| Photos (see all 30 | slideshow) |
Directed by | |||
| Victor Salva | |||
Writing credits(WGA) | ||
| Victor Salva | (characters) | |
| Victor Salva | (written by) | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer | |
| Kirk D'Amico | .... | executive producer | |
| Lucas Foster | .... | executive producer | |
| Tom Luse | .... | producer | |
| Bobby Rock | .... | executive producer | |
| Philip von Alvensleben | .... | co-executive producer | |
Original Music by | |||
| Bennett Salvay | |||
Cinematography by | |||
| Don E. FauntLeRoy | |||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Aaron Griffith | |||
| Linda Phillips-Palo | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Nanci Roberts | |||
Set Decoration by | |||
| Linda Spheeris | |||
Costume Design by | |||
| Jana Stern | |||
Makeup Department | |||
| Germicka Barclay | .... | assistant hair stylist | |
| Roy Ceballos | .... | shop foreman | |
| Denise Fischer | .... | assistant makeup artist | |
| Elisabeth Fry | .... | key makeup artist | |
| Elvis Jones | .... | makeup artist | |
| Lori McCoy-Bell | .... | hair department head | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Brian Penikas | .... | key makeup effects artist | |
| Tim Phoenix | .... | makeup artist | |
| Richard Redlefsen | .... | assistant prosthetic makeup artist | |
| Richard Redlefsen | .... | creeper makeup and lead suit | |
Production Management | |||
| Robert Hackl | .... | post-production supervisor | |
| Debbie Hayn-Cass | .... | unit production manager | |
| Deborah Reissman | .... | executive in charge of production | |
Sound Department | |||
| Steve C. Aaron | .... | sound mixer | |
| Greg Barbacovi | .... | adr recordist | |
| Robby Bartholomew | .... | sound re-recording mixer | |
| Nick Clay | .... | assistant sound editor | |
| Paul B. Clay | .... | adr supervisor | |
| Paul B. Clay | .... | supervising sound editor | |
| Michael P. Cook | .... | dialogue editor (as Mike Cook) | |
| Craig A. Dellinger | .... | adr editor (as Craig Dellinger) | |
| Ken Dufva | .... | foley artist | |
| Alan Freedman | .... | adr mixer | |
| Bob Goold | .... | dialog editor | |
| Ellen Heuer | .... | foley artist | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Phil Lee | .... | sound recordist | |
| Donald Lyles | .... | sound recordist | |
| Mark L. Mangino | .... | dialogue editor | |
| Patrick O'Sullivan | .... | sound effects editor | |
| John Rotondi | .... | sound engineer: Y4 | |
| Greg Stacy | .... | sound effects editor | |
| Dirk Stout | .... | second boom operator | |
| Lee Tinkham | .... | foley mixer | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
| Dan Whiting | .... | boom operator | |
Special Effects by | |||
| Barry Crane | .... | moldmaker | |
| Derrick Crane | .... | special effects crew | |
| David Fedele | .... | fabricator and lab technician (as Dave Fedele) | |
| John E. Gray | .... | special effects coordinator | |
| Richard O. Helmer | .... | special effects coordinator | |
| Boyd Lacosse | .... | special effects technician | |
| Javier Lomeli | .... | special effects technician | |
| Karen Mason | .... | fabricator and lab technician | |
| Nicole Michaud | .... | creature effects coordinator: makeup & monsters | |
| Robert Pendergraft | .... | fabricator | |
| Robert Pendergraft | .... | lab technician | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Brian Penikas | .... | creature effects designer | |
| Brian Penikas | .... | special effects makeup | |
| Tim Phoenix | .... | fabricator | |
| Richard Redlefsen | .... | sculptor/painter: Makeup and Monsters Studios | |
| Christopher A. Suarez | .... | special effects technician | |
| Erick de la Vega | .... | fabricator and lab technician | |
| Mark Viniello | .... | foam runner | |
| John R. Ziegler | .... | special effects foreman | |
| Dirk Rogers | .... | corpse fabricator: Ghostride Production (uncredited) | |
Visual Effects by | |||
| Jance Allen | .... | visual effects artist | |
| Kevin Baillie | .... | CG supervisor | |
| Brendan Bolles | .... | match mover | |
| Geraud Brisson | .... | visual effects editor | |
| Daniela Calafatello | .... | creature models | |
| YouJin Choung | .... | visual effects | |
| Paul Curley | .... | visual effects | |
| Michelle Deniaud | .... | creature painter | |
| David Emerson | .... | opticals | |
| Arin Finger | .... | visual effects coordinator | |
| Kameron Gates | .... | character animator | |
| Daniel Gloates | .... | senior staff | |
| Rainer Gombos | .... | digital compositor | |
| David 'Rudy' Grossman | .... | creature supervisor | |
| Jonathan Harman | .... | digital artist: The Orphanage | |
| Matthew Hendershot | .... | digital artist: The Orphanage | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist | |
| Bomsok Ku | .... | lighting technical director | |
| Moonsung Lee | .... | CG animator | |
| Stuart T. Maschwitz | .... | senior staff: The Orphanage (as Stu Maschwitz) | |
| Ian McCamey | .... | editorial supervisor | |
