| Photos (see all 34 | slideshow) | Videos (see all 2) |
| Jim Moret | ... | Newscaster | |
| Stuart Luce | ... | Irving Steinbloom | |
| Mary Gross | ... | Ma Klapper | |
| Marty Belafsky | ... | Ramblin' Sandy Pitnik | |
| Michael Baser | ... | Pa Klapper | |
| Jared Nelson Smith | ... | Young Chuck Wiseman | |
| Ryan Raddatz | ... | Bill Weyburn | |
| Todd Lieberman | ... | Fred Knox | |
| Matthew Joy | ... | Boy Klapper | |
| Laura Harris | ... | Girl Klapper | |
| Brian Riley | ... | Young George Menschell | |
| Harry Shearer | ... | Mark Shubb | |
| Michael McKean | ... | Jerry Palter | |
| Christopher Guest | ... | Alan Barrows | |
| Eugene Levy | ... | Mitch Cohen | |
| Catherine O'Hara | ... | Mickey Crabbe | |
| Bob Balaban | ... | Jonathan Steinbloom | |
| Rachael Harris | ... | Steinbloom's Assistant | |
| Tyler Forsberg | ... | Young Jonathan Steinbloom | |
| Paul Dooley | ... | George Menschell | |
| Jim Ortlieb | ... | David Kantor | |
| Andrew Dickler | ... | 1971 Dell Wiseman | |
| Thomas Lowry | ... | 1971 Howard Wiseman (as Thom Lowry) | |
| Keva Rosenfeld | ... | 1971 Chuck Wiseman | |
| Brian Allen | ... | 1960s Mitch & Mickey Bass | |
| Danny Merritt | ... | 1960s Mitch & Mickey Guitar | |
| Paul Benedict | ... | Martin Berg | |
| Floyd Van Buskirk | ... | Steve Lang (as Floyd Vanbuskirk) | |
| Jane Lynch | ... | Laurie Bohner | |
| John Michael Higgins | ... | Terry Bohner | |
| Parker Posey | ... | Sissy Knox | |
| Christopher Moynihan | ... | Sean Halloran | |
| David Blasucci | ... | Tony Pollono | |
| Patrick Sauber | ... | Jerald Smithers | |
| Steve Pandis | ... | Johnny Athenakis | |
| Mark Nonisa | ... | Mike Maryama | |
| Cameron Sprague | ... | Young Terry Bohner | |
| LeShay N. Tomlinson | ... | Steinbloom's Secretary (as Leshay Tomlinson) | |
| Mina Kolb | ... | Dr. Mildred Wickes | |
| Jim Piddock | ... | Leonard Crabbe | |
| Don Lake | ... | Elliott Steinbloom | |
| Deborah Theaker | ... | Naomi Steinbloom | |
| Fred Willard | ... | Mike LaFontaine | |
| Ed Begley Jr. | ... | Lars Olfen | |
| Wendel Meldrum | ... | Witch #1 | |
| Diane Delano | ... | Witch #2 | |
| Jim Jennewein | ... | Witch #3 (as James Jennewein) | |
| Richard Hicks | ... | Witch #4 | |
| Michael Hitchcock | ... | Lawrence E. Turpin | |
| Larry Miller | ... | Wally Fenton | |
| Jennifer Coolidge | ... | Amber Cole | |
| Michael Mantell | ... | Deputy Mayor | |
| Bill Cobbs | ... | Blues Musician | |
| Freda Foh Shen | ... | Melinda Barrows | |
| Darlene Kardon | ... | Shirley Steinbloom | |
| Scott Williamson | ... | PBN TV Director | |
| Joe Godfrey | ... | Mitch & Mickey Bass | |
| Bruce Gaitsch | ... | Mitch & Mickey Guitar | |
| Diane Baker | ... | Supreme Folk Defense Lawyer |
Directed by | |||
| Christopher Guest | |||
Writing credits(WGA) | ||
| Christopher Guest | (written by) & | |
| Eugene Levy | (written by) | |
Produced by | |||
| Donna E. Bloom | .... | line producer | |
| Karen Murphy | .... | producer | |
Cinematography by | |||
| Arlene Nelson | (as Arlene Donnelly Nelson) | ||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Richard Hicks | |||
Production Design by | |||
| Joseph T. Garrity | |||
Art Direction by | |||
| Pat Tagliaferro | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Durinda Wood | |||
Makeup Department | |||
| Judi Cooper-Sealy | .... | hair designer | |
| Ann Masterson | .... | key makeup artist | |
| Kate Shorter | .... | key makeup artist | |
| Terri Ewton | .... | hair stylist (uncredited) | |
| Terri Ewton | .... | makeup artist (uncredited) | |
Production Management | |||
| Donna E. Bloom | .... | unit production manager | |
| Pamela Louise Griner | .... | post-production supervisor | |
| Montez A. Monroe | .... | production supervisor | |
Art Department | |||
| Scott Buckwald | .... | property master | |
| Dan Dorfer | .... | camera scenic artist | |
| L. David Gordon | .... | drapery foreman | |
| Jeanne Kukor | .... | property assistant | |
| Debi Shirk Tagliaferro | .... | art department coordinator | |
| Franco Esile | .... | set dresser (uncredited) | |
| Kon Iliov | .... | propmaker (uncredited) | |
| Dean B. Katz | .... | leadman (uncredited) | |
| Kathy Orlando | .... | buyer (uncredited) | |
Sound Department | |||
| Lawrence L. Commans | .... | boom operator | |
| Alison Fisher | .... | adr editor | |
| Alison Fisher | .... | dialogue editor | |
| Todd Harris | .... | assistant sound editor | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Michael Magill | .... | sound editor | |
| Andy Peach | .... | post-production sound recordist | |
| Kira Smith | .... | utility sound technician | |
| Hamilton Sterling | .... | supervising sound editor | |
| Mark Weingarten | .... | production sound mixer | |
| Gary Gegan | .... | sound re-recording mixer (uncredited) | |
| Robin Harlan | .... | foley artist (uncredited) | |
| Sarah Monat | .... | foley artist (uncredited) | |
| Randy Singer | .... | foley mixer (uncredited) | |
| Susumu Tokunow | .... | sound mixer: reshoots (uncredited) | |
Camera and Electrical Department | |||
| David M. Dunlap | .... | director of photography: second unit, New York | |
| Doug Foote | .... | first assistant camera: second unit | |
| Jordan Lapsansky | .... | lighting technician | |
| William M. Weberg | .... | best boy grip: New York | |
| David Barker | .... | video assist operator (uncredited) | |
| Brian Bartolini | .... | electrician: re-shoots (uncredited) | |
| Barry Berona | .... | first assistant camera (uncredited) | |
| Matt Blades | .... | key rigging grip: New York (uncredited) | |
| Rick Davis | .... | key grip (uncredited) | |
| Russell Griffith | .... | electrician: re-shoots (uncredited) | |
| Tim Hubbard | .... | camera operator (uncredited) | |
| David Lee | .... | gaffer (uncredited) | |
| Mike Shaheen | .... | video playback operator (uncredited) | |
| Ian Strang | .... | electrician (uncredited) | |
| Suzanne Tenner | .... | still photographer (uncredited) | |
Casting Department | |||
| Leigh French | .... | voice casting | |
| Jimmy Jue | .... | extras casting | |
| Matthew Skrobalak | .... | casting associate | |
| Jill Warner | .... | casting intern | |
| Summer Wesson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Gloria Fonseca | .... | costumer (uncredited) | |
| Jaimie Froemming | .... | costumer intern (uncredited) | |
| Jennifer Starzyk | .... | costumer (uncredited) | |
Editorial Department | |||
| Andrew Dickler | .... | additional editor | |
| Chris Wagley | .... | color timer | |
| Mark Yoshikawa | .... | first assistant editor | |
Music Department | |||
| Fernand Bos | .... | supervising music editor | |
| Jeffrey C.J. Vanston | .... | music producer | |
| Adrian Van Velsen | .... | music editor | |
Transportation Department | |||
| Keith D. Fisher | .... | transportation captain | |
| Don Poole | .... | driver | |
| Aaron Skalka | .... | transportation coordinator | |
| Ken Farnell | .... | driver (uncredited) | |
| Michael Forte | .... | transportation coordinator: re-shoots (uncredited) | |
Thanks | |||
| Jeffrey Stott | .... | thanks | |
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| Bob Roberts | Waiting for Guffman | Cannes Man | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | The Legend of Jules Spitzerelli |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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SPOILERS LIE AHEAD
