| Photos (see all 5 | slideshow) | Videos |
| Andy Goldsworthy | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Anna Goldsworthy | ... | Herself (uncredited) | |
| Holly Goldsworthy | ... | Herself (uncredited) | |
| James Goldsworthy | ... | Himself (uncredited) | |
| Judith Goldsworthy | ... | Herself (uncredited) | |
| Thomas Goldsworthy | ... | Himself (uncredited) | |
Directed by | |||
| Thomas Riedelsheimer | |||
Writing credits(in alphabetical order) | ||
| Thomas Riedelsheimer | uncredited | |
Produced by | |||
| Trevor Davies | .... | co-producer | |
| Leslie Hills | .... | co-producer | |
| Annedore von Donop | .... | producer (as Annedore v. Donop) | |
Original Music by | |||
| Fred Frith | |||
Cinematography by | |||
| Thomas Riedelsheimer | (director of photography) | ||
Film Editing by | |||
| Thomas Riedelsheimer | |||
Production Management | |||
| Jorg Rothe | .... | production manager (as Jörg Rothe) | |
Sound Department | |||
| Tom Dokoupil | .... | sound mixer | |
| Colin Hood | .... | location sound: Scotland | |
| Brian Howell | .... | location sound: Scotland | |
| Marilyn Janssen | .... | sound editor | |
| Pepe Kristl | .... | location sound: France | |
| Jane Porter | .... | location sound: Canada | |
| Thomas Schwartz | .... | location sound: USA (as Thomas Schwarz) | |
| Alexander Weuffen | .... | sound re-recording mixer: Dolby mix (uncredited) | |
Camera and Electrical Department | |||
| Dieter Stürmer | .... | assistant camera | |
Editorial Department | |||
| Dunja Campregher | .... | assistant editor: Final Cut | |
| Ilona Demuth | .... | negative editor | |
| Jörg Eybl | .... | color timer | |
| Manuela Jesse | .... | color timer | |
| Elina Paloheimo | .... | commissioning editor: YLE | |
| Sabine Rollberg | .... | commissioning editor: WDR/arte | |
| Ulla Salonen | .... | commissioning editor: YLE | |
Music Department | |||
| Fred Frith | .... | musician | |
| Peter Hardt | .... | music mixer | |
| Karoline Höfler | .... | musician | |
| Bernd Settelmeyer | .... | musician | |
| Wolfgang Stryi | .... | musician | |
Other crew | |||
| Judith Anderson | .... | production assistant | |
| Mark Austin | .... | location manager: Canada | |
| Matthias Behrens | .... | technical supervisor | |
| Ellen Bickmeier | .... | production assistant | |
| Trevor Davies | .... | executive: Skyline | |
| Caroline Foellmer | .... | production assistant | |
| Leslie Hills | .... | executive: Skyline | |
| Dave Tarvit | .... | location manager: Scotland | |
| Annedore von Donop | .... | executive: Mediopolis (as Annedore v. Donop) | |
Thanks | |||
| Steve Allen | .... | thanks | |
| Jenny Attala | .... | thanks | |
| Ute Casper | .... | thanks | |
| Norma Cassidy | .... | thanks | |
| Régine Chopinot | .... | thanks: The Ballet Atlantique, La Rochelle, France | |
| David R. Collins | .... | thanks: The Storm King Art Center, Mountainville, NY | |
| Eric Coltart | .... | thanks | |
| Anna Goldsworthy | .... | thanks | |
| Holly Goldsworthy | .... | thanks | |
| James Goldsworthy | .... | thanks | |
| Judith Goldsworthy | .... | thanks | |
| Thomas Goldsworthy | .... | thanks | |
| Nadine Gomez | .... | thanks: The Musée de Digne, France | |
| Keith Graham | .... | thanks | |
| Ellie Hall | .... | thanks | |
| Guy Martini | .... | thanks: The Resèrve Geologique de Haute Provence, Digne, France | |
| Steve McIntyre | .... | thanks | |
| Andrew McKinna | .... | thanks | |
| Max Nowell | .... | thanks | |
| Gabriele Pfennigsdorf | .... | thanks | |
| Dr. Klaus Schaefer | .... | thanks | |
| H. Peter Stern | .... | thanks: The Storm King Art Center, Mountainville, NY | |
| Taucher | .... | thanks | |
| Vivien Treuleben | .... | thanks | |
| Gordon Wilton | .... | thanks | |
| Jason Wilton | .... | thanks | |
| Georgene Zlock | .... | thanks: The Storm King Art Center, Mountainville, NY | |
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Being a fan of Andy Goldsworthy's art for a while now, and owning some of his books, I had some expectations of what I would see. What I got was something completely satisfying, and quite a bit more than I expected. Being an artist myself (I work in clay), finding inspiration within our surroundings to make good art is imperative, and it is something Andy Goldsworthy has mastered. Following him over the course of a year, the director captures the spontaneous energy, skill, and devotion to the artists connection with nature with dratic inspiring flair. The music set to the film is embracing and intoxicating. If you are an artist in need of inspiration, or anyone else in need of an uplifting experience, then SEE THIS MOVIE. I for one am glad to know that Andy is somewhere out there. Creating, dancing, wrestling with the forces of nature to make our world more beautiful.