| Photos (see all 79 | slideshow) | Videos (see all 13 NEW) |
| John Cusack | ... | Ed | |
| Ray Liotta | ... | Rhodes | |
| Amanda Peet | ... | Paris | |
| John Hawkes | ... | Larry | |
| Alfred Molina | ... | Dr. Malick | |
| Clea DuVall | ... | Ginny | |
| John C. McGinley | ... | George York | |
| William Lee Scott | ... | Lou | |
| Jake Busey | ... | Robert Maine | |
| Pruitt Taylor Vince | ... | Malcolm Rivers | |
| Rebecca De Mornay | ... | Caroline Suzanne (as Rebecca DeMornay) | |
| Carmen Argenziano | ... | Defense Lawyer | |
| Marshall Bell | ... | District Attorney | |
| Leila Kenzle | ... | Alice York | |
| Matt Letscher | ... | Assistant District Attorney | |
| Bret Loehr | ... | Timmy York | |
| Holmes Osborne | ... | Judge Taylor | |
| Frederick Coffin | ... | Detective Varole | |
| Joe Hart | ... | Bailiff Jenkins | |
| Michael Hirsch | ... | Naked Businessman | |
| Terence Bernie Hines | ... | Bailiff | |
| Stuart M. Besser | ... | Frozen Body (as Stuart Besser) |
Directed by | |||
| James Mangold | |||
Writing credits(WGA) | ||
| Michael Cooney | (written by) | |
Produced by | |||
| Stuart M. Besser | .... | executive producer (as Stuart Besser) | |
| Dixie J. Capp | .... | associate producer | |
| Cathy Konrad | .... | producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Phedon Papamichael | |||
Film Editing by | |||
| David Brenner | |||
Casting by | |||
| Lisa Beach | |||
| Sarah Katzman | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Jess Gonchor | |||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Catherine Childers | .... | hair stylist | |
| Scott H. Eddo | .... | makeup department head | |
| Jane Galli | .... | makeup department head | |
| Jake Garber | .... | special makeup effects artist | |
| Jonathan Hanousek | .... | hair stylist supervisor | |
| Katharine Kremp | .... | hair stylist: Mr. Liotta | |
| Katharine Kremp | .... | key hair stylist | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Judy Lovell | .... | key makeup artist | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Nanci Cascio | .... | hair stylist (uncredited) | |
Production Management | |||
| John Anthony | .... | production supervisor | |
| Stuart M. Besser | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Rick Avery | .... | second unit director | |
| Rosemary C. Cremona | .... | second assistant director (as Rosemary Cremona) | |
| Maria Mantia | .... | second second assistant director | |
| Nicholas Mastandrea | .... | first assistant director (as Nick Mastandrea) | |
Art Department | |||
| Ron Ashmore | .... | paint supervisor | |
| Oana Bogdan | .... | set designer | |
| Sam Dean | .... | welder | |
| Alex DiGerlando | .... | art department assistant | |
| Christopher Elledge | .... | set dresser | |
| Josh Ian Elliott | .... | on-set dresser (as Josh Elliott) | |
| Steve A. Hagberg | .... | construction coordinator | |
| Sarah Harwich | .... | construction purchaser | |
| Bart C. Hubenthal | .... | set dresser | |
| Alan James | .... | painter | |
| John Paul 'J.P.' Jones | .... | property master | |
| Miguel López-Castillo | .... | assistant art director | |
| Michael McCombe | .... | greens foreman | |
| Marc Messenger | .... | storyboard artist | |
| Chris Nakayama | .... | propmaker | |
| Victoria Ruskin | .... | set designer | |
| Rick C. Taplin | .... | art department assistant | |
| Freddy Waff | .... | lead man | |
| Cheree Welsh | .... | art department coordinator | |
| Perry E. Ellis | .... | set dresser (uncredited) | |
| John P. Goldsmith | .... | set designer (uncredited) | |
| Amber Haley | .... | set buyer (uncredited) | |
| J. Bryan Holloway | .... | sculptor (uncredited) | |
Sound Department | |||
| Jessy Bender | .... | sound utility | |
| Joseph Bonn | .... | first assistant sound editor | |
| Gary C. Bourgeois | .... | sound re-recording mixer (as Gary Bourgeois) | |
| Matthew Dettmann | .... | foley artist | |
| John Dunn | .... | sound editor | |
| Donald Flick | .... | sound editor | |
| Howell Gibbens | .... | supervising sound effects editor | |
| Matthew P. Hanson | .... | assistant sound editor (as Matthew Hanson) | |
| Gary A. Hecker | .... | foley artist | |
