| Photos (see all 8 | slideshow) | Videos (see all 6) |
| Mercedes Morán | ... | Helena | |
| Carlos Belloso | ... | Dr. Jano | |
| Alejandro Urdapilleta | ... | Freddy | |
| María Alche | ... | Amalia | |
| Julieta Zylberberg | ... | Josefina | |
| Mía Maestro | ... | Inés | |
| Marta Lubos | ... | Mirta | |
| Arturo Goetz | ... | Dr. Vesalio | |
| Alejo Mango | ... | Dr. Cuesta | |
| Mónica Villa | ... | Madre de Josefina | |
| Leandro Stivelman | ... | Julian | |
| Manuel Schaller | ... | Thermin player | |
| Miriam Diaz | ... | Miriam | |
| Rodolfo Cejas | ... | Josefina's father | |
| Maria Victoria Mosca Coll | ... | Local girl | |
| Ornella Velazco | ... | Local girl | |
| Guadalupe Pardo Hernandez | ... | Local girl | |
| Ana Carolina Beltran | ... | Local girl | |
| Rodolfo Cabrera | ... | Manuel the plumber | |
| Maria Susana Falcon | ... | Josefina's aunt | |
| Guillermo Enrique Castro | ... | Lad in accident | |
| Victor Anuch | ... | Juan Pablo | |
| Sebastian Diaz Sabala | ... | Juan Pablo's friend | |
| Maria Micol Ellero | ... | Josefina's sister | |
| Sebastián Montagna | ... | Josefina's brother | |
| Maria Emilia Martinez | ... | Josefina's sister | |
| Guido Nunez | ... | Medical consultant | |
| Nilda Silvia Suarez | ... | Photocopier woman | |
| Ana Maria Fernandez | ... | Jano's wife | |
| Carlos Silvio Poma | ... | Dr. Lara | |
| Eduardo Jesus Chaig | ... | Doctor | |
| Juan Solis | ... | Doctor | |
| Roberto Bernacki | ... | Doctor | |
| Oscar Victoriano Sarmiento | ... | Doctor | |
| David Daniel Torino | ... | Doctor | |
| Eliana Santillan | ... | Servant | |
| Alejandro Leonidas Diaz | ... | Pool worker | |
| Florinