Bowling for Columbine (2002)

User Rating:

8.2/10   

Director:

Michael Moore

Writer (WGA):

Michael Moore (written by)

Release Date:

9 October 2002 (France)

Genre:

Documentary | History

Tagline:

Are we a nation of gun nuts or are we just nuts?

Plot:

Filmmaker Michael Moore explores the roots of America's predilection for gun violence.

Plot Keywords:

Violence | Gun | Fear | Firearm | Animated Sequence

Awards:

Won Oscar. Another 28 wins & 7 nominations

Cast

Jacobo Arbenz	...	Himself, President of Guatemala (archive footage) (as President Arbenz)
Mike Bradley	...	Himself, Mayor of Sarnia, Ontario, Canada
Arthur A. Busch	...	Himself, County prosecutor, Flint, Michigan (as Arthur Busch)
George Bush	...	Himself (archive footage) (as Bush)
George W. Bush	...	Himself, President of the United States (archive footage)
Michael Caldwell	...	Himself, police detective
Richard Castaldo	...	Himself, Columbine victim
Dick Clark	...	Himself, restaurant owner
Steve Davis	...	Himself, deputy sheriff (archive footage)
Byron Dorgan	...	Himself (archive footage)
Mike Epstein	...	Shopper in Mall
Joe Farmer	...	Himself, superintendent of schools (archive footage)
Mike Fasolo	...	Corporate Criminal (DVD only) (archive footage)
Denny Fennell	...	Himself, home security consultant
Barry Glassner	...	Himself, author of "The Culture of Fear" (as Prof. Barry Glassner)
John Harris	...	Himself (voice)
Dick Herlan	...	Himself (as Richard Herlan)
Charlton Heston	...	Himself, actor / NRA president
Jeremy Hicks	...	Himself, suspended student for wearing kilts (archive footage)
Ernest F. Hollings	...	Himself (archive footage) (as Senator Fritz Hollings)
Jimmie Hughes	...	Herself, principal of Buell Elementary School
Dick Hurlin	...	Himself, former producer of "Cops"
Amanda Lamante	...	Herself, Columbine student
Mary Lorenz	...	Herself, K-Mart official
Marilyn Manson	...	Himself, entertainer
Daniel Mauser	...	Himself (archive footage)
Tom Mauser	...	Himself, father of victim
Evan McCollum	...	Himself, Lockheed Martin public relations
Timothy McVeigh	...	Himself, Oklahoma City bomber (archive footage)
Carey McWilliams	...	Himself, blind gun owner (archive footage)
Gerald Miller	...	Himself, Welfare-to-Work creator (archive footage)
Michael Moore	...	Himself / Narrator
Mohammed Mossadegh	...	Himself, Prime Minister of Iran (archive footage) (as Prime Minister Mossadeq)
Dinh Diem Ngo	...	Himself, President of South Vietnam (archive footage) (as President Diem)
James Nichols	...	Himself, brother of Terry Nichols
Terry Nichols	...	Himself, Oklahoma City bombing accomplice (archive footage)
Manuel Noriega	...	Himself, President of Panama (archive footage)
Tamarla Owens	...	Herself, mother of boy who shot girl (archive footage)
Shah Mohammed Reza Pahlavi	...	Himself, Shah of Iran (archive footage)
Robert J. Pickell	...	Himself, sheriff of Flint, Michigan (as Sheriff Robert Pickell)
Augusto Pinochet	...	Himself, Chilean dictator (archive footage)
Jeff Rossen	...	Himself, FOX reporter (archive footage)
David Satcher	...	Himself (archive footage) (as Dr. David Satcher)
Nicole Schlief	...	Herself
David Smith	...	Himself, Sarah's husband (voice) (archive footage)
Susan Smith	...	Herself, child murderess (archive footage)
Matt Stone	...	Himself, former Columbine student
Mark Taylor	...	Himself, Columbine victim

Also Known As:

Bowling à Columbine (Canada: French title)
Bowling for Columbine (Germany)

MPAA:

Rated R for some violent images and language.

Runtime:

120 min

Country:

Canada | USA | Germany

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:14 (Nova Scotia) (re-rating on appeal) | Canada:14A (Alberta/British Columbia) | Canada:18 (Nova Scotia) (original rating) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Italy:T | Brazil:12 | USA:TV-MA (cable rating) | South Africa:10V (DVD rating) | South Africa:13V (theatrical rating) | Argentina:13 | Australia:M | Denmark:11 | Finland:K-15 | France:U | Germany:12 | Hong Kong:IIB | Ireland:12 | Israel:PG | Netherlands:16 | New Zealand:M | Norway:11 | Peru:14 | Singapore:PG | South Korea:15 | Spain:T | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of Zurich) | Switzerland:14 (canton of the Grisons) | UK:15 | USA:R (certificate #39324) | Iceland:12

Filming Locations:

Auburn Hills, Michigan, USA

Company:

Alliance Atlantis Communications

Trivia:

Contrary to the news media, Columbine High School was never located within the city of Littleton, Colorado. Littleton is actually the mailing address only. Columbine High School is actually located four miles west of the Littleton city limits in unincorporated Jefferson County (still the suburbs), and is part of Jefferson County Public Schools, not Littleton Public Schools.

Goofs:

Factual errors: The film claims that that Eric Harris and Dylan Klebold attended a bowling class earlier on the morning of the offense. This is incorrect as testified in a judicial review.

Quotes:

John Nichols: I sleep with a .44 magnum under my pillow.
Michael Moore: [in disbelief] Come on. That's what everyone says.

Movie Connections:

Referenced in What Happens in Vegas (2008)

Soundtrack:

Take the Skinheads Bowling

One of the most thought provoking movies.

What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.