| Larry Kemp | .... | sound editor | |
| Sean Landeros | .... | sound recordist | |
| Howard London | .... | adr mixer | |
| James Morioka | .... | sound effects editor | |
| Greg Orloff | .... | sound re-recording mixer | |
| Ken Strain | .... | boom operator | |
| Jim Stuebe | .... | sound mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| William D. Lee | .... | special effects | |
| Ian C. McArthur | .... | special effects technician | |
| Matt McDonnell | .... | special effects technician | |
| Gregory Nicotero | .... | puppeteer | |
| Richard Stutsman | .... | special effects foreman | |
Visual Effects by | |||
| David Ebner | .... | digital effects supervisor: Computercafe | |
| Julia Frey | .... | visual effects producer | |
| Vicki Galloway-Weimer | .... | visual effects producer: CafeFX (as Vicki Galloway Weimer) | |
| Anthony Harris | .... | digital color timer | |
| Bruce Harris | .... | digital compositor | |
| Robert Stromberg | .... | visual effects supervisor: Digital Backlot | |
| Patrick Zentis | .... | compositing supervisor: Digital Backlot | |
| Jeff Barnes | .... | executive producer: Computercafe (uncredited) | |
| Attila Veress | .... | film recorder operator (uncredited) | |
Stunts | |||
| Brian Avery | .... | utility stunts | |
| Rick Avery | .... | stunt coordinator | |
| Tom Harper | .... | stunts | |
| Brett A. Jones | .... | stunts | |
| Brian Machleit | .... | stunts | |
| Caryn Mower | .... | stunt double: Leila Kenzle | |
| Eric Norris | .... | stunts | |
| Michelle Sebek | .... | stunt double | |
| Brian Simpson | .... | stunts | |
| Darlene Ava Williams | .... | stunt double: Rebecca DeMornay | |
Camera and Electrical Department | |||
| Jeff Andrus | .... | grip | |
| Brad Boyer | .... | dolly grip: "b" camera | |
| Craig A. Brink | .... | rigging gaffer | |
| Eric M. Davis | .... | lighting technician | |
| Sean Devine | .... | best boy grip | |
| Christopher Franey | .... | set lighting technician | |
| Cory Geryak | .... | chief lighting technician | |
| Bob Hall | .... | first assistant camera: "a" camera | |
| Ryan Huston | .... | electrician | |
| David Luckenbach | .... | Steadicam operator | |
| David Luckenbach | .... | camera operator | |
| Daniel C. McFadden | .... | assistant camera | |
| Andrew Osborne | .... | assistant camera | |
| Paul Sanchez | .... | camera operator | |
| Philip Shanahan | .... | assistant camera | |
| Matthew J. Siegel | .... | camera operator: second unit | |
| Dan Squires | .... | additional second assistant camera | |
| Larry Sushinski | .... | assistant chief lighting technician | |
| Suzanne Tenner | .... | still photographer | |
| Brian Woronec | .... | lighting technician | |
| David Schmalz | .... | video assist operator (uncredited) | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Terry Anderson | .... | key costumer | |
| Lorraine Crossman | .... | costumer | |
| Carlane Passman | .... | costume supervisor | |
Editorial Department | |||
| Sara Cueva | .... | apprentice editor | |
| Quincy Z. Gunderson | .... | assistant editor | |
| Dale Jones | .... | avid technician | |
| Michael McCusker | .... | associate editor | |
| Jim Passon | .... | color timer | |
| Michael Rafferty | .... | assistant editor | |
| David Reale | .... | first assistant editor | |
Music Department | |||
| Bill Abbott | .... | music editor: temp music (as William Abbott) | |
| David Bifano | .... | scoring coordinator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| Kenneth Karman | .... | music editor | |
| Jason Lloyd | .... | scoring crew | |
| Adam Michalak | .... | score recordist | |
| Bill Pearson | .... | music engineer | |
| John Rodd | .... | orchestral scoring recordist | |
| Dennis S. Sands | .... | music scoring mixer | |
| Alan Silvestri | .... | conductor | |
| Steven L. Smith | .... | music preparation | |
| Jacqueline Tager | .... | assistant music editor | |
| Pat Weber | .... | scoring technician | |
| Mark Graham | .... | music copyist (uncredited) | |
Transportation Department | |||
| J. Armin Garza II | .... | driver: camera car | |
| Dan Marrow | .... | transportation coordinator | |
| Pamela Monroe | .... | transportation office coordinator | |
