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Directed by | |||
| Todd Phillips | |||
Writing credits(WGA) | ||
| Court Crandall | (story) and | |
| Todd Phillips | (story) & | |
| Scot Armstrong | (story) | |
| Todd Phillips | (screenplay) & | |
| Scot Armstrong | (screenplay) | |
Produced by | |||
| Paul Deason | .... | co-producer | |
| Daniel Goldberg | .... | producer | |
| Joe Medjuck | .... | producer | |
| Todd Phillips | .... | producer | |
| Tom Pollock | .... | executive producer | |
| Ivan Reitman | .... | executive producer | |
Original Music by | |||
| Theodore Shapiro | |||
Cinematography by | |||
| Mark Irwin | (director of photography) | ||
Film Editing by | |||
| Michael Jablow | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Clark Hunter | |||
Art Direction by | |||
| Max Biscoe | |||
Set Decoration by | |||
| Traci Kirshbaum | |||
Costume Design by | |||
| Nancy Fisher | |||
Makeup Department | |||
| Art Anthony | .... | key makeup artist | |
| Art Anthony | .... | special makeup effects artist | |
| Corrina Duran | .... | makeup artist: Leah Remini | |
| Pauletta O. Lewis | .... | key hair stylist (as Pauletta O. Lewis-Irwin) | |
| Stephen Robinette | .... | key hair stylist | |
Production Management | |||
| Paul Deason | .... | unit production manager | |
| Mark Graziano | .... | post-production supervisor | |
| Angela Heald | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Marco Black | .... | first assistant director: second unit | |
| Michael Neumann | .... | first assistant director (as Michael T. Neumann) | |
| Kenneth Roth | .... | second second assistant director | |
| Amy Schmidt | .... | second assistant director (as Amy J. Schmidt) | |
Art Department | |||
| P. Scott Bailey | .... | lead man: reshoots | |
| Ted Boonthanakit | .... | storyboard artist | |
| Robert J. Carlyle | .... | construction coordinator | |
| Vanessa Couron | .... | buyer | |
| Peter Davidson | .... | set designer | |
| Jenny DeArmitt | .... | construction assistant | |
| Eva Firshein | .... | buyer | |
| Jimmy Flores | .... | set construction foreman | |
| Hector M. Gonzalez | .... | on-set dresser (as Héctor M. González) | |
| Lisha Hocking | .... | art department assistant | |
| Dana McCall | .... | assistant property master | |
| Luigi Mugavero | .... | set dresser | |
| Charles Righetti | .... | leadman | |
| Graham Robertson | .... | set dresser | |
| Joel Ruiz | .... | set dresser | |
| Alex Sessing | .... | on-set greensman | |
| Doug Sieck | .... | set dresser | |
| Jordan Steinberg | .... | set dresser | |
| Tom Talley | .... | general foreman | |
| Lisa Vasconcellos | .... | art department coordinator | |
| Thomas 'Noe' Welch | .... | set dresser | |
Sound Department | |||
| Michael Babcock | .... | additional sound re-recording mixer | |
| Michael Babcock | .... | sound designer (as Mike Babcock) | |
| Michael Babcock | .... | supervising sound editor | |
| John Benson | .... | supervising sound editor | |
| James Bolt | .... | sound re-recording mixer | |
| Ryan Darden | .... | assistant sound editor | |
| Carl Fischer | .... | boom operator | |
| Tim Gomillion | .... | sound recordist | |
| David Hankins | .... | supervising sound editor | |
| Petur Hliddal | .... | sound | |
| Chet Leonard | .... | music playback | |
| Paul Massey | .... | sound re-recording mixer | |
| Tim McColm | .... | re-recording engineer | |
| Robert Morrisey | .... | assistant sound editor | |
| Ralph Osborn | .... | dialog & adr editor | |
| Rocky Quiroz | .... | cableperson | |
| Dennis Rogers | .... | sound recordist | |
| Philip Rogers | .... | adr recordist | |
Special Effects by | |||
| Al Marangoni | .... | special effects crew | |
| Bruno Van Zeebroeck | .... | special effects coordinator | |
| Daniel Yates | .... | special effects technician | |
Visual Effects by | |||
| David Crawford | .... | compositor | |
| Wensen Ho | .... | digital artist | |
| Kristin Johnson | .... | digital compositor | |
| Joan Kim | .... | digital compositor | |
| Margaux Mackay | .... | visual effects producer | |
| Gray Marshall | .... | visual effects supervisor | |
| Dan Trezise | .... | digital compositor: Gray Matter | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
| Albert Mason | .... | digital producer (uncredited) | |
| Robert Rowles | .... | video I/O (uncredited) | |
Casting Department | |||
| Stacie Goodman | .... | casting associate | |
| Marisa Lynch | .... | casting assistant | |
| Allegra Pollock | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Nicole Chavez | .... | set costumer | |
| Lisa A. Doyle | .... | set costumer | |
| Mathew Hooey | .... | costumer | |
| Jayne Marie Kehoe | .... | key costumer | |
| Bob Morgan | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Anthony J. Camaioni | .... | assistant editor | |
| Martin Cohen | .... | post-production executive | |
| Vaune Kirby Frechette | .... | assistant editor | |
| Heather Mullen | .... | first assistant editor | |
| Nadav Streett | .... | post-production assistant | |
Music Department | |||
| Pete Anthony | .... | orchestrator | |
| Snoop Dogg | .... | rapper | |
| Chris Fogel | .... | music scoring mixer | |
| Todd Homme | .... | executive music supervisor | |
| Jonathan Karp | .... | music editor | |
| Michael Kosarin | .... | conductor | |
| Christopher Marino | .... | first assistant music editor | |
| Lee Mars | .... | music recording engineer | |
| Randall Poster | .... | music supervisor | |
| Gary Raymond | .... | music playback & recording mixer | |
| Bud Raymond | .... | music playback operator (uncredited) | |
Transportation Department | |||
| Karen K. Chang | .... | transportation office coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |