| Photos (see all 31 | slideshow) | Videos (see all 6) |
| Edward Norton | ... | Monty Brogan | |
| Philip Seymour Hoffman | ... | Jacob Elinsky | |
| Barry Pepper | ... | Frank Slaughtery | |
| Rosario Dawson | ... | Naturelle Riviera | |
| Anna Paquin | ... | Mary D'Annunzio | |
| Brian Cox | ... | James Brogan | |
| Tony Siragusa | ... | Kostya Novotny | |
| Levan Uchaneishvili | ... | Uncle Nikolai (as Levani) | |
| Tony Devon | ... | Agent Allen | |
| Misha Kuznetsov | ... | Senka Valghobek | |
| Isiah Whitlock Jr. | ... | Agent Flood | |
| Michael Genet | ... | Agent Cunningham | |
| Patrice O'Neal | ... | Khari | |
| Al Palagonia | ... | Salvatore Dominick | |
| Aaron Stanford | ... | Marcuse | |
| Marc H. Simon | ... | Schultz | |
| Armando Riesco | ... | Phelan | |
| Brad Williams | ... | Trader #1 | |
| Rodney 'Bear' Jackson | ... | Trader #2 (as Bear Jackson) | |
| Keith Nobbs | ... | Luke | |
| Felicia Finley | ... | Jody | |
| Radu Spinghel | ... | Zakharov | |
| Dania Ramirez | ... | Daphne (as Dania) | |
| Oleg Aleksandrovich Prudius | ... | Russian Hood #1 | |
| Igor Zhivotovsky | ... | Russian Hood #2 | |
| Paul Diomede | ... | Simon | |
| Cynthia Darlow | ... | Ruth | |
| Michole White | ... | Coventry Administrator (as Michole Briana White) | |
| Vanessa Ferlito | ... | Lindsay Jamison | |
| Coati Mundi | ... | Louis Volandes | |
| Larissa Drekonja | ... | Dasha | |
| Christine Pepe | ... | Female Jogger | |
| Lawrence Bullock | ... | Chelsea Man #1 | |
| Patrick Illig | ... | Chelsea Man #2 | |
| Maja Niles | ... | Woman on Park Avenue | |
| Daniel Reton | ... | Wall Street Guy #1 (as Daniel R. Reton) | |
| Ed Rubeo | ... | Hasidic Jeweler | |
| Peter James Kelsch | ... | Panhandler | |
| A.J. McCoy | ... | Squeegee Man | |
| R.L. Brazil | ... | Bouncer | |
| Howard Crowns | ... | Tattoo Parlor Worker | |
| DJ Cipha Sounds | ... | DJ Dusk | |
| Jamil Mullen | ... | Lady with Baby | |
| Louis Modafferi | ... | Brogan's Bar Patron | |
| Alan Taraseiwicz | ... | Brogan's Bar Patron | |
| Nicholas Rossomodo | ... | Brogan's Bar Patron | |
| Jeffrey Palazzo | ... | Brogan's Bar Patron | |
| Douglas Miller | ... | Brogan's Bar Patron | |
| Mike Fiore | ... | Brogan's Bar Patron | |
| Andre Fletcher | ... | Brogan's Bar Patron | |
| Carl Bini | ... | Brogan's Bar Patron | |
| Joseph Mascall | ... | Brogan's Bar Patron | |
| John Bergen | ... | Brogan's Bar Patron | |
| rest of cast listed alphabetically: | |||
| Keith Bright | ... | Bar Patron / Truck Driver (uncredited) | |
| Doy Gabriel Castillo | ... | Dancer (uncredited) | |
| Sal Cecere | ... | Trader #3 (uncredited) | |
| Tonya Cornelisse | ... | Prep student (uncredited) | |
| Vinny DeGennaro | ... | Fireman (uncredited) | |
| Korey Duke | ... | Club Person (uncredited) | |
| Alexander Emmert | ... | Russian Gangster (uncredited) | |
| Guy A. Fortt | ... | Bouncer (uncredited) | |
| Frank Matthews | ... | Bar Customer (uncredited) | |
| Karen Nazarov | ... | Prep student (uncredited) | |
| Greg Orvis | ... | Stock Broker (uncredited) | |
| Jason Pierce | ... | Head Stockbroker (uncredited) | |
| Rumaisa Rahman | ... | Dancer (uncredited) | |
| Arloa Reston | ... | Prep student (uncredited) | |
| Stacy Lynn Spierer | ... | Club Dancer (uncredited) | |
| Mark Wallace | ... | Bartender (uncredited) | |
Directed by | |||
| Spike Lee | |||
Writing credits(WGA) | ||
| David Benioff | (novel) | |
| David Benioff | (screenplay) | |
Produced by | |||
| Julia Chasman | .... | producer | |
| Jon Kilik | .... | producer | |
| Spike Lee | .... | producer | |
| Tobey Maguire | .... | producer | |
| Edward Norton | .... | co-producer | |
| Jeff Sommerville | .... | associate producer | |
| Nick Wechsler | .... | executive producer | |
Original Music by | |||
| Terence Blanchard | |||
Cinematography by | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Barry Alexander Brown | |||
Casting by | |||
| Aisha Coley | |||
Production Design by | |||
| James Chinlund | |||
Art Direction by | |||
| Nicholas Lundy | |||
Set Decoration by | |||
| Ondine Karady | |||
