| Photos (see all 75 | slideshow) | Videos (see all 12 NEW) |
Directed by | |||
| David R. Ellis | |||
Writing credits(WGA) | ||
| J. Mackye Gruber | (screenplay) & | |
| Eric Bress | (screenplay) | |
| J. Mackye Gruber | (story) & | |
| Eric Bress | (story) and | |
| Jeffrey Reddick | (story) | |
| Jeffrey Reddick | (characters created by) | |
Original Music by | |||
| Shirley Walker | |||
Cinematography by | |||
| Gary Capo | (director of photography) | ||
Film Editing by | |||
| Eric A. Sears | (as Eric Sears) | ||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Michael S. Bolton | (as Michael Bolton) | ||
Art Direction by | |||
| James Steuart | |||
Set Decoration by | |||
| Louise Roper | |||
Costume Design by | |||
| Jori Woodman | |||
Makeup Department | |||
| Chris Bellamy | .... | special makeup crew: WCT Productions | |
| Donna Bis | .... | key hair stylist | |
| Susan Boyd | .... | hair stylist: second unit | |
| Christopher Clark | .... | special makeup crew: WCT Productions | |
| Catherine Gaulin | .... | special makeup crew: WCT Productions | |
| Monica Huppert | .... | key makeup artist | |
| Richard Marmion | .... | special makeup crew: WCT Productions | |
| J.P. Mass | .... | special makeup crew: WCT Productions (as Jarrett P. Mass) | |
| Yukiyo Okajima | .... | special makeup crew: WCT Productions | |
| Robert A. Pandini | .... | key hair stylist | |
| Dean Scheck | .... | hair stylist | |
| Ric Stephens | .... | special makeup crew: WCT Productions | |
| Vicki Syskakis | .... | special makeup crew: WCT Productions | |
| Bill Terezakis | .... | special makeup effects designer: WCT Productions | |
| Maureen Terezakis | .... | special makeup crew: WCT Productions | |
| Debbie Vandelaar | .... | makeup artist | |
| Vince Yoshida | .... | special makeup crew: WCT Productions | |
| Rachel Griffin | .... | special makeup effects artist (uncredited) | |
| Jamie Salmon | .... | makeup effects technician (uncredited) | |
| Jackie K. Seo | .... | makeup effects technician (uncredited) | |
Production Management | |||
| Christina Bulbrook | .... | unit manager: second unit (as Christina Margellos) | |
| Brendan Ferguson | .... | production manager: additional photography | |
| Justis Greene | .... | unit production manager | |
| Erik Holmberg | .... | executive in charge of production | |
| Jody Levin | .... | executive in charge of post-production | |
| Heather Meehan | .... | unit production manager | |
| Jay Vinitsky | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| David R. Baron | .... | third assistant director | |
| David Barrett | .... | second unit director | |
| Josy Capkun | .... | second assistant director: Campbell River | |
| Josy Capkun | .... | second second assistant director | |
| Steve Eathorne | .... | second assistant director: second unit | |
| Paul Garrison | .... | third assistant director | |
| Freddie Hice | .... | additional second unit director | |
| Kathy Houghton | .... | second assistant director: second unit | |
| Sarah Ostrow | .... | trainee assistant director | |
| Karen Robyn | .... | first assistant director: second unit | |
| Berengaria Tomkies | .... | second assistant director | |
| Pete Whyte | .... | first assistant director | |
| Greg Zenon | .... | first assistant director: second unit | |
Sound Department | |||
| Brian Basham | .... | adr recordist | |
| Ron Bedrosian | .... | adr mixer | |
| Rick Bold | .... | boom operator | |
| Bryan Bowen | .... | sound design editor | |
| Bryan Bowen | .... | sound effects editor | |
| Eddie Bydalek | .... | recordist | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Zack Davis | .... | adr editor (as Zac Davis) | |
| Dino Dimuro | .... | sound design editor | |
| Dino Dimuro | .... | sound effects editor | |
| Paul Flinchbaugh | .... | digital assistant | |
| Scott Martin Gershin | .... | sound designer | |
| Scott Martin Gershin | .... | sound supervisor | |
| Nerses Gezalyan | .... | foley recordist (as Nersus Galalian) | |
| Glynna Grimala | .... | foley editor | |
| Michael Hertlein | .... | dialogue editor | |
| David Horner | .... | adr mixer | |
| Daniel S. Irwin | .... | dialogue editor (as Daniel Erwin) | |
