| Videos (see all 3 NEW) |
| Toni Collette | ... | Sandy Edwards | |
| Gotaro Tsunashima | ... | Hiromitsu Tachibana | |
| Matthew Dyktynski | ... | Bill Baird | |
| Lynette Curran | ... | Mum | |
| Yumiko Tanaka | ... | Yukiko Tachibana | |
| Kate Atkinson | ... | Jackie | |
| Bill Young | ... | Jimmy Smithers | |
| Reg Evans | ... | Bloke in Row Boat | |
| George Shevtsov | ... | James | |
| Justine Clarke | ... | Jane | |
| Igor Sas | ... | Fraser | |
| Mike Frencham | ... | Blake | |
| John Howard | ... | Richards | |
| Phil Bennett | ... | Barman | |
| Heath Bergersen | ... | Petrol Bloke | |
| Jules Hutchinson | ... | Canteen Worker (as Jules Hutchison) | |
| Kuni Hashimoto | ... | Japanese Translator | |
| Mark McAullay | ... | Watson | |
| Greg McNeill | ... | Tom Goodwin | |
| Stephen Parkin | ... | Cargo Man | |
| Dean Vince | ... | Karaoke Singer | |
| Peter Webb | ... | Tony | |
| Koji Kioka | ... | Hiromitsu's Child in Photo | |
| Nanami Kioka | ... | Hiromitsu's Child in Photo |
Directed by | |||
| Sue Brooks | |||
Writing credits | ||
| Alison Tilson | (written by) | |
Produced by | |||
| Simon Beaufoy | .... | associate producer | |
| Mark Blaney | .... | associate producer | |
| Sue Brooks | .... | co-producer | |
| Bille Eltringham | .... | associate producer | |
| David Lightfoot | .... | line producer | |
| Magnus Mansie | .... | co-line producer | |
| Sue Maslin | .... | producer | |
| Alison Tilson | .... | co-producer | |
Original Music by | |||
| Elizabeth Drake | |||
Cinematography by | |||
| Ian Baker | |||
Film Editing by | |||
| Jill Bilcock | |||
Casting by | |||
| Dina Mann | |||
Production Design by | |||
| Paddy Reardon | |||
Art Direction by | |||
| Kelvin Sexton | |||
Costume Design by | |||
| Margot Wilson | |||
Makeup Department | |||
| Suzanne Meaney | .... | hair stylist | |
| Suzanne Meaney | .... | makeup artist | |
| Jan Zeigenbein | .... | hair designer (as Jan 'Ziggy' Zeigenbein) | |
| Jan Zeigenbein | .... | makeup designer (as Jan 'Ziggy' Zeigenbein) | |
Production Management | |||
| Mike Montague | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Mark Boskell | .... | second assistant director | |
| Rachel Evans | .... | first assistant director (as Rachel Evans Artis) | |
| Jeremy Grogan | .... | second second assistant director | |
| Brad Holyoake | .... | third assistant director | |
| Zena Loxton | .... | assistant director attachment | |
Art Department | |||
| Allan Brown | .... | props buyer | |
| Allan Brown | .... | set dresser | |
| Erin Kealley | .... | art department runner | |
| Michelle Martin | .... | art department coordinator | |
| David Norton-Woad | .... | assistant stand-by props | |
| Michael O'Sullivan | .... | stand-by props (as Mick O'Sullivan) | |
Sound Department | |||
| Steve Burgess | .... | foley artist | |
| Craig Carter | .... | sound effects | |
| Robert 'Gotch' Cutcher | .... | boom operator (as Rob Cutcher) | |
| Helen Field | .... | facilities management: Soundfirm Australia | |
| Chris Goodes | .... | mix assistant | |
| Peter Grace | .... | sound recordist | |
| Frank Lipson | .... | sound effects | |
| Gerard Long | .... | foley artist | |
| Robin May | .... | sound engineer | |
| Livia Ruzic | .... | supervising sound editor | |
| Peter D. Smith | .... | sound mixer (as Peter Smith) | |
| Peter Winkler | .... | additional sound engineer | |
Special Effects by | |||
| David Trethewey | .... | special effects supervisor | |
Visual Effects by | |||
| Mark Dickson | .... | visual effects supervisor | |
| Ross Mitchell | .... | optical effects | |
| Tony Poriazis | .... | film recording supervisor | |
| Martin Wiseman | .... | visual effects producer | |
Camera and Electrical Department | |||
| Anthony Argiro | .... | generator operator (as Antonio Argiro) | |
| Tov Belling | .... | focus puller | |
| Michael Bespalov | .... | assistant grip | |
| Paul Fimister | .... | camera attachment | |