| Nicholas McDowell | .... | systems engineer | |
| Phil 'Captain 3D' McNally | .... | character animator | |
| Yvette Memory | .... | visual effects coordinator | |
| Luke O'Byrne | .... | visual effects producer | |
| JaeWook Park | .... | technical director | |
| Alex Prichard | .... | digital artist: The Orphanage | |
| Dav Rauch | .... | visual effects artist | |
| Jonathan Rothbart | .... | visual effects supervisor | |
| Jesse Russell | .... | digital compositor | |
| Marc Sadeghi | .... | executive visual effects producer | |
| Carsten Sørensen | .... | senior staff: The Orphanage | |
| Yuko Takeshita | .... | visual effects assistant | |
| Ryan Tudhope | .... | digital environment supervisor | |
| Kristi Valk | .... | digital artist: The Orphanage | |
| Christopher Walsh | .... | animation supervisor | |
| Carl Walters | .... | visual effects editor | |
Stunts | |||
| Elle Alexander | .... | stunt double | |
| Chris Blackwood | .... | stunts | |
| Freddy Bouciegues | .... | stunts | |
| Bobby Burns | .... | stunts | |
| Heather Burton | .... | stunts (as Heather Burton-Gibson) | |
| Mark Chadwick | .... | stunts | |
| Laura Lee Connery | .... | stunt double | |
| Clay Cullen | .... | stunt double | |
| Keith Davis | .... | stunts | |
| William Devital | .... | stunts | |
| Kiante Elam | .... | stunts | |
| Ousaun Elam | .... | stunts (as Ousan Elam) | |
| Jeremy Fitzgerald | .... | stunts | |
| Charles Grisham | .... | stunts (as Charlie Grisham) | |
| Jim Hart | .... | stunts | |
| Hollis Hill | .... | stunts | |
| Kanin Howell | .... | stunts | |
| Oliver Keller | .... | stunts | |
| Bret Kiene | .... | stunt rigger | |
| Lane Leavitt | .... | stunt rigging coordinator | |
| Steven Leavitt | .... | utility stunts | |
| Angela Meryl | .... | stunt double | |
| Chris Nielsen | .... | stunts | |
| Darrin Prescott | .... | stunt double: Jonathan Breck | |
| Austin Priester | .... | stunt double | |
| Scott Rogers | .... | stunts | |
| Monty L. Simons | .... | stunt coordinator | |
| Mike Smith | .... | stunts | |
| C.C. Taylor | .... | stunts | |
| Clark Tucker | .... | stunt double: Travis Schiffner | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting associate | |
| Debbie Rothstein | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Hytten | .... | costumer (as Karen S. Hytten) | |
| Tron Morgan | .... | costumer | |
| Claudia Wick | .... | key costumer | |
Editorial Department | |||
| Geraud Brisson | .... | first assistant editor | |
| George Koran | .... | telecine colorist | |
| Frank Pass | .... | colorist | |
| Mark V. Phillips | .... | assistant editor | |
| Chris Regan | .... | color timer | |
| Yuko Takeshita | .... | post-production assistant | |
| Jim Williams | .... | color timer | |
Music Department | |||
| David Bondelevitch | .... | music editor | |
| Brad Dechter | .... | additional orchestrator | |
| Marc Gebauer | .... | scoring crew | |
| Dominic Gonzales | .... | scoring crew | |
| Randy Kerber | .... | orchestrator | |
| T.J. Lindgren | .... | score recordist | |
| David Low | .... | orchestra contractor | |
| David Marquette | .... | music recordist | |
| Michael McCuistion | .... | additional orchestrator | |
| Shawn Murphy | .... | scoring mixer | |
| Larry Rench | .... | additional orchestrator | |
| Lolita Ritmanis | .... | orchestrator | |
| Bennett Salvay | .... | orchestrator | |
| Jay Selvester | .... | scoring crew | |
| Kirsten Smith | .... | scoring crew | |
| Greg Townley | .... | music designer | |
| Brian Vibberts | .... | additional score recordist | |
| Christopher Violette | .... | executive in charge of music: Myriad Pictures | |
Transportation Department | |||
| Hugh Kelly | .... | transportation | |
| P. Gerald Knight | .... | transportation coordinator | |
| Dan O. Wiseman | .... | driver | |
|
|
|
|
|
| Wanted | Batoru rowaiaru | Resident Evil: Extinction | Bad Boys II | Kataude mashin gâru |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
Jeepers Creepers was a minor hit in late 2001, I remember a lot of people saying how bad it was, but I personally had it down as one of my favourite films of that year. I saw it twice! It scared the living daylights out of me, and Jeepers Creepers 2 isn't at all bad as sequels go, with director Victor Salva still skilfully building the tension and suspense as he proved himself so adept at doing in the first one.
The story: Every 23 years The Creeper (Jonathan Breck)comes back to life and terrorises people so that it knows which person to chose so that he can eat a part of that person to rejuvenate itself. In this outing, he attacks a school bus on a huge American highway and gradually thrives on the students.
In summary, Jeepers Creepers 2 is another expert example in generating tension, my main disappointment being that the first film was shot in the smaller Widescreen format (which I prefer being a one time cinema projectionist), but this one is shot in the wider Cinemascope format. I don't like it!