| Michael Keller | .... | sound re-recording mixer | |
| Randy Kelley | .... | sound design editor (as Randy Kelly) | |
| Randy Kelley | .... | sound effects editor (as Randy Kelly) | |
| Pat Lauwers | .... | cable person | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Tom Ozanich | .... | sound design editor | |
| Tom Ozanich | .... | sound effects editor | |
| Ralph Parker | .... | sound mixer | |
| Scott Sanders | .... | sound design editor | |
| Scott Sanders | .... | sound effects editor | |
| Branden Spencer | .... | first assistant sound editor | |
| Frederick H. Stahly | .... | dialogue editor (as Fred Stahly) | |
| Greg Steele | .... | adr mixer | |
| Hugh Waddell | .... | adr supervisor | |
| Hugh Waddell | .... | dialogue supervisor | |
| Jeffrey Wilhoit | .... | foley artist | |
| Peter Zinda | .... | sound design editor | |
| Peter Zinda | .... | sound effects editor | |
Visual Effects by | |||
| Jeremy Appelbaum | .... | digital artist: Digital Dimension | |
| Joe Bauer | .... | visual effects supervisor (as Joseph B. Bauer) | |
| Miguel Bautista | .... | digital artist: Digital Dimension | |
| Peter Berglund | .... | camera assistant: Cinema Production Services | |
| Jim Carbonetti | .... | digital artist: Digital Dimension | |
| Erik Carter | .... | grip/electric: Cinema Production Services | |
| Franklin Cofod | .... | line-up/editorial: Pixel Magic | |
| Joseph B. Conmy IV | .... | visual effects coordinator | |
| James Coulter | .... | senior technical manager: Digital Dimension | |
| Jason Crosby | .... | CG supervisor: Digital Dimension (as Jason Cosby) | |
| Clay Dale | .... | 3D artist: Pixel Magic | |
| Brandon Davis | .... | digital artist: Digital Dimension | |
| Victor DiMichina | .... | digital imaging supervisor: Pixel Magic (as Victor Dimichina) | |
| Giovanni Dulay | .... | modelmaker: Cinema Production Services | |
| Kevin Fisher | .... | scanning & recording: Pixel Magic | |
| Patrick Flanagan | .... | composite artist: Pixel Magic | |
| Tyler Foell | .... | 2D supervisor: Pixel Magic | |
| Benoit Girard | .... | facility supervisor: Digital Dimension (as Benolt 'Ben' Girard) | |
| Jim Gorman | .... | composite artist: Pixel Magic (as James Gorman) | |
| Nate Haggard | .... | composite artist: Pixel Magic | |
| David R. Hardberger | .... | director of photography: Cinema Production Services (as David Hardberger) | |
| Mike Hardison | .... | 3D supervisor: Pixel Magic | |
| James David Hattin | .... | composite artist: Pixel Magic (as James Hattin) | |
| Todd Higgins | .... | grip/electric: Cinema Production Services | |
| Sherry Hitch | .... | composite artist: Pixel Magic | |
| Bob Hurrie | .... | miniature producer: Cinema Production Services | |
| Cynthia Hyland | .... | composite artist: Pixel Magic | |
| Steve Jezewski | .... | grip/electric: Cinema Production Services (as Steven Jezewski) | |
| Ginger Joyce | .... | accountant: Cinema Production Services | |
| John Joyce | .... | modelmaker: Cinema Production Services | |
| Michael Joyce | .... | miniature supervisor: Cinema Production Services | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Kevin Kipper | .... | 3D artist: Pixel Magic | |
| Vladimir Koylazov | .... | programmer: Vray, Digital Dimension | |
| Edmond Kozin | .... | digital artist: Digital Dimension (as Edmund A. Kozin) | |
| Bob Lloyd | .... | visual effects artist | |
| John R. McConnell | .... | composite artist: Pixel Magic | |
| Ray McIntyre Jr. | .... | co-visual effects supervisor: Pixel Magic (as Raymond McIntyre Jr.) | |
| Justin Mitchell | .... | digital artist: Digital Dimension | |
| Peter Mitev | .... | programmer: Vray, Digital Dimension | |
| Jerome Morin | .... | facility producer: Digital Dimension | |
| Brad Moylan | .... | composite artist: Pixel Magic | |
| Patrick Murphy | .... | composite artist: Pixel Magic | |
| Reid Paul | .... | co-visual effects supervisor: Pixel Magic | |
| Jeryd Pojawa | .... | modelmaker: Cinema Production Services | |
| A.J. Raitano | .... | camera assistant: Cinema Production Services | |
| Alfredo Ramirez | .... | composite artist: Pixel Magic | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Eugene P. Rizzardi | .... | modelmaker: Cinema Production Services (as Gene Rizzardi) | |
