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Directed by | |||
| Todd Phillips | |||
Writing credits(WGA) | ||
| Court Crandall | (story) and | |
| Todd Phillips | (story) & | |
| Scot Armstrong | (story) | |
| Todd Phillips | (screenplay) & | |
| Scot Armstrong | (screenplay) | |
Produced by | |||
| Paul Deason | .... | co-producer | |
| Daniel Goldberg | .... | producer | |
| Joe Medjuck | .... | producer | |
| Todd Phillips | .... | producer | |
| Tom Pollock | .... | executive producer | |
| Ivan Reitman | .... | executive producer | |
Original Music by | |||
| Theodore Shapiro | |||
Cinematography by | |||
| Mark Irwin | (director of photography) | ||
Film Editing by | |||
| Michael Jablow | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Clark Hunter | |||
Art Direction by | |||
| Max Biscoe | |||
Set Decoration by | |||
| Traci Kirshbaum | |||
Costume Design by | |||
| Nancy Fisher | |||
Makeup Department | |||
| Art Anthony | .... | key makeup artist | |
| Art Anthony | .... | special makeup effects artist | |
| Corrina Duran | .... | makeup artist: Leah Remini | |
| Pauletta O. Lewis | .... | key hair stylist (as Pauletta O. Lewis-Irwin) | |
| Stephen Robinette | .... | key hair stylist | |
Production Management | |||
| Paul Deason | .... | unit production manager | |
| Mark Graziano | .... | post-production supervisor | |
| Angela Heald | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Marco Black | .... | first assistant director: second unit | |
| Michael Neumann | .... | first assistant director (as Michael T. Neumann) | |
| Kenneth Roth | .... | second second assistant director | |
| Amy Schmidt | .... | second assistant director (as Amy J. Schmidt) | |
Art Department | |||
| P. Scott Bailey | .... | lead man: reshoots | |
| Ted Boonthanakit | .... | storyboard artist | |
| Robert J. Carlyle | .... | construction coordinator | |
| Vanessa Couron | .... | buyer | |
| Peter Davidson | .... | set designer | |
| Jenny DeArmitt | .... | construction assistant | |
| Eva Firshein | .... | buyer | |
| Jimmy Flores | .... | set construction foreman | |
| Hector M. Gonzalez | .... | on-set dresser (as Héctor M. González) | |
| Lisha Hocking | .... | art department assistant | |
| Dana McCall | .... | assistant property master | |
| Luigi Mugavero | .... | set dresser | |
| Charles Righetti | .... | leadman | |
| Graham Robertson | .... | set dresser | |
| Joel Ruiz | .... | set dresser | |
| Alex Sessing | .... | on-set greensman | |
| Doug Sieck | .... | set dresser | |
| Jordan Steinberg | .... | set dresser | |
| Tom Talley | .... | general foreman | |
| Lisa Vasconcellos | .... | art department coordinator | |
| Thomas 'Noe' Welch | .... | set dresser | |
Sound Department | |||
| Michael Babcock | .... | additional sound re-recording mixer | |
| Michael Babcock | .... | sound designer (as Mike Babcock) | |
| Michael Babcock | .... | supervising sound editor | |
| John Benson | .... | supervising sound editor | |
| James Bolt | .... | sound re-recording mixer | |
| Ryan Darden | .... | assistant sound editor | |
| Carl Fischer | .... | boom operator | |
| Tim Gomillion | .... | sound recordist | |
| David Hankins | .... | supervising sound editor | |
| Petur Hliddal | .... | sound | |
| Chet Leonard | .... | music playback | |
| Paul Massey | .... | sound re-recording mixer | |
| Tim McColm | .... | re-recording engineer | |
| Robert Morrisey | .... | assistant sound editor | |
| Ralph Osborn | .... | dialog & adr editor | |
| Rocky Quiroz | .... | cableperson | |
| Dennis Rogers | .... | sound recordist | |
| Philip Rogers | .... | adr recordist | |
Special Effects by | |||
| Al Marangoni | .... | special effects crew | |
| Bruno Van Zeebroeck | .... | special effects coordinator | |
| Daniel Yates | .... | special effects technician | |
Visual Effects by | |||
| David Crawford | .... | compositor | |
| Wensen Ho | .... | digital artist | |
| Kristin Johnson | .... | digital compositor | |
| Joan Kim | .... | digital compositor | |
| Margaux Mackay | .... | visual effects producer | |
| Gray Marshall | .... | visual effects supervisor | |
| Dan Trezise | .... | digital compositor: Gray Matter | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
| Albert Mason | .... | digital producer (uncredited) | |
| Robert Rowles | .... | video I/O (uncredited) | |
Casting Department | |||
| Stacie Goodman | .... | casting associate | |
| Marisa Lynch | .... | casting assistant | |
| Allegra Pollock | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Nicole Chavez | .... | set costumer | |
| Lisa A. Doyle | .... | set costumer | |
| Mathew Hooey | .... | costumer | |
| Jayne Marie Kehoe | .... | key costumer | |
| Bob Morgan | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Anthony J. Camaioni | .... | assistant editor | |
| Martin Cohen | .... | post-production executive | |
| Vaune Kirby Frechette | .... | assistant editor | |
| Heather Mullen | .... | first assistant editor | |
| Nadav Streett | .... | post-production assistant | |
Music Department | |||
| Pete Anthony | .... | orchestrator | |
| Snoop Dogg | .... | rapper | |
| Chris Fogel | .... | music scoring mixer | |
| Todd Homme | .... | executive music supervisor | |
| Jonathan Karp | .... | music editor | |
| Michael Kosarin | .... | conductor | |
| Christopher Marino | .... | first assistant music editor | |
| Lee Mars | .... | music recording engineer | |
| Randall Poster | .... | music supervisor | |
| Gary Raymond | .... | music playback & recording mixer | |
| Bud Raymond | .... | music playback operator (uncredited) | |
Transportation Department | |||
| Karen K. Chang | .... | transportation office coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
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| Animal House | Wedding Crashers | Slaughterhouse-Five | King of New York | The Heartbreak Kid |
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| News articles | IMDb Comedy section | IMDb USA section |
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This is the best comedy since Tommy Boy. Every college educated male between the ages of 25-50 knows someone just like Frank and Beanie. Absolutely hilarious. Will Farrell is perfect as Frank but Vince Vaughn steals the show. Half of everything Beanie says in this movie is just classic. The plot goes a little off towards the end, but it doesn't matter because my friends and I have been repeating some of the lines for the last 2 years. With all the really lame comedies that have come out in the past 5 years it is nice to see something that will stand the test of time- a modern Animal House. A little too cheesy towards the end but still a top 10 comedy of all time and a must own on DVD.