| Mark Goellnicht | .... | Steadicam operator | |
| Mark Goellnicht | .... | camera operator | |
| Chris Hansford | .... | grip | |
| Rob Hansford | .... | key grip | |
| Megan Lewis | .... | still photographer | |
| Katie Milwright | .... | clapper loader (as Katie Robinson Milwright) | |
| Chris Shanahan | .... | best boy | |
| Rory Timoney | .... | gaffer | |
| Chris 'Chalky' Chalk | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Amanda Irving | .... | costume supervisor | |
| Penny Saunders | .... | costume buyer | |
Editorial Department | |||
| Billy Browne | .... | editing attachment | |
| Paul Cross | .... | negative matcher | |
| Pamela Hammond | .... | head of post-production | |
| Emily Klooster | .... | post-production coordinator | |
| Ian Letcher | .... | color grader | |
| Stanley Lopuszanski | .... | high definition color grader | |
| Cleo Myles | .... | assistant editor | |
Music Department | |||
| Ricky Edwards | .... | orchestrator | |
| Peter Jones | .... | musician: drums | |
| Peter Neville | .... | musician: percussion | |
| Satsuili Odamura | .... | musician: koto and shamisen (as Satsuki Odamura) | |
| Naomi Ota | .... | translator: song lyrics | |
| John Phillips | .... | musician: guitar | |
| Christine Woodruff | .... | music clearances | |
Transportation Department | |||
| David Bell | .... | driver: Toni Collette | |
| Kim Sexton | .... | vehicle coordinator | |
| Steve Wells | .... | tracking vehicle (as Steve Wells Shotmaker) | |
Other crew | |||
| George Adams | .... | completion guarantor: First Australian Completion Bond | |
| Ian Anderson | .... | laboratory liaison | |
| Maurie Annese | .... | script workshop participant | |
| Dr. Jennifer Baird | .... | consultant: geology | |
| John Bell | .... | security assistant | |
| Leni Binos | .... | production accountant assistant: Moneypenny Services | |
| Snowy Bostock | .... | security officer | |
| Sue Brooks | .... | script editor | |
| Hugh Cann | .... | interpreter: Japanese | |
| Rainey Carah | .... | safety officer | |
| Helen Clarke | .... | caterer: Hel's Kitchen | |
| Naomi Cleaver | .... | production coordinator | |
| Robyn Coombs | .... | caterer: Hel's Kitchen | |
| Emma Downey | .... | rushes telecine operator | |
| Jacqueline Fairfax | .... | stand-in: Sandy | |
| Rob Fisher | .... | completion guarantor: First Australian Completion Bond | |
| Tony Gibbs | .... | insurance: HW Wood | |
| Betty Grigg | .... | assistant: Alison Tilson and Sue Brooks | |
| Foster Hart | .... | entertainment lawyer | |
| Ryan Hodgson | .... | unit assistant | |
| Sacha Horler | .... | script workshop participant | |
| Jack Hunt | .... | unit assistant | |
| Jimmy Jack | .... | stand-in: Hiromitsu | |
| Adrian Kortus | .... | safety officer | |
| Lottie Lawrence | .... | translator: Japanese | |
| John Lonie | .... | script editor | |
| Bec Matthews | .... | assistant to producer | |
| Bec Matthews | .... | production secretary | |
| Monica Maughan | .... | script workshop participant | |
| Kate McCarthy | .... | production runner | |
| Bill Miller | .... | unit assistant | |
| Stuart Morrice | .... | production runner: Western Australia | |
| Kazuhiro Muroyama | .... | script workshop participant | |
| Donovan Norgard | .... | location manager | |
| Bobbie Salmon | .... | location assistant | |
| Caroline Scott | .... | conforming assistant | |
| Sophie Siomos | .... | production accountant: Monnypenny Services | |
| Greg Sitch | .... | entertainment lawyer | |
| Annette Smith | .... | unit publicist | |
| Corrie Soeterboek | .... | completion guarantor: First Australian Completion Bond | |
| Jo Stewart | .... | post-production script | |
| Susie Struth | .... | continuity | |
| Art Thompson | .... | safety report | |
| Duncan Thompson | .... | script editor | |
| Kate Thompson | .... | nurse | |
| Keith Thompson | .... | script editor | |
| Peggy Warren | .... | logistics coordinator | |