| Andy Roberts | .... | digital artist: Digital Dimension | |
| Mark Ross-Sullivan | .... | modelmaker: Cinema Production Services | |
| Tammy Rubin | .... | modelmaker: Cinema Production Services | |
| Jason Rupe | .... | grip/electric: Cinema Production Services | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| Mike Schaeffer | .... | modelmaker: Cinema Production Services (as Michael Schaeffer) | |
| Ziad Seirafi | .... | CGI supervisor: Digital Film Labs | |
| Larry Shemanski | .... | 3D artist: Pixel Magic | |
| Marion Spates | .... | digital artist: Digital Dimension (as Marion O. Spates) | |
| Geordie Spradling | .... | composite artist: Pixel Magic | |
| Kate St-Pierre | .... | production coordinator: Cinema Production Services (as Kate St. Pierre) | |
| Mary Sushinski | .... | camera assistant: Cinema Production Services | |
| Sung Wook Su | .... | digital artist: Digital Dimension (as Sung-Wook Su) | |
| Tammy Sutton | .... | digital compositor | |
| Tammy Sutton | .... | rotoscope artist | |
| Ken Swenson | .... | modelmaker: Cinema Production Services (as Ken Swanson) | |
| James Torgeson | .... | gaffer: Cinema Production Services (as James J. Torgeson) | |
| Devin Uzan | .... | composite artist: Pixel Magic | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Valentin Vassilev | .... | modelmaker: Cinema Production Services (as Valentin V. Vassilev) | |
| Leandro Visconti | .... | lead compositor: Digital Dimension | |
| Paul M. Wagner | .... | visual effects editor | |
| Michael J. Wagstaff | .... | grip/electric: Cinema Production Services (as Michael Wagstaff) | |
| Dan Walker | .... | digital compositor | |
| Dan Walker | .... | rotoscope artist | |
| Jeff Welch | .... | grip/electric: Cinema Production Services (as Jeffrey Welch) | |
| Adam Zepeda | .... | digital artist: Digital Dimension | |
| Jason Crosby | .... | digital artist: Digital Dimension (uncredited) | |
| Christopher Grandel | .... | digital effects: trailer, Howard Anderson Company (uncredited) | |
| Jason Hill | .... | digital compositor (uncredited) | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| Errin Clutton | .... | casting assistant: Canada | |
| Coreen Mayrs | .... | casting: Canada | |
| Mandy Milicevic | .... | extras casting coordinator | |
| Wendy O'Brien | .... | casting associate | |
| Lisa Ratke | .... | extras casting (as Lisa Lynn Ratke) | |
| Kathleen Tomasik | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sondra Durksen | .... | set costumer | |
| Debbie Geaghan | .... | assistant costume designer | |
| Terry Haws | .... | costumer | |
| Brenda McDermid | .... | costumer: Campbell River | |
| Thomas L. Pankiewich | .... | costume supervisor (as Thomas Pankiewich) | |
| Cindy L. Russell | .... | key set costumer | |
| Jacqueline Walker | .... | costumer: Campbell River | |
Editorial Department | |||
| Sharon Bloedorn | .... | assistant editor: Vancouver | |
| Caroline Hardon | .... | assistant editor: Vancouver | |
| Michael Hatzer | .... | color timer | |
| Douglas Kunin | .... | assistant film editor (as Douglas K. Kunin) | |
| Thor Roos | .... | color timer: dailies | |
| Megan A. Sears | .... | apprentice editor (as Megan Sears) | |
| Matt Shaffer | .... | post-production assistant | |
| Matthew Walcutt | .... | post-production assistant (as Matthew C. Walcutt) | |
| Michael A. Webber | .... | first assistant editor: Avid | |
| Gary Burritt | .... | negative cutter (uncredited) | |
| David Waco | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Bruce Babcock | .... | orchestrations | |
| Paul Broucek | .... | executive in charge of music: New Line | |
| Debbi Datz-Pyle | .... | music contractor | |
| Greg Dennen | .... | score recordist (as Greg Dannen) | |
| Alan DerMarderosian | .... | musician: synthesist (as Alan Dermarderosian) | |
| Barry Fawcett | .... | scoring crew | |
| Robert Fernandez | .... | score mixer | |
| Robert Fernandez | .... | score recordist | |
| Alison Freebairn-Smith | .... | music administrator | |
| Peter Germansen | .... | scoring crew (as Pete Germansen) | |
