| Photos (see all 28 | slideshow) | Videos |
| Elijah Wood | ... | Jones | |
| Franka Potente | ... | Jane | |
| Mandy Moore | ... | Lisa | |
| Chris William Martin | ... | Steve | |
| Deborah Harry | ... | Ma Mabley | |
| Elizabeth Perkins | ... | Blanche | |
| Aaron Pearl | ... | Brad | |
| Andrew Jackson | ... | Guy | |
| Malcolm Scott | ... | Randy | |
| Aloma Wright | ... | Alicia | |
| Frank C. Turner | ... | Custodian | |
| Josh Byer | ... | Skinhead | |
| Chad Faust | ... | Tough | |
| Daniella Evangelista | ... | Girlfriend | |
| Michael Roberds | ... | Clerk | |
| Michael P. Northey | ... | Phone Guy | |
| Vicky Huang | ... | Cantonese Girl | |
| Chris Boyd | ... | No Arms | |
| Narmaya | ... | Belly Dancer | |
| Desiree Zurowski | ... | Nude Instructor | |
| Tom Bell | ... | Bartender |
Directed by | |||
| Jeffrey Porter | |||
Writing credits(in alphabetical order) | ||
| Charles Kephart | writer | |
Produced by | |||
| Boaz Davidson | .... | executive producer | |
| Mike Elliott | .... | producer | |
| Randall Emmett | .... | producer | |
| George Furla | .... | producer | |
| Joseph P. Genier | .... | co-producer | |
| Bradley Jenkel | .... | executive producer | |
| Avi Lerner | .... | executive producer | |
| Trevor Short | .... | executive producer | |
| John Thompson | .... | executive producer | |
| Michele Weisler | .... | producer | |
| Holly Wiersma | .... | producer | |
| Shawn Williamson | .... | co-producer | |
Original Music by | |||
| Andrew Gross | |||
Cinematography by | |||
| Blake T. Evans | |||
Film Editing by | |||
| David M. Richardson | |||
Casting by | |||
| Maureen Webb | |||
Production Design by | |||
| Rachel O'Toole | |||
Art Direction by | |||
| Geoff Wallace | |||
Set Decoration by | |||
| Shane Vieau | |||
Costume Design by | |||
| Katrina McCarthy | |||
Makeup Department | |||
| Devyn Griffith | .... | assistant makeup artist | |
| Kandace Loewen | .... | hair stylist | |
| Andrea Simpson | .... | assistant hair stylist | |
| Margaret Yaworski | .... | makeup artist | |
Production Management | |||
| Dan Clarke | .... | unit production manager | |
| Jonathan Shore | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jeffrey Furlong | .... | trainee assistant director | |
| Robert Lee | .... | second unit director | |
| Jay Henry Moritz | .... | second assistant director | |
| Michael Pohorly | .... | third assistant director | |
| Gary Blair Smith | .... | first assistant director | |
Art Department | |||
| James Blake | .... | key scenic artist | |
| Kristen Bond | .... | set supervisor | |
| Gerri Crawford | .... | props buyer (as Gerri-Lynne Crawford) | |
| Greg Diachok | .... | lead scenic artist | |
| Adrian Dowell | .... | construction coordinator | |
| David Dowling | .... | lead props | |
| Michael Farrell | .... | head carpenter | |
| Scott Holburn | .... | on-set dresser | |
| Barry Kemp | .... | assistant set decorator | |
| Kristina Lyne | .... | assistant art director | |
| David Menske | .... | set decoration buyer | |
| David Perun | .... | property master | |
| Judi Stackaruk | .... | set dresser | |
Sound Department | |||
| Hugo DeLaCerda | .... | sound re-recording mixer | |
| Dario DiSanto | .... | foley editor | |
| Kris Fenske | .... | supervising sound editor | |
| Megan Goudsward | .... | background sound editor | |
| Wolfgang Herold | .... | sound supervisor: Germany | |
| Kirby Jinnah | .... | dialogue editor | |
| Deni King | .... | adr supervisor: Los Angeles | |
| Laurie Melhus | .... | sound coordinator | |
| Bill Mellow | .... | sound re-recording mixer | |
| Mark Noda | .... | boom operator | |
| Sina Oroomchi | .... | sound re-recording mixer | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Jean Raymond | .... | foley mixer | |
| Brian Ruryk | .... | assistant sound editor | |
| Adam Sharpe | .... | adr mixer | |
| David Shea | .... | adr mixer: Vancouver | |
| Shane Shemko | .... | foley artist | |
| William Skinner | .... | production sound mixer | |
| Ann Townshend | .... | assistant sound editor (as Anne Townshend) | |
| Cam Wagner | .... | foley artist | |
| Rich Walters | .... | assistant sound editor | |
Special Effects by | |||
| James Franchuk | .... | special effects first assistant | |
| John Sleep | .... | special effects coordinator | |