| Justine Wilcox | .... | assistant: Toni Collette | |
| Naomi Cleaver | .... | production coordinator (uncredited) | |
| Tony Nagle | .... | post-production accountant (uncredited) | |
Thanks | |||
| Karin Altmann | .... | special thanks | |
| Wouter Barendrecht | .... | special thanks: Fortissimo Film | |
| Tait Brady | .... | special thanks: Palace Films | |
| Alan Brooks | .... | special thanks | |
| Tania Chambers | .... | special thanks | |
| Sharon Connolly | .... | special thanks | |
| John Crowley | .... | special thanks: BHP Billiton Iron Ore Pty. Ltd. | |
| Yoko Davies | .... | special thanks | |
| Noelle Deschamps | .... | special thanks | |
| Claire Dobbin | .... | special thanks | |
| Claire Dubert | .... | special thanks | |
| Krystelle Gardiner | .... | special thanks | |
| Glenda Hambly | .... | special thanks | |
| Julie Heath | .... | special thanks: BHP Billiton Iron Ore Pty. Ltd. | |
| Hisaakinagao | .... | special thanks (as Hisaaki Nagao) | |
| Julie Marlow | .... | special thanks | |
| Ross Matthews | .... | special thanks (as Ross Mathews) | |
| Bob McCarron | .... | special thanks | |
| Desha Meaney | .... | special thanks | |
| Rob Meldrum | .... | special thanks | |
| Zaneta Onasz | .... | thanks | |
| Ursula Pagels | .... | thanks | |
| David Rapsey | .... | special thanks | |
| Sally Regan | .... | special thanks | |
| Roger Savage | .... | special thanks | |
| Sandra Schauby | .... | special thanks | |
| Charlotte Seymour | .... | special thanks | |
| Louise Taylor | .... | special thanks | |
| Raymond Taylor | .... | special thanks | |
| Alison Tokita | .... | special thanks | |
| Yurni Umiamaro | .... | special thanks | |
| Elke Wardaga | .... | special thanks | |
| Michael J. Werner | .... | special thanks: Fortissimo Film | |
| Mark Woods | .... | special thanks | |
| Natalie Worthington | .... | special thanks: BHP Billiton Iron Ore Pty. Ltd. | |
| Antonio Zeccola | .... | special thanks: Palace Films (as Tony Zeccola) | |
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| Little Fish | Candy | Come See the Paradise | Somersault | Across the Universe |
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In an age when criticism has become debased and few people are really certain about what constitutes true worth in art, it is difficult to use the word "masterpiece" about any film. And yet that word is applicable here. At first this film appears to be just a bog-standard romantic love story, in the Hollywood mould, about two very different characters who meet and fall in love in unusual circumstances. Opposites attract, and so on.
However, as the story unfolds one becomes aware that there are many more levels to it than one would normally expect. Everything, from the title to incidental characters and the spectacular images of the desert, has been carefully thought out. It raises profound questions about a fashionable subject: identity, but also about love itself. Are these characters in love, or is it merely the terrifying starkness of the Australian outback that has thrown them together? Finally a third person enters the relationship, who complicates matters even further. Despite the romantic overtones of this film it is lifted, ultimately, by its absolute realism. Small gestures betoken whole story lines and glimpses of other characters throw the protagonists into sharp relief. Other influences begin to trickle through: Yasujiro Ozu, Peter Weir (in his early days), Japanese Haiku. And yet this is an entirely original work.
This film had a huge emotional impact on me, but it also made me think, about my own life and about the choices I've made. It did everything that a genuine work of art should do, and without any of the fanfare that we, in the West, have come to associate with art. Small wonder that it got little of the attention that in previous eras it would have attracted. Watch it, and discover that it is still possible to make a classic.