| Photos (see all 4 | slideshow) | Videos |
| Erika Eleniak | ... | Emily Shaw | |
| Adam Baldwin | ... | Det. Mark Winston | |
| Julie du Page | ... | Jayne Ferré | |
| Jeremy Lelliott | ... | Kerry Shaw | |
| James Remar | ... | Alex Tyler | |
| Damian Chapa | ... | Tony | |
| Louis Mandylor | ... | Frank Bianci | |
| Tom Wright | ... | Detective Stan | |
| James Quattrochi | ... | Peter Quinn | |
| Jason Widener | ... | Boyd | |
| Joe Sabatino | ... | Sammy Benetto | |
| Kiko Ellsworth | ... | Steve | |
| Don Swayze | ... | Fred | |
| Peter Dobson | ... | Artie, Hitman #1 | |
| Darrell Dubovsky | ... | Doorman | |
| rest of cast listed alphabetically: | |||
| Peter V.O. Moore | ... | Playing in the background | |
| Jason Lester | ... | Boy in Cafe (uncredited) | |
| Luca Palanca | ... | Tommy, Hitman #2 (uncredited) | |
| Edwin Perry | ... | Walter (uncredited) | |
| Linda Starks | ... | Susan (uncredited) | |
Directed by | |||
| Mark L. Lester | |||
Writing credits(in alphabetical order) | ||
| Jeffrey Goldenberg | writer | |
| C. Courtney Joyner | writer | |
Original Music by | |||
| Richard McHugh | |||
Cinematography by | |||
| João Fernandes | |||
Film Editing by | |||
| Donn Aron | |||
| Daniel Macena | |||
Production Design by | |||
| Dan Statler | |||
Art Direction by | |||
| Ken M. Russell | |||
Set Decoration by | |||
| Janine Nask | |||
Costume Design by | |||
| Warden Neil | |||
| Tony Perri | (co-costume designer) (as Tony J. Perri) | ||
Makeup Department | |||
| Keleigh Lippert | .... | assistant hair stylist | |
| Keleigh Lippert | .... | makeup assistant | |
| Alexis Walker | .... | key makeup artist | |
Production Management | |||
| Ashley R. Friedman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles Dowell | .... | second assistant director (as Charles E. Dowell II) | |
| Anthony E. Kountz | .... | first assistant director | |
Sound Department | |||
| Martin Flores | .... | sound effects designer | |
| Eric Hoeschen | .... | foley artist | |
| Peggy McAffee | .... | sound effects designer | |
| John S. McKee III | .... | boom operator | |
| Rich McLane | .... | sound engineer | |
| Daniel D. Monahan | .... | sound mixer | |
| Steven Morrow | .... | sound mixer | |
| Stewart Nelson | .... | adr supervisor (as Steward Nelson) | |
| Scott Allen Peck | .... | boom operator | |
| Paul Ratajczak | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound supervisor | |
| Trevor Sperry | .... | adr recordist | |
| Trevor Sperry | .... | foley recordist | |
| Lance Wiseman | .... | sound re-recording mixer | |
Special Effects by | |||
| Josh Hakian | .... | special effects coordinator | |
Stunts | |||
| Danny Downey | .... | stunts | |
| Annie Ellis | .... | stunts | |
| Lisa Hoyle | .... | stunts | |
| Austin Priester | .... | stunts | |
| Michael J. Sarna | .... | stunt coordinator | |
| Chester E. Tripp III | .... | stunts (as Chester Tripp) | |
Casting Department | |||
| Tyler Fahringer | .... | extras casting | |
| Christine Joyce | .... | casting associate | |
Costume and Wardrobe Department | |||
| Laura E. Little | .... | costumer (as Laura Liz Little) | |
| Stephanie Portnoy Porter | .... | costumer (as Stephanie Portnoy) | |
Editorial Department | |||
| Peter Gahn | .... | assistant editor | |
| Jim Towne | .... | assistant editor (as James Towne) | |
| Jim Williams | .... | color timer | |
Music Department | |||
| Eric Amdahl | .... | composer: additional music | |
| Ric Gallaher | .... | composer: additional music | |
Transportation Department | |||
| Richard Rollison | .... | transportation coordinator | |
Other crew | |||
| John Charles | .... | software engineer: TriCoast Studios | |
| Scott Charles | .... | craft service | |
| Lawrence Curtis | .... | office production assistant | |
| Genevieve Duraire | .... | production accountant | |
| Rick Eyler | .... | production coordinator | |
| Roger D. Faires | .... | location manager (as Roger Faires) | |
| Maeve Mannion | .... | production accountant | |
| Scott Moiser | .... | location manager | |
| Scott Mosher | .... | location manager: re-shoots | |
| Adriano Munoz | .... | office production assistant | |
| Athena Pesante | .... | key set production assistant | |
| Scott Pitman | .... | assistant production coordinator | |
| Rafael S. Pujals | .... | office production assistant | |
| Kimberly Rogers | .... | craft service | |
| Christian Savoie | .... | assistant to director | |
| Tracy Scott | .... | script supervisor | |
| Daniel Shultz | .... | production assistant | |
| Orly Tepper | .... | craft service | |
| Rik Walters | .... | financing consultant | |
| Eva Zelder | .... | script supervisor | |
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| Full cast and crew | Company credits | IMDb Action section |
| IMDb USA section | Add this title to MyMovies |
I gave this a rating of 4, and that was being generous.
The film starts with a bang. However, it becomes quickly confusing since a man called Frank gets killed towards the beginning of the film, but then either he or some other man named Frank become quite central to the plot, shortly afterwards.
Surely they did not have two characters with the same name? I don't know, I never could figure that part out.
Anyway, the story, such as it is, revolves around two women. Jayne, who is a "cleaner", who has killed around 20 people or so in her career, and Mom and her teenage son.
Mom is a divorcee who apparently gets no child support, and manages her money so poorly she has let her house mortgage build up to over $3,000. She whines about it so much to her sixteen year old son, he feels compelled to do something about the problem.
Son is a novice, however, in the criminal world, and ends up losing a big package of cocaine he was delivering.
Son's fed up boss comes by that night and shoots out the windows in the house. Mom & son survive by getting down on the floor. This is followed by Mom asking son if he got the license plate number.
I would have LOVED to have had the kid reply: "Well, not hardly, Mom, since you had my face pressed to the carpet the entire time."
Another cute thing is when they return to the house later in the film, the shot-out windows are completely undamaged! The film has a few of these kinds of little glitches, along with the characters doing things that make you say: Huh? Why would he do that? How would she know that?
Eventually Mom, son & Jayne intersect, and are traveling together in a car with hitmen on their trail.
I was quite disappointed in the actress playing the hitwoman. She was supposed to be beautiful as well as deadly, but she was very unattractive.
It would have been better if the actresses' roles had been reversed as the one playing the Mom was much better looking.