| Photos (see all 30 | slideshow) | Videos (see all 6 NEW) |
Directed by | |||
| Victor Salva | |||
Writing credits(WGA) | ||
| Victor Salva | (characters) | |
| Victor Salva | (written by) | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer | |
| Kirk D'Amico | .... | executive producer | |
| Lucas Foster | .... | executive producer | |
| Tom Luse | .... | producer | |
| Bobby Rock | .... | executive producer | |
| Philip von Alvensleben | .... | co-executive producer | |
Original Music by | |||
| Bennett Salvay | |||
Cinematography by | |||
| Don E. FauntLeRoy | |||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Aaron Griffith | |||
| Linda Phillips-Palo | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Nanci Roberts | |||
Set Decoration by | |||
| Linda Spheeris | |||
Costume Design by | |||
| Jana Stern | |||
Makeup Department | |||
| Germicka Barclay | .... | assistant hair stylist | |
| Roy Ceballos | .... | shop foreman | |
| Denise Fischer | .... | assistant makeup artist | |
| Elisabeth Fry | .... | key makeup artist | |
| Elvis Jones | .... | makeup artist | |
| Lori McCoy-Bell | .... | hair department head | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Brian Penikas | .... | key makeup effects artist | |
| Tim Phoenix | .... | makeup artist | |
| Richard Redlefsen | .... | assistant prosthetic makeup artist | |
| Richard Redlefsen | .... | creeper makeup and lead suit | |
Production Management | |||
| Robert Hackl | .... | post-production supervisor | |
| Debbie Hayn-Cass | .... | unit production manager | |
| Deborah Reissman | .... | executive in charge of production | |
Sound Department | |||
| Steve C. Aaron | .... | sound mixer | |
| Greg Barbacovi | .... | adr recordist | |
| Robby Bartholomew | .... | sound re-recording mixer | |
| Nick Clay | .... | assistant sound editor | |
| Paul B. Clay | .... | adr supervisor | |
| Paul B. Clay | .... | supervising sound editor | |
| Michael P. Cook | .... | dialogue editor (as Mike Cook) | |
| Craig A. Dellinger | .... | adr editor (as Craig Dellinger) | |
| Ken Dufva | .... | foley artist | |
| Alan Freedman | .... | adr mixer | |
| Bob Goold | .... | dialog editor | |
| Ellen Heuer | .... | foley artist | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Phil Lee | .... | sound recordist | |
| Donald Lyles | .... | sound recordist | |
| Mark L. Mangino | .... | dialogue editor | |
| Patrick O'Sullivan | .... | sound effects editor | |
| John Rotondi | .... | sound engineer: Y4 | |
| Greg Stacy | .... | sound effects editor | |
| Dirk Stout | .... | second boom operator | |
| Lee Tinkham | .... | foley mixer | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
| Dan Whiting | .... | boom operator | |
Special Effects by | |||
| Barry Crane | .... | moldmaker | |
| Derrick Crane | .... | special effects crew | |
| David Fedele | .... | fabricator and lab technician (as Dave Fedele) | |
| John E. Gray | .... | special effects coordinator | |
| Richard O. Helmer | .... | special effects coordinator | |
| Boyd Lacosse | .... | special effects technician | |
| Javier Lomeli | .... | special effects technician | |
| Karen Mason | .... | fabricator and lab technician | |
| Nicole Michaud | .... | creature effects coordinator: makeup & monsters | |
| Robert Pendergraft | .... | fabricator | |
| Robert Pendergraft | .... | lab technician | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Brian Penikas | .... | creature effects designer | |
| Brian Penikas | .... | special effects makeup | |
| Tim Phoenix | .... | fabricator | |
| Richard Redlefsen | .... | sculptor/painter: Makeup and Monsters Studios | |
| Christopher A. Suarez | .... | special effects technician | |
| Erick de la Vega | .... | fabricator and lab technician | |
| Mark Viniello | .... | foam runner | |
| John R. Ziegler | .... | special effects foreman | |
| Dirk Rogers | .... | corpse fabricator: Ghostride Production (uncredited) | |
Visual Effects by | |||
| Jance Allen | .... | visual effects artist | |
| Kevin Baillie | .... | CG supervisor | |
| Brendan Bolles | .... | match mover | |
| Geraud Brisson | .... | visual effects editor | |
| Daniela Calafatello | .... | creature models | |
| YouJin Choung | .... | visual effects | |
| Paul Curley | .... | visual effects | |
| Michelle Deniaud | .... | creature painter | |
| David Emerson | .... | opticals | |
| Arin Finger | .... | visual effects coordinator | |
| Kameron Gates | .... | character animator | |
| Daniel Gloates | .... | senior staff | |
| Rainer Gombos | .... | digital compositor | |
| David 'Rudy' Grossman | .... | creature supervisor | |
| Jonathan Harman | .... | digital artist: The Orphanage | |
| Matthew Hendershot | .... | digital artist: The Orphanage | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist | |
| Bomsok Ku | .... | lighting technical director | |
| Moonsung Lee | .... | CG animator | |
| Stuart T. Maschwitz | .... | senior staff: The Orphanage (as Stu Maschwitz) | |
| Ian McCamey | .... | editorial supervisor | |
| Nicholas McDowell | .... | systems engineer | |
| Phil 'Captain 3D' McNally | .... | character animator | |
| Yvette Memory | .... | visual effects coordinator | |
| Luke O'Byrne | .... | visual effects producer | |
| JaeWook Park | .... | technical director | |
| Alex Prichard | .... | digital artist: The Orphanage | |
| Dav Rauch | .... | visual effects artist | |
| Jonathan Rothbart | .... | visual effects supervisor | |
| Jesse Russell | .... | digital compositor | |
| Marc Sadeghi | .... | executive visual effects producer | |
| Carsten Sørensen | .... | senior staff: The Orphanage | |
| Yuko Takeshita | .... | visual effects assistant | |
| Ryan Tudhope | .... | digital environment supervisor | |
| Kristi Valk | .... | digital artist: The Orphanage | |
| Christopher Walsh | .... | animation supervisor | |
| Carl Walters | .... | visual effects editor | |
Stunts | |||
| Elle Alexander | .... | stunt double: Diane Delano | |
| Chris Blackwood | .... | stunts | |
| Freddy Bouciegues | .... | stunts | |
| Bobby Burns | .... | stunts | |
| Heather Burton | .... | stunts (as Heather Burton-Gibson) | |
| Mark Chadwick | .... | stunts | |
| Laura Lee Connery | .... | stunt double | |
| Clay Cullen | .... | stunt double | |
| Keith Davis | .... | stunts | |
| William Devital | .... | stunts | |
| Kiante Elam | .... | stunts | |
| Ousaun Elam | .... | stunts (as Ousan Elam) | |
| Jeremy Fitzgerald | .... | stunts | |
| Charles Grisham | .... | stunts (as Charlie Grisham) | |
| Jim Hart | .... | stunts | |
| Hollis Hill | .... | stunts | |
| Kanin Howell | .... | stunts | |
| Oliver Keller | .... | stunts | |
| Bret Kiene | .... | stunt rigger | |
| Lane Leavitt | .... | stunt rigging coordinator | |
| Steven Leavitt | .... | utility stunts | |
| Angela Meryl | .... | stunt double | |
| Chris Nielsen | .... | stunts | |
| Darrin Prescott | .... | stunt double: Jonathan Breck | |
| Austin Priester | .... | stunt double | |
| Scott Rogers | .... | stunts | |
| Monty L. Simons | .... | stunt coordinator | |
| Mike Smith | .... | stunts | |
| C.C. Taylor | .... | stunts | |
| Clark Tucker | .... | stunt double: Travis Schiffner | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting associate | |
| Debbie Rothstein | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Hytten | .... | costumer (as Karen S. Hytten) | |
| Tron Morgan | .... | costumer | |
| Claudia Wick | .... | key costumer | |
Editorial Department | |||
| Geraud Brisson | .... | first assistant editor | |
| George Koran | .... | telecine colorist | |
| Frank Pass | .... | colorist | |
| Mark V. Phillips | .... | assistant editor | |
| Chris Regan | .... | color timer | |
| Yuko Takeshita | .... | post-production assistant | |
| Jim Williams | .... | color timer | |
Music Department | |||
| David Bondelevitch | .... | music editor | |
| Brad Dechter | .... | additional orchestrator | |
| Marc Gebauer | .... | scoring crew | |
| Dominic Gonzales | .... | scoring crew | |
| Randy Kerber | .... | orchestrator | |
