| Marco Ricca | ... | Ivan | |
| Alexandre Borges | ... | Gilberto / Giba | |
| Paulo Miklos | ... | Anísio | |
| Mariana Ximenes | ... | Marina | |
| Malu Mader | ... | Cláudia / Fernanda | |
| Chris Couto | ... | Cecília | |
| George Freire | ... | Estevão | |
| Tanah Correa | ... | Dr. Araújo | |
| Jayme del Cueto | ... | Norberto | |
| Sabotage | ... | Sabotage | |
| Marina Franco | ... | Marina's friend | |
| Daniela Tramujas | ... | Luísa | |
| Thavyne Ferrari | ... | Giba's daughter | |
| Priscila Luz | ... | Lúcia | |
| Marcos Azevedo | ... | Nightclub manager | |
| Silvio Luz | ... | Rangel | |
| Amanda Santos | ... | Alessandra | |
| Ida Sztamfater | ... | Silvana | |
| Tom Curti | ... | Dr. Luchesi | |
| Manoel Freitas | ... | Romão | |
| Joeli Pimentel | ... | Léo | |
| Audreia Regina | ... | Debi | |
| Piero Sarjentelli | ... | Jaime | |
| Arthur Marsan | ... | Alê | |
| Walmir Pinto | ... | Clerk | |
| Mario Bortolotto | ... | Investigator | |
| Viétia Zangrandi | ... | Claude's friend (voice) (as Viétia Rocha) | |
| Black Gero | ... | Rogerinho |
Directed by | |||
| Beto Brant | |||
Writing credits(in alphabetical order) | ||
| Marçal Aquino | novel | |
| Marçal Aquino | screenplay | |
| Beto Brant | screenplay | |
| Renato Ciasca | screenplay | |
Original Music by | |||
| Rica Amabis | |||
| Daniel Ganjaman | |||
| Paulo Miklos | |||
| Sabotage | |||
| Tejo | |||
Cinematography by | |||
| Toca Seabra | |||
Film Editing by | |||
| Manga Campion | |||
Casting by | |||
| Deborah Carvalho | |||
Art Direction by | |||
| Yukio Sato | |||
Costume Design by | |||
| Juliana Prysthon | |||
Makeup Department | |||
| Gabi Moraes | .... | makeup artist | |
Production Management | |||
| Antônio Irivan de Souza | .... | set manager | |
Second Unit Director or Assistant Director | |||
| Ligia Feliciano | .... | first assistant director | |
| Claudia Gama | .... | second assistant director | |
Art Department | |||
| Sílvia Malta | .... | set dresser | |
| Gustavo Ribeiro | .... | property master | |
Sound Department | |||
| Roberto Ferraz | .... | sound editor | |
| Roberto Ferraz | .... | sound | |
| Pedro Lima | .... | sound editor | |
| Andre Pozzano | .... | sound effects editor | |
| Louis Robin | .... | sound | |
| Armando Torres Jr. | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Wilson Boni | .... | second assistant camera | |
Music Department | |||
| Pedro Lima | .... | music editor | |
| Pedro Lima | .... | music mixer | |
Other crew | |||
| Fred Ricci | .... | avid operator | |
| Recent Posts (updated daily) | User |
|---|---|
| great mariana!!! | aajmandola |
| Assutador... | Renton-14 |
| Will it be remade into an american version ? | tuti1403 |
| Soundtrack availability | clivenet |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Brazil section | Add this title to MyMovies |
This plot had me guessing all the way to the end, and what an ending !
I was especially struck by the apt depiction of a corrupt and dangerous underworld, Anisio's very convincing performance as a threatening unscrupulous monster from the ghetto, and how alien his attitude was to the mannerly and typically ordered behaviour of the businessmen who's lives he becomes entangled with.
I enjoyed being made uncomfortable by the idea that this order (the boring business world) can be turned upside down by a character like Anisio who doesn't realise or care about any rules or etiquette, and like a vampire once invited over the threshold, has the power to do what he wants. An obvious theme is the retribution summed up by the cliche 'those who live by the sword die by the sword', or in other words if you dabble in crime a criminal end awaits you.