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In This World (2002)
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Overview
User Rating:
Director:
Writer:
Tony Grisoni (writer)
Release Date:
28 March 2003 (UK)
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Tagline:
The journey to freedom has no borders.
Plot:
Enayat and Jamal are Afghan refugees who live in a camp in Peshawar and try to escape to Great Britain by the help of people smugglers...
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Awards:
Won BAFTA Film Award.
Another 6 wins
&
8 nominations
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NewsDesk:
(15 articles)
Coraline (2009) Movie Review
(From Beyond Hollywood. 21 November 2009, 1:25 PM, PST)
Machan is streets ahead of any Hollywood product
(From The Guardian - Film News. 19 November 2009, 9:23 AM, PST)
(From Beyond Hollywood. 21 November 2009, 1:25 PM, PST)
Machan is streets ahead of any Hollywood product
(From The Guardian - Film News. 19 November 2009, 9:23 AM, PST)
User Comments:
Moving, gritty, a brilliant docu-drama that should be seen
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Cast
(Cast overview, first billed only)| Jamal Udin Torabi | ... | Jamal | |
| Enayatullah | ... | Enayat | |
| Imran Paracha | ... | Travel Agent (Pakistan) | |
| Hiddayatullah | ... | Enayat's Brother (Pakistan) | |
| Jamau | ... | Enayat's Father (Pakistan) | |
| Wakeel Khan | ... | Enayat's Uncle 1 (Pakistan) | |
| Lal Zarin | ... | Enayat's Uncle 2 (Pakistan) | |
| Ahsan Raza | ... | Money Changer (Pakistan) | |
| Mirwais Torabi | ... | Jamal's Older Brother (Pakistan) | |
| Abdul Ahmad | ... | Groom (Pakistan) | |
| Amanullah Torabi | ... | Jamal's Younger Brother (Pakistan) | |
| Ramzan Ali | ... | Driver 1 (Pakistan) | |
| Chaman Ali | ... | Driver 2 (Pakistan) | |
| Rasheed | ... | Soldier Shaheen (Pakistan) | |
| Allah Bauhsh | ... | Farid (Pakistan) |
Additional Details
Also Known As:
The Silk Road (UK) (working title)
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MPAA:
Rated R for brief strong language.
Parents Guide:
Runtime:
88 min
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Brazil:12 |
Hungary:14 |
Spain:T |
South Korea:15 |
Australia:M |
Germany:12 |
Japan:PG-12 |
Netherlands:AL |
Norway:11 |
Sweden:7 |
UK:15 |
USA:R |
New Zealand:R13
Filming Locations:
Company:
Fun Stuff
Trivia:
The film had two working titles before settling on its final name. While it was being shot, it was known as "The Silk Road". This was primarily as a cover, since officials in many countries were told the film was a documentary about that historical subject. Later, it was known as "M1187511", which was the UK Home Office's file number for the real-life Jamal's application for refugee status. Before its release however, the title was changed to "In This World". As Michael Winterbottom describes on the DVD, the title came from a line in the film where Jamal was translated as saying that a central character was dead. Jamal informed Winterbottom, on seeing this, that it was inaccurate. What he had actually said was that the man was "no longer in this world". Hence the film's title.
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Movie Connections:
Referenced in "Goedemorgen Nederland: (2003-10-16)" (2003)
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This film deserves a wide audience - and we are constantly reminded what or who is in this world, and what that entails. The story line is simple: two Afghan refugees, dispossessed in their land, struggling to survive (on 1 US $ a day, search for new life in a promised land - either the United Kingdom (London) or the USA.
We are all aware of the prejudice meted out to those of middle Eastern descent by the leaders of these 'first world countries'; we are also aware that war and the rampage of war leads to dog-eats-dog scenario.
Without preaching, the director takes us (through an involvement with the young leads, apparently not trained actors) through this world, moving from Afghanistan, to the East (Iran, Pakistan), and landing in Europe (Turkey, Italy, England).
What struck me throughout was the single-mindedness displayed by the younger actors, as they have to cope with a world at once alien and familiar to them.
There are moments of intense kindness by strangers, balanced by the manipulation of others who are motivated by greed and an unempathetic bureaucracy too.
Acting is naturalistic: there are some brilliant cameo shots - and Winterbottom has achieved a Herculean task; the film comes across as a real, hands-on documentary that is unscripted, and where events unfold before one's eyes.
Aided by voice-overs and a montage of black and white images, this has a feel of historic truth, a sense of actuality about it. I was moved by this film, totally.
It is a cry from the director's soul, and (unfortunately) won't reach the people it should. Refreshing, sensitive and an absolute must-see.