Directed by | |||
| Daniel B. Gold | |||
| Judith Helfand | |||
Produced by | |||
| Tara Flynn | .... | associate producer | |
| Cheryl Furjanic | .... | associate producer | |
| Daniel B. Gold | .... | co-producer | |
| Judith Helfand | .... | co-producer | |
| Julia D. Parker | .... | producer | |
| Emily Stevens | .... | consulting producer | |
Original Music by | |||
| Stephen Thomas Cavit | |||
Cinematography by | |||
| Daniel B. Gold | |||
Film Editing by | |||
| Sari Gilman | |||
Sound Department | |||
| Charles Gansa | .... | sound | |
| Mariusz Glabinski | .... | sound effects editor | |
| Marlena Grzaslewicz | .... | dialogue editor | |
| Bruce Kitzmeyer | .... | sound editor | |
| Ira Spiegel | .... | sound effects editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Charles Gansa | .... | cinematographer: additional videography | |
| Mike Harlow | .... | second camera operator | |
| Kelly J. Richardson | .... | crane operator | |
Animation Department | |||
| Jeremiah Dickey | .... | animator | |
| Emily Hubley | .... | animator | |
Editorial Department | |||
| Judd Blaise | .... | assistant editor | |
| Simeon Hutner | .... | additional editor | |
| Hope Litoff | .... | associate editor | |
| Samara Smith | .... | associate editor | |
| Jacob Steingroot | .... | post-production assistant | |
Other crew | |||
| Steven C. Beer | .... | legal counsel | |
| Winston Emano | .... | publicist | |
| Michelle Ferrari | .... | senior creative consultant | |
| Cheryl Furjanic | .... | associate producer | |
| Jesse Lehrhoff | .... | production assistant | |
| David Magdael | .... | publicist | |
| Daniel Satorius | .... | legal services | |
Thanks | |||
| James Levy | .... | thanks | |
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| Green | Batman | One Man | DR-Derude: Nu - eller aldrig | Polluting the Fountain of Youth |
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| Full cast and crew | External reviews | IMDb Documentary section |
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Although made on a lower budget than some of the more popular documentaries of late, "Blue Vinyl" is an excellent film. This investigative work of environmental journalism does a great job of telling the story in an informative, accessible way. It is difficult to appropriately incorporate humor into a documentary about toxic chemicals. It is equally difficult to make a documentary about plastic interesting to watch. But, Helfand and Gold achieve both of these feats. While the story is told from Judith Helfand's perspective, she is not the focus of the film. As a result, the viewer has a character to latch onto without distracting from the story. If you enjoy documentaries, or you're just curious about the topic, this is a great film to watch.