| Videos (see all 2) |
| Christopher Lambert | ... | Det. Norman Scot | |
| Lou Diamond Phillips | ... | Agent Walters | |
| Kelly Brook | ... | Dr. Claire Whittaker | |
| Ron Perlman | ... | Murchison | |
| Roberta Angelica | ... | Det. Ruth Bryant | |
| Neville Edwards | ... | Harris | |
| Tre Smith | ... | Vasquez | |
| James Kidnie | ... | Doc | |
| Topaz Hasfal-Schou | ... | Davis (as Topaz Hasfal) | |
| Donald Burda | ... | Lt. Greer | |
| Graham Kartna | ... | Young David | |
| Adam Bramble | ... | Old David | |
| Sarah Plommer | ... | WJD Tech | |
| Neil Foster | ... | Dr. Frederick Reyna | |
| Vanessa Winton | ... | Sara | |
| Christopher Redman | ... | Daniel Haywood (as Chris Redman) | |
| Stewart Arnott | ... | Dr. John Stewart | |
| Frank Nakashima | ... | Doctor | |
| Barry Lavender | ... | Tramp | |
| Jonathan Watton | ... | Man on Phone / Technician | |
| Mike Forler | ... | Police Tech (as Michael Forler) | |
| John Nightingale | ... | Talk Show Host | |
| Debbie Stoddard | ... | Paramedic | |
| Genny Iannucci | ... | Screaming Woman | |
| Ted Ludzik | ... | Cop | |
| rest of cast listed alphabetically: | |||
| Jamie Johnston | ... | Boy (uncredited) | |
Directed by | |||
| David DeBartolomé | (as David Barto) | ||
Writing credits(WGA) | ||
| Brad Mirman | (written by) | |
Produced by | |||
| Jamie Brown | .... | producer | |
| Gary Howsam | .... | producer | |
| Juan Montilla Eslava | .... | co-producer | |
| Jim Reeve | .... | executive producer | |
| Richard Rionda Del Castro | .... | producer | |
| Steve Robbins | .... | executive producer | |
| Lewin Webb | .... | co-producer | |
| Philippe Martinez | .... | executive producer (uncredited) | |
Original Music by | |||
| Gary Koftinoff | |||
Cinematography by | |||
| Unax Mendía | (as Unax Mendia) | ||
Film Editing by | |||
| Evan Landis | |||
Casting by | |||
| Dean E. Fronk | |||
| Marjorie Lecker | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Tim Boyd | |||
Art Direction by | |||
| Andrew Hull | |||
Set Decoration by | |||
| Jim Lambie | |||
Costume Design by | |||
| Judith England | |||
Makeup Department | |||
| Tracy Bentley | .... | assistant makeup artist | |
| Pamela Mills Byer | .... | assistant hair stylist (as Pamela Mills) | |
| Traci Loader | .... | key makeup artist | |
| Leanne Morrison | .... | key hair stylist | |
| David Myers | .... | hair stylist: Mr Lambert | |
| David Myers | .... | makeup artist: Mr. Lambert | |
Production Management | |||
| Aaron Barnett | .... | production manager | |
| Oliver Groom | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Kiefaber | .... | trainee assistant director | |
| Ian Robertson | .... | first assistant director | |
| Jill Campbell Samson | .... | second assistant director (as Jill Samson) | |
| Sean Watson | .... | third assistant director | |
| Graham Tallman | .... | assistant director (uncredited) | |
Art Department | |||
| Craig Boland | .... | on-set dresser | |
| Dave Fuller | .... | key scenic artist | |
| Rick Gilbert | .... | set buyer | |
| Brad Greaves | .... | second assistant art director (as Bradley Greaves) | |
| David Gruer | .... | lead set dresser | |
| Andrew Kawczynski | .... | set dresser | |
| Itsuko Kurono | .... | art department apprentice | |
| James McCrindle | .... | set dresser (as James A. McKrindle) | |
| Kenny Meinzinger | .... | co-property master | |
| Andrij Molodecky | .... | co-property master | |
| Dan Norton | .... | first assistant art director | |
| Eric Summerley | .... | head carpenter (as Eric Summerly) | |
| Patrick Tarr | .... | set dresser | |
| Allan Westlake | .... | construction coordinator | |
| Lisa Younger | .... | principal buyer (as Liisa Younger) | |
| Jeremy Simser | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Ross Adams | .... | supervising sound editor | |