| T.J. Lindgren | .... | score recordist | |
| David Low | .... | orchestra contractor | |
| David Marquette | .... | music recordist | |
| Michael McCuistion | .... | additional orchestrator | |
| Shawn Murphy | .... | scoring mixer | |
| Larry Rench | .... | additional orchestrator | |
| Lolita Ritmanis | .... | orchestrator | |
| Bennett Salvay | .... | orchestrator | |
| Jay Selvester | .... | scoring crew | |
| Kirsten Smith | .... | scoring crew | |
| Greg Townley | .... | music designer | |
| Brian Vibberts | .... | additional score recordist | |
| Christopher Violette | .... | executive in charge of music: Myriad Pictures | |
Transportation Department | |||
| Hugh Kelly | .... | transportation | |
| P. Gerald Knight | .... | transportation coordinator | |
| Dan O. Wiseman | .... | driver | |
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JEEPERS CREEPERS II
Aspect ratio: 2.39:1 (Panavision)
Sound formats: Dolby Digital / DTS
Stranded in a broken-down bus on a lonely country road, a group of high school jocks and cheerleaders are targeted by the monstrous Creeper (Jonathan Breck) who needs their body parts for the purposes of regeneration. But the Creeper hasn't reckoned on the tenacity of one of its earlier victims (Ray Wise), a grieving father seeking revenge for the loss of his youngest son...
Though crafted with technical precision and performed with gusto by a strong cast of newcomers and veterans, this disappointing sequel sacrifices the heartfelt emotional undertow of its magnificent predecessor JEEPERS CREEPERS (2000) in favor of bigger and splashier set-pieces. While it's as raucous and entertaining as one could hope for, it's also a surprisingly conventional effort from writer-director Victor Salva, whose best work (POWDER, RITES OF PASSAGE, etc.) has always focused on small groups of characters caught up in extreme situations. Here, his attempts to shoehorn deeper issues into what is essentially a popcorn movie seems forced and inconsequential, and he spreads his narrative concerns too thinly over a broad range of interchangeable characters: The elements of homophobia and racism which initially divide the young heroes - until they're forced to overcome their differences in order to survive the Creeper's onslaught - are rendered increasingly meaningless as the movie progresses, until they no longer have any direct influence on the wider storyline.
But Salva is too much of a craftsman for his movie to be a complete washout. The action/horror set-pieces are genuinely spectacular, and Breck camps it up superbly as the hideous Creeper, swooping out of the darkness to carry unsuspecting victims to their doom. Working in scope format for the first time in their respective careers (REAL scope, not that Super 35 rubbish), Salva and cinematographer Don E. FauntLeRoy conjure a series of startling images from the outset, many of them tinged with visual poetry: The golden cornfield in the opening sequence, where the film's first victim suffers an appalling fate (a genuinely horrific set-piece); the point-of-view shots from the Creeper's perspective as it swoops on fleeing prey; and the eerie calm of the closing sequence, which portends sequels to come. Salva's regular composer, Bennett Salvay, delivers a terrific symphonic score, as brassy and frightening as any in recent years, which serves to boost the film's dramatic appeal in no uncertain terms.
Wise, a late addition to the cast, dominates the film as an avenging farmer who is every bit the Creeper's equal in terms of strength and persistence, and he's given strong support by veterans Diane Delano and Thom Gossom Jr. The younger cast members are enthusiastic and talented, and it's a fair bet that some of them (Travis Schiffner, Al Santos, Nicki Aycox, etc.) will figure heavily in various Hunkiest/Sexiest lists during the next few years. Look out for a brief - but welcome - cameo appearance by Justin Long from "JC1". It may not live up to every expectation, but there's still much to enjoy in JEEPERS CREEPERS II.