Visual Effects by | |||
| John Fukushima | .... | digital compositor | |
| Sean Hewitt | .... | optical printer operator | |
| Rita Schrag | .... | optical printing supervisor | |
| Jim Stewart | .... | optical designer | |
| Joel Tong | .... | digital compositor | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator | |
| Garvin Cross | .... | stunts | |
| Crystal Dalman | .... | stunt double | |
| Ryan Ennis | .... | stunts | |
| Rick Pearce | .... | stunts | |
| Heath Stevenson | .... | stunts | |
| Claire Webb | .... | stunts | |
Camera and Electrical Department | |||
| Paul Akehurst | .... | lamp operator | |
| Ray Boyle | .... | gaffer | |
| Ryan Cox | .... | grip | |
| Michael Davies | .... | camera operator | |
| Dwight Durham | .... | assistant camera trainee | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Cliff Hokanson | .... | camera operator | |
| Lynne Kam | .... | best person grip | |
| Benoît Lamarche | .... | key grip | |
| Mark Lunn | .... | first assistant camera | |
| Heather MacNeill | .... | second assistant camera | |
| Dave McFarland | .... | additional cinematographer | |
| Patrick Moore | .... | generator operator | |
| Philippe Palu | .... | dolly grip | |
| Shelly Papp | .... | best boy electric (as Shelley Papp) | |
| Dave Roughley | .... | lamp operator | |
| Scott Kozak | .... | grip (uncredited) | |
Casting Department | |||
| Sandra Couldwell | .... | extras casting | |
| Lonnie Mackenzie | .... | extras casting assistant (as Lonnie Rathie) | |
Costume and Wardrobe Department | |||
| Brie Thorpe | .... | assistant costume designer | |
Editorial Department | |||
| Dave Duce | .... | post-production coordinator (as David Duce) | |
| Earl Fudger | .... | first assistant editor | |
| Harvey Greenberg | .... | head of post-production | |
| Ryan Hogan | .... | final colorist | |
| Vicki McIsaac | .... | post-production coordinator | |
Music Department | |||
| Jeff Lingle | .... | music editor | |
| Ashley Miller | .... | music supervisor | |
| Brian Reardon | .... | composer: source cue | |
| Trent Walker | .... | composer: songs "Any Minute Now" and "Heartbreak June" | |
| Rich Walters | .... | music editor | |
| Brian Reardon | .... | session musician (uncredited) | |
Transportation Department | |||
| Ben Derrick | .... | transportation coordinator | |
| Viola Janzen | .... | transportation captain | |
| Matt Trask | .... | co-transportation captain | |
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| Sullivan's Travels | The Graduate | Where the Heart Is | La ley del deseo | Just Like Heaven |
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This is a very sensitive and original `coming of age' film, centered around a seventeen-year-old boy seeking to find meaning in his life. His mom had been, in her youth, a self-absorbed, dope-smoking and thrill-seeking Bohemian, who fell for an equally superficial and pretentious pseudo-intellectual of the writer variety, and by the time he went out for a pack of cigarettes never to return, she had found herself pregnant. That would have been the end of her story had mom been a pauper, but her family had money, so by the time the story opens the son had been shuttled around through every prep-school in the country. He never knew his father, and what he knew about his mother was that she never grew up.
What little his mother would say about his father were myths, which he clings to desperately in this story. Had his father `really' been a writer? All he has for proof is an old typewriter, on which he tries to write letters to his father that are never mailed. The whereabouts of the father are not known. Estranged and alienated from his parents, he ends up in an apartment where he can begin to find himself through associations with others who have complicated stories of their own to share. Not surprisingly, he falls in love with an older woman who is much like his mother: self-absorbed and addicted to dysfunctional relationships. Almost as though to redeem his mother through the woman, he tries to prove himself the better man to her, in contrast to the slick and quick former boyfriend, with his leather clothes and hot guitar. He is a nice guy that wants to finish better, not last. It is a very mature and well-crafted story.