| Richard Grant | .... | consultant: Auricle | |
| Mark Kaufman | .... | music clearance executive | |
| Thomas Milano | .... | music editor | |
| Larry Rench | .... | orchestrations | |
| Ryan Robinson | .... | scoring crew | |
| Mitch Rotter | .... | soundtrack executive | |
| Erin Scully | .... | music executive | |
| Lori Silfen | .... | music business affairs executive | |
| Mako Sujishi | .... | synth mixer | |
| Ian Walker | .... | musician: electronic percussion | |
| Shirley Walker | .... | musician: synthesist | |
| Rich Wheeler | .... | scoring crew | |
| Scott McRae | .... | music preparation (uncredited) | |
Transportation Department | |||
| Greg Farmer | .... | picture vehicle coordinator | |
| Bob Hayes | .... | driver | |
| David Holm | .... | transportation captain | |
| Fred Hunchuk | .... | driver | |
| Michael Huntley | .... | driver | |
| Linda Irvine | .... | driver | |
| Scott Irvine | .... | transportation coordinator | |
| Ron James | .... | driver | |
| Ken C. Johnson | .... | transportation | |
| Tony Johnson | .... | driver | |
| Bruce Kaduhr | .... | driver (as Bruce Kuduhr) | |
| Herb Langill | .... | driver | |
| Earl Meisner | .... | driver (as David Earl Meisner) | |
| Dave Miller | .... | driver | |
| Murray Mills | .... | driver (as Murray R. Mills) | |
| Mike Porohowski | .... | driver | |
| Jan Tayler | .... | driver | |
| Ian 'Moss' Urquhart | .... | driver | |
| Ivan Vlahovic | .... | driver (as Ivan D. Vlahovic) | |
| Greg Voje | .... | driver | |
| Lorrie Ward | .... | driver | |
| David Weston | .... | driver (as Dave Weston) | |
| Clint Wilcox | .... | driver | |
| Clint Wilcox | .... | transportation coordinator: second unit | |
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| Final Destination 3 | Dawn of the Dead | Freddy vs. Jason | Final Destination | Dèmoni 2: L'incubo ritorna |
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You know that feeling you get when you're watching America's Funniest Home Videos and the oblivious son hits his hapless father in the crotch with an aluminum bat? It gets a quick reaction, like, ooh, I feel your pain man.
FINAL DESTINATION 2 is a 90 minute or so string of those painful shots, as each character one by one meets an unfortunate death by household appliance. Bodies are slammed by trucks, heads are impaled, and limbs fly through the air -- in other words, things that make you go "oooh!" When one of the characters dies when her car's airbag explodes out of nowhere, my eyes hiccuped with a "Yeah! Wow, did they do that??? Yeah, they DID do that. Right on!"
Although the film has a very serious atmosphere about it, what with the creepy score and people sincerely freaking out and everything, it still retains a campy humor about it buried beneath its high-budget exterior. Many movies would shy away from smashing up plastic ketchup-filled dummies, opting instead to avoid the gore. Not FINAL DESTINATION 2! This movie is an honest approach to movie-making, hearkening back to the day when you got together with friends and said, "Okay, in this scene we cut to the dummy falling off the building, it's run over by a Mack truck, and it splatters chunks of blood all over that Oldsmobile over there."
As for the premise behind FINAL DESTINATION 2, how do I put it into words? A.J. Cook has premonitions that people died in a nasty pileup on the highway. Thing is, this never happened. And ... she continues to have premonitions that those same people will die in due time. Those people eventually die. Did I get that right? The universal law of nature is that, well, Death sometimes misses its mark and has to fix its mistakes (which usually involves electrical equipment getting wet and other freak accidents of home improvement). If this all sounds convoluted, watch the movie. You'll see what I mean.
The premise of FINAL DESTINATION 2, as much potential as it might have, doesn't make much sense and is pretty hokey, but if you medicate your inquisitive mind with heavy sedatives, you'll be able to look past the flimsy premise and enjoy the movie. I'm definitely looking forward to a Final Destination 3.
JY
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