wales | |
| Daniel Mattig | .... | unit manager | |
| Sabine Renger | .... | assistant production manager | |
| Michael Scheel | .... | production manager | |
Art Department | |||
| Sabine Havelka | .... | property master | |
| Philipp Hübner | .... | carpenter | |
| Philipp Hübner | .... | swing gang | |
| Daniela Klewitz | .... | stand-by props assistant | |
| Dietrich Kraft | .... | assistant property master | |
| Markus Leuwer | .... | set dresser | |
| Matthias Prange | .... | construction manager | |
| Päivi Ravelin | .... | stand-by props | |
| Karin Schulz | .... | set dresser | |
| Michael Waschnig | .... | prop buyer | |
| Wolfgang Wrede | .... | stand-by painter | |
Sound Department | |||
| Peter Burgis | .... | foley artist | |
| Simon Clement | .... | dialogue editor | |
| Andie Derrick | .... | foley artist | |
| Mark Ferda | .... | sound re-recording mixer | |
| Svenn Ferfer | .... | boom operator | |
| Mike Fitchie | .... | adr editor | |
| Gareth Hayward | .... | foley mixer | |
| Alex Hudd | .... | sound consultant: dolby | |
| Alan Paley | .... | sound designer | |
Special Effects by | |||
| Lars Hintze | .... | special effects technician | |
| Thorsten Hintze | .... | special effects technician | |
| Marcus Schmidt | .... | special effects technician | |
| Bernd Wildau | .... | special effects foreman | |
| Adolf Wojtinek | .... | special effects supervisor | |
Visual Effects by | |||
| Manfred Büttner | .... | visual effects producer | |
| Erich Eder | .... | digital compositor | |
| Severi Glanville | .... | Inferno artist | |
| Risto Jankkila | .... | visual effects | |
| Olli Leppänen | .... | digital artist | |
| Robert Pinnow | .... | visual effects coordinator | |
| Ville-Matti Vasama | .... | visual effects | |
| Chris Wallace | .... | colourist | |
Stunts | |||
| Armin Sauer | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Reiner Bajo | .... | still photographer | |
| Felix Bergander | .... | second assistant camera | |
| Timm Brückner | .... | gaffer | |
| Birgit Dierken | .... | first assistant camera | |
| Nicole Dierken | .... | second assistant camera | |
| Eddie Handschak | .... | video operator | |
| Glenn König | .... | key grip | |
| Alexander Sachariew | .... | first assistant camera | |
| Erik Steingröver | .... | gaffer | |
| Sopie Vollmer | .... | clapper loader | |
| Christian Wehrle | .... | video operator | |
Casting Department | |||
| Mechthild Olliges | .... | extras casting | |
Costume and Wardrobe Department | |||
| Nina Brandt | .... | assistant costume designer | |
| Carola Raum | .... | costume supervisor | |
| Barbara Schramm | .... | wardrobe | |
| Annette Weygand | .... | wardrobe | |
Editorial Department | |||
| Anna Kappelmann | .... | assistant to editor | |
| Mika Kongas | .... | digital film recordist | |
Music Department | |||
| Katarina Holmberg | .... | music supervisor | |
Transportation Department | |||
| Benjamin Dunker | .... | driver: Donald Sutherland | |
| Dennis Ernst | .... | driver: makeup bus | |
| Julian Henneberg | .... | driver: motorhome | |
| Viktor Jakovleski | .... | driver: cast and production | |
| Susen Jarmuske | .... | driver: cast and production | |
| Susen Jarmuske | .... | production driver | |
| Robert Kunz | .... | personal driver: Jürgen Prochnow | |
| Uwe Zegnotat | .... | personal driver: Greta Scacchi | |
Other crew | |||
| Annette Drees | .... | script supervisor | |
| Illtud Llyr Dunsford | .... | liaison: film commission | |
| Oliver Fritsche | .... | diving coordinator | |
| Daniel Hornich | .... | production assistant | |
| Anita Jorns | .... | cashier | |
| Ernestine Kahn | .... | dialogue coach | |
| Katharina Klemm | .... | location assistant | |
| Christian Klempert | .... | location manager | |
| Frank Krug | .... | location assistant | |
| Joachim Kunzendorf | .... | German dialogue | |
| Thomas Lauterkorn | .... | location scout | |
| Antti Murto | .... | technical supervisor | |
| Jakob Olschewski | .... | diver | |
| Roman Prochnow | .... | production assistant | |
| Sabrina Reinke | .... | production assistant | |
| Marion Richter | .... | production secretary | |
| Moritz Scheibler | .... | diver | |
| Sandra Speck | .... | accounting assistant | |
| Lena Wintruff | .... | production coordinator | |
Thanks | |||
| Udo Walz | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section | Add this title to MyMovies |
To sum up Baltic Storm in a few words you could say: bad acting, terrible script and directing, a ridiculously retro musical score with an important story that shouldn't be treated this badly. You could perhaps complement Baltic Storm on its editing and cinematography. The five minutes or so of actual archive footage from the last days of the Cold War in the beginning of the film is the best part of the whole thing.
To begin with, Jutta Rabe's alter ego Julia Reuter is an incredibly dull person. You've seen these strong women before and when it's done in a professional manner it works but when it isn't it's really bad. Scacchi can act, but the script doesn't allow her to be anything else but a big cliché.
Jürgen Prochnow does what he can with his character but it's not very clever to make Germans play Swedes as well as Estonians when it's done in such an amateurish way. Prochnow has a name, but he doesn't succeed in portraying the Swedish lawyer losing a son in the disaster. This is not his fault, it's the badly written script again.
There are some well-played characters like Dieter Laser's Gehrig and Donald Sutherland's bad American, but it doesn't help much. The film concentrates on the relationship between Prochnow and Scacchi and there's no chemistry there I can tell you that. Their search for the truth is just a ridiculous chase after ghosts in the woods.
The story however is interesting. The producer Jutta Rabe was a very controversial person in Scandinavian media for a while. She wanted to tell the truth and talked of great conspiracies, one that is shown here in the film. She could have done a better job. If not for the audience, so at least out of respect for the people who lost near and dear ones that day. They deserve a better presentation of "facts".