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Overview
User Rating:
Director:
Writers:
Andrew Osborne (writer)
Jed Weintrob (writer)
Tagline:
You're Never Alone
Plot:
John, a computer whiz on the rebound from a disastrous break-up, starts an adult Internet site with his roommate... more | add synopsis
Awards:
1 win & 1 nomination more
NewsDesk:
(2 articles)
Terry Gilliam Confirms Johnny Depp Won't Be In Don Quixote Reshoot
(From CinemaRetro. 17 August 2009, 3:21 AM, PDT)
NBC Exclusive Twilight Interviews This Weekend
(From TwilightersAnonymous. 29 January 2009, 5:08 PM, PST)
User Comments:
Exploitation Made Almost Palatable more (11 total)
Cast
(Credited cast) | Josh Hamilton | ... | John Roth |
 | Harold Perrineau | ... | Moe Curley |
 | Isabel Gillies | ... | Moira Ingalls |
 | John Fleck | ... | Al Fleming |
 | Vanessa Ferlito | ... | Jordan Nash |
 | Eric Millegan | ... | Ed Simone |
| Liz Owens | ... | Angel |
| rest of cast listed alphabetically: | |||
| Steve Cuiffo | ... | Chatter #1 |
| Ari Gold | ... | Online bigot |
 | Ali Reza | ... | Pervert (as Ali Farahnakian) |
Additional Details
Also Known As:
On Line (USA) (alternative spelling)
more
Parents Guide:
Runtime:
97 min
Country:
Language:
Color:
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Fun Stuff
Goofs:
Crew or equipment visible: Camera and microphone visible on right of frame at 1 hours 12 minutes 12 seconds. more
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This FAQ is empty. Add the first question.more (11 total)
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Most films of this kind call strictly for a kind of voyeuristic response on the part of the viewer. This one rises well above that level because of its message and its unique manner of execution. It displays an interdimensional technical structure that works well, especially within the context of internet effects on ordinary human behavior.
In other words, it takes what might ordinarily pass as borderline pornographic scenarios and makes them the vehicle rather than the main focus of interest in showing how people respond to that novel kind of intercommunication. Skillfully moving from the computer screen to real life situations and back again, the film overcomes weaknesses in plot and credibility to succeed in creating an overall sense of purpose.
Not that the story or acting are uniformly deficient. Indeed, there are a few fine performances of difficult material here, as well as production values that rise well above those of most independent films. This is one of those films that require some serious reflection on the part of the viewer in order to get past preconceptions or prejudices.
Everyone can and should see it a little differently.