| Mark Valdez | .... | driver: cast | |
| John Embry | .... | driver: cast (uncredited) | |
Other crew | |||
| Benjamin Adams | .... | production accountant | |
| Olivier Agostini | .... | set production assistant | |
| Ricky Andres | .... | production assistant | |
| Bianca Arvin | .... | assistant to producer | |
| Barry Barclay | .... | assistant production office coordinator | |
| Michael Boretz | .... | production secretary | |
| Michele A. Carmel | .... | production coordinator | |
| Rupert Cole | .... | production assistant | |
| Kyle Cooper | .... | title designer | |
| Jason Cox | .... | production assistant | |
| Chad Hammel | .... | production assistant | |
| Bruce Kaye | .... | assistant: Mr. Mangold | |
| Gary Kurashige | .... | on-set medic | |
| Aurelie Levy | .... | assistant: John Cusack | |
| Andrew Lipschultz | .... | unit publicist | |
| Brian MacAslan | .... | stand-in | |
| Lindsay McCracken | .... | assistant: Mr. Cusack | |
| Jeremy Mullen | .... | set production assistant | |
| Nikolette Orlandou | .... | production assistant | |
| Jennifer Priebe | .... | production assistant | |
| Ned R. Shapiro | .... | location manager | |
| Shannon Shea | .... | shop foreman | |
| Sheila Waldron | .... | script supervisor | |
| Chris Castaldi | .... | additional set production assistant (uncredited) | |
|
|
|
|
|
| Psycho | The Fugitive | Halloween | The Salton Sea | D-Tox |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
Each Friday night of my teenagehood years passed with watching Horror classics. When the mysterious killer reveals out to be a child of my age or even younger, that had always gotten me into an excitement. Watching "Nightmare on Elm Street" was a proof of mine, saying "-Look, I'm totally grown up, now. I don't afraid of Freddy any more. Huh huh!" , to mum.
Time's changed. Horror genre is strengthened by mindless mysteries and sentimentalism. This new type of horror can't make viewers laugh or have fun any more. If not getting any fun from a horror, why watching it? The plot is solely good for mystery; yet the director chose to make a horror/teen slasher, which happened to be a fallacious deduction. Directing and editing is totally awful. "Identity" is talented director James Mangold's worst movie. From 1995 to 2005, his first decade of industrial movie making experience had caught everybody's attention. The present time is 2009. His latest works "Walk The Line" and "3:10 to Yuma" scored success both on box-office and on film critics. I wish we won't see any disappointment from him any more.
Reminiscent of Agatha Christie's "And There Were None"(1945), Hitchcock's Psycho and Kubrick's idea of mystery at Indian cemetery; there is no such thing as an original idea. The opening scene sparks off a traffic accident profits from each character's view of the accident. No one was guilty. Followed by coincidences 8 adult, 1 child and the runner of the motel got stuck in a deluge. The story telling was as good as 2004's best motion picture winner "Crash". Differently, they never tried to break free from their situation. Instead, they make each other fall into a calamity. After two more coincidences, we learned as a third coincidence that everyone shares the same birthday. 10 people, all of them, have born on the 10th of May. Then Amanda Peet tried to save the situation: "This place used to be an Indian cemetery".
Even before the first half of the movie, it happened to become a comedy by a chain of disasters and coincidences. Thanks to Alan Silvestri, who has composed a good music score. Watching for the reason to learn what's going to happen at the end, has been the key factor that made viewers think this is better than an average movie. Quite frankly, it is not. Film editing is dreadful.
1 out of 10 for editing. 8 out of 10 for acting. When you come to the end, you'll realize that it's not the movie you're watching any more. It's so easy that when a director puts all the different puzzles and mysteries altogether mixing them with some sentimentalism, and when at the end his leading actor says:
"Sorry, I am a paranoiac. I was only dreaming. Nothing really happened. Everything was just a dream."