| Mike Anscombe | .... | foley artist | |
| Tony Anscombe | .... | sound re-recording mixer | |
| Iain Eyre | .... | dialogue editor | |
| Herwig Gayer | .... | sound recordist | |
| James Harrison | .... | sound effects editor | |
| Mathew Knights | .... | sound re-recording mixer | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Iain Stewart | .... | boom operator | |
| Alek Bromke | .... | adr recordist (uncredited) | |
| Steve Little | .... | assistant sound editor (uncredited) | |
| Jessie Taylor | .... | foley editor (uncredited) | |
Special Effects by | |||
| Darcy Callaghan | .... | key special effects | |
| John LaForet | .... | special effects coordinator | |
| Jon Davis | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Alan Bak | .... | senior production supervisor: Cine-Byte | |
| Jeff Baker | .... | technical supervisor: Cine-Byte | |
| Tom Bak | .... | senior production supervisor: Cine-Byte | |
| Drake Conrad | .... | digital intermediate scanning and recording: Cine-Byte | |
| Peter Denomme | .... | visual effects producer: Calibre Digital Pictures | |
| Rick Hannigan | .... | project coordinator: Cine-Byte | |
| Felix Heeb | .... | digital intermediate scanning and recording: Cine-Byte | |
| Gudrun Heinze | .... | digital compositor: Calibre Digital Pictures (as Gudrun Heinz) | |
| Elizabeth Holmes | .... | digital compositor: Calibre Digital Pictures | |
| Brian Hunt | .... | digital intermediate scanning and recording: Calibre Digital Pictures | |
| Brian Lui | .... | title graphics: Calibre Digital Pictures | |
| Diana Madureira | .... | production coordinator: digital intermediate scanning and recording: Cine-Byte (as Diana Madureia) | |
| Ian Maxwell | .... | visual effects coordinator: Calibre Digital Pictures | |
| Anthony Paterson | .... | creative supervisor: Calibre Digital Pictures | |
| Nick Paulozza | .... | digital intermediate scanning and recording: Calibre Digital Pictures | |
| Chris Ross | .... | digital opticals: Cine-Byte | |
| Mark Tureski | .... | digital opticals: Cine-Byte | |
| Rainy Venne | .... | digital compositor: Calibre Digital Pictures | |
| Ian Britton | .... | lead digital compositor (uncredited) | |
| Ariel Joson | .... | digital artist (uncredited) | |
| Robin Trickett | .... | visual effects coordinator (uncredited) | |
Casting Department | |||
| Donna Dupere | .... | extras casting | |
| Aric Dupere | .... | extras casting assistant (uncredited) | |
| Aaron Unrau | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Frances Cabezas Miller | .... | assistant costume designer (as Frances Cabezas-Miller) | |
| Nicole Pearson | .... | costume extras coordinator | |
| Luda Tselooussova | .... | head cutter | |
Editorial Department | |||
| Erin Deck | .... | first assistant editor: post-production | |
| Alison Ethier | .... | first assistant editor | |
| Davida Gragor | .... | post-production assistant | |
| Colin Kish | .... | editorial supervisor: post-production | |
| Peter Korsitzke | .... | color timer | |
| Lee Romberg | .... | post-production consultant (uncredited) | |
Music Department | |||
| Ron Proulx | .... | music supervisor | |
Transportation Department | |||
| Robert Arsenault | .... | head driver | |
| Scott Clarke | .... | transportation captain | |
| Glen Creswell | .... | driver (as Glen Cresswell) | |
| Mickey McAllister | .... | driver (as Mickey McCallister) | |
| Michael O'Halloran | .... | driver | |
| Elsa Scruton | .... | transportation coordinator (as Dee Dee Scruton) | |
| Doug Warren | .... | driver | |
| Jerry Wood | .... | driver (as Gerry Wood) | |
Other crew | |||
| Comfort Alemoru | .... | production controller: Studio Eight | |