A Mighty Wind is a film that I loved, and it disappoints me that there were so many critics and filmgoers who were disappointed with it. It seems that quite a few people think that comedies, especially the ones of the mockumentary sort (as this one is), can't go farther then simple mocking. It puzzles me that so many were in agreement that a film about a bittersweet reunion can't be good comedy. I think some moviegoers need quit worrying about smuggling that bag of Milk Duds into the theater and remember to bring an open mind. There may be funnier, more farcical situations (which have been the basis of many, many lesser films), but a bittersweet reunion can inspire comedic moments as well as be the basis for a great film, which A Mighty Wind is.
Christopher Guest, who has championed the film making style that is mockumentary with his role in the classic This Is Spinal Tap, and by directing the hilarious Waiting for Guffman and Best in Show, directs as well as co-writes the story with Eugene Levy (the actual lines are all improvised by the actors).
The film plays as a documentary about the organization of a memorial concert featuring folk groups from the 60's who were managed by the late Irving Steinbloom. The groups featured in the concert are the cheesy "neuftet" The New Main Street Singers, the classic folk trio The Folksmen, and the former sweethearts of the folk music world Mitch and Mickey.
The best performance in the film is that of Catherine O'Hara as Mickey Crabbe. She boldly doesn't go for all the laughs, and creates a complete, full, interesting character. Note the interview scenes where she reminisces about her past as one half of the folk "phenomenon" that was Mitch and Mickey. When she talks about their relationship you can see and hear that this is a woman who loved Mitch and Mickey, but not Mitch. Levy is also superb as Mitch Cohen, clearly still in love with Mickey but also clearly insane. He creates an almost over the top comedic performance that makes great use of his infamous eyebrows. He is in a constant state of uncomfortable quirkiness, except when he is singing with Mickey, and he remembers what their relationship used to be, and how it felt to be loved. Note the scene where the two practice one of their hits, "A Kiss at the End of the Rainbow," and don't know what to do when its time for them to lovingly kiss each other, which was their claim to fame when they were making TV appearances back in the 60's. Without saying a word, they agree that it would be inappropriate and continue to the end of the song. O'Hara's reaction to that moment is perfect. Then note the scene when they perform the song at the concert and, each for different reasons, they decide to do the kiss. When I first saw that moment and the characters' reaction to it, I got goosebumps. I realized that for the first time in any of Guest's mockumentaries, I actually cared for the characters, and I loved it. It's great that instead of going down that road taken by so many other films, where the former lovers find that they have loved each-other all along and have sex to affirm this to the audience, A Mighty Wind gives something far more interesting.
Although the Mitch & Mickey relationship is the heart of the film, it should not be forgotten that this an ensemble movie. There are terrific comedic performances all around, including those of Harry Shearer, Michael McKean, and Guest as the members of The Folksmen, John Michael Higgins and Jane Lynch as the color worshiping Terry and Laurie Bohner, Jennifer Coolidge as the can't-quite-place-her-accent Amber Cole, Fred Willard as the outrageously sad Mike LaFontaine and Ed Begley Jr. the yiddish talking Swede Lars Olfen.
It may not have gotten as many laughs as This Is Spinal Tap, Waiting for Guffman, or Best in Show, but A Mighty Wind bravely goes where those films didn't. It achieves touching, real emotion. It is one of the best films of 2003.