Costume Design by | |||
| Sandra Hernandez | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Edward Norton (as Frida Aradóttir) | |
| Mary Cooke | .... | key hair stylist (as Mary Cook) | |
| Matthew W. Mungle | .... | makeup artist: special old age makeup | |
| Julie Pearce | .... | makeup artist: Edward Norton | |
| Ellie Winslow | .... | key makeup artist | |
Production Management | |||
| Colin Cumberbatch | .... | post-production supervisor | |
| Jon Kilik | .... | unit production manager | |
| Paul Leonardo Jr. | .... | post-production supervisor | |
| David Pomier | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mike Ellis | .... | first assistant director | |
| Tracey Hinds | .... | second assistant director | |
| Paul Hogan | .... | second second assistant director | |
| Jeanine Hunter | .... | assistant director intern | |
| Michael A. Pinckney | .... | second second assistant director (as Michael 'Boogie' Pinckney) | |
Sound Department | |||
| Michael Barry | .... | sound re-recording mixer | |
| Leslie Bloom | .... | foley artist | |
| Marko A. Costanzo | .... | foley artist | |
| Mark DeSimone | .... | adr mixer | |
| Stuart Deutsch | .... | boom operator | |
| Chris Fielder | .... | assistant sound editor | |
| Sean Garnhart | .... | sound effects editor | |
| Sean Garnhart | .... | sound re-recording mixer | |
| Larry Hoff | .... | playback operator | |
| Frank Kern | .... | supervising foley editor | |
| George A. Lara | .... | foley recordist | |
| Lawrence Loewinger | .... | playback operator | |
| Cate Montana | .... | assistant sound editor | |
| Igor Nikolic | .... | first assistant sound editor | |
| Rolf Pardula | .... | sound mixer | |
| Alex Raspa | .... | adr recordist | |
| Greg Steele | .... | adr mixer | |
| Philip Stockton | .... | supervising sound editor | |
| David Warzynski | .... | foley artist | |
| Karl Wasserman | .... | sound utility | |
| Matthew Haasch | .... | foley predub (uncredited) | |
| Larry Wineland | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Jesse Moorefield | .... | special effects assistant: Texas | |
| Steve Wolf | .... | special effects coordinator: Texas | |
| Louie Zakarian | .... | tattoo designer | |
Visual Effects by | |||
| J. John Corbett | .... | visual effects | |
| Daniel Rubin | .... | digital compositor: Big Film Design | |
| Hilda Saffari | .... | digital intermediate assistant producer | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Manuel Rey Gonzalez | .... | digital effects compositor (uncredited) | |
| Thomas Mathai | .... | digital cleanup artist (uncredited) | |
Stunts | |||
| Jeff Ward | .... | stunt coordinator | |
Casting Department | |||
| Wayne Marc Godfrey | .... | extras casting | |
| Matthew Lessall | .... | casting assistant: Los Angeles | |
| Alison Marek | .... | casting assistant | |
| Ali Merhi | .... | extras casting assistant | |
| Tuffy Questell | .... | extras casting | |
| Winsome Sinclair | .... | extras casting | |
| Ra-Ra Taylor | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Joanna Brett | .... | wardrobe supervisor | |
| Sandi Figueroa | .... | costumer: Edward Norton | |
| Rhonney Greene | .... | costume intern | |
| Carmia Marshall | .... | additional set costumer | |
| Michelle Martini | .... | assistant costume designer | |
| Sukari McGill | .... | co-costume supervisor | |
| Yleana Nunez | .... | costume intern | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate producer | |
| Steve Bowen | .... | digital colorist | |
| Janelle Connor | .... | post-production assistant | |
| Rafael Del Toro | .... | intern assistant editor | |
| David Dresher | .... | post-production executive | |
| Ben Estrada | .... | digital colorist assistant | |
| Ulysses Guidotti | .... | apprentice editor | |
| K.A. Miille | .... | first assistant editor (as K.A. Chisholm) | |
| Noëlle Penraat | .... | negative cutter | |
| Samuel D. Pollard | .... | additional editor | |
| Jeff Smithwick | .... | film timer | |
| Greg Speed | .... | assistant film editor | |
| Amy Tompkins | .... | digital intermediate editor | |
| Alexandra Torterotot | .... | editorial intern | |
Music Department | |||
| Todd Bozung | .... | music editor | |
| Howard Drossin | .... | orchestrator | |
| Geoff Foster | .... | score recordist | |
| Robert Garcia | .... | music consultant | |
| Isobel Griffiths | .... | orchestra contractor | |
| Steve Juliani | .... | music preparation | |
| Alison LaCourse | .... | additional music editor | |
Thanks | |||
| Bandar Albuliwi | .... | special thanks | |
| Bruce Springsteen | .... | special thanks (as Bruce 'Da Boss' Springsteen) | |
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| Nordkraft | Mean Creek | King of New York | Blow | Boy A |
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STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Spike Lee is a truly revolutionary director in terms of the presentation of his films and the motivations behind his stories.Though the genre and content of their stories differ fairly enormously,he is in fact a lot like a latter day Alfred Hitchcock in terms of how he presents his films,like the characters involved and the inspiration behind the premise.
The premise here is a deeply original,inspiring and intriguing one,concerning Marty (Edward Norton) a drug dealer who is about to go to prison for seven years.The film follows him around on his last day of freedom,and,rather than waste too much time on a hindering,unnecessary sub-plot concerning his attempts to find the person who ratted him out,wisely opts to be an engaging character study of a man who,though able to acknowledge he knew full well what he was doing and the criminal life he was getting himself involved in,is still able to question the possible circumstances and immoralities that may have helped his descent into crime.
The two main people who help organise his last free night are his childhood buddies Frank (Barry Pepper) a sleazy stockbroker who plays with people's investments and Jakob (Phillip Seymour Hoffman) a repressed drama teacher,who,throughout the course of the film,gives in to a lustful temptation toward a feisty student of his named Mary (Anna Paquin).Though Marty is the one facing the lengthy jail sentence,the moral dilemma the film constantly raises is whether he is actually any more of a criminal than his two best mates,who are really as equally manipulative and sly as he is.The film brilliantly contrieves to present these characters to the audience,and have them develop their own opinion on what their fates should be.
The driving point of the film however,is condemnation.At the beginning,we see Marty reveal his sensitive side to the audience by rescuing a stray dog who appears to have been discarded by it's owner who,though vicious and nasty toward him,he still finds it in his heart to adopt and love,despite the protestations of his large friend.But then the opening credits ensue,and it's a dark,droning opening theme and that prsents the tone of the movie.Then,straight afterwards,we're shown Marty's not-so-sensitive side,as he trys to brush off a man he turned into a drug addict.Lee intelligently and absorbingly weighs out Marty's good points and bad points,and shows that,despite dealing in a criminal profession,he's not all bad and can be quite nice at times.Yet we're also shown a man who wasted all his potential.If he'd tried a little harder,he could've been a doctor or a chef,his father (Brian Cox) points out to him.We also see that he was once a very gifted basketball player,and could possibly have pursued that further,but alas,didn't.He also tries to blame everyone and everything else for his current predicament,until finally accepting that he was in control of his own destiny and must now pay the price.At the end,he is given the choice:accept he did wrong,pay his debt and go and serve his time in jail,or turn and run.The decision he makes will determine the audience's final impression of him.
It does drag a little towards the end,but generally speaking,Spike Lee is a master of his craft and this is a strong contender for the first great film of 2003.****