| Donald A. Barton | .... | legal counsel: Hannibal Pictures (as Donald Barton) | |
| Andje Borojevic | .... | production coordinator | |
| Alex Brown | .... | production executive: Studio Eight | |
| Emma Callinan | .... | production coordinator: Studio Eight | |
| Oliver Churchill | .... | location manager | |
| Judith Cogan-Andrews | .... | business affairs: GFT | |
| Christopher Coughlin | .... | production assistant | |
| Céline De La Pena | .... | assistant: Mr. Lambert | |
| Patricia Eberle | .... | associate to the producers | |
| Janet Ellis | .... | assistant production coordinator | |
| Emma England | .... | set supervisor | |
| Claude Forest | .... | insurance broker: Multimedia Risk Consultants and Insurance Brokers | |
| Martin Haines | .... | production counsel: Davenport Lyons | |
| Bill Halliday | .... | daily production assistant | |
| Michael Harland | .... | assistant location manager (as Mike Harland) | |
| Trina Hickey | .... | associate to the producers: Mr. Howsam | |
| Paul Jennison | .... | key accountant | |
| Stephanie Keating | .... | unit publicist | |
| Jacqueline Kelly | .... | production controller: GFT | |
| Rachel Leko | .... | production assistant | |
| Patrick Malone | .... | post project supervisor | |
| Luke Marshall | .... | assistant location manager | |
| Ronald McKenzie | .... | location production assistant (as Ron McKenzie) | |
| Robert McNamara | .... | production assistant | |
| Alex McNaughton | .... | location manager | |
| Lorraine J. Proctor | .... | second assistant accountant (as Lorraine Proctor) | |
| Michelle Ramez | .... | first assistant accountant | |
| Barbara Sacks | .... | accountant: GFT | |
| Bill Seaward | .... | daily production assistant | |
| Carolyn Stamegna | .... | production counsel: Gowling Lafleur Henderson LLP | |
| Julia Stan | .... | script supervisor (as Julia Stan Garcia) | |
| Masumi Suzuki | .... | truck supervisor | |
| Charles Taylor | .... | weapons wrangler | |
| Bill Treacy | .... | accountant: Studio Eight | |
| Isai Rivera Blas | .... | stand-in (uncredited) | |
| Pauline Burt | .... | risk manager (uncredited) | |
| Shawn Doney | .... | assistant production coordinator (uncredited) | |
| Alan Sutton | .... | fire safety coordinator (uncredited) | |
| Al Vrkljan | .... | gun handler (uncredited) | |
Thanks | |||
| Lee Beasley | .... | special thanks | |
| Dave Bruner | .... | special thanks | |
| Paul Collard | .... | special thanks | |
| Neil Craig | .... | special thanks | |
| Catherine Mackay | .... | special thanks | |
| Portia Napier | .... | special thanks | |
| Richard Peirce | .... | special thanks | |
| Richard Watson | .... | special thanks | |
| Brian White | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb Canada section | Add this title to MyMovies |
The biggest mystery about ABSOLON is how the filmmakers managed to get 33 people to register and then give the film a perfect "10" score. It's ridiculous, of course, and I'm willing to bet even star Christopher Lambert would agree.
ABSOLON is yet another low-budget film with minimal resources, and yet it seems unaware of this fact since the movie is set "sometime in the near future". I.e. Things are just similar enough that the filmmakers can get by, but there are differences such as a VR and an artificial intelligence computer that lets us know it's "the future". Of course the VR only shows up in the first 3 minutes, and the artificial intelligence computer is basically a woman talking through a speaker.
ABSOLON is not an awful movie, but it is a bad movie. It's basically a string of cliches and "Evil Corporation" formulas thrown into scenes of Lambert dodging assassins led by a cheesy Lou Diamond Phillips, now trying to make himself the King of Low-Budget Cheesy Villains.
Skip this film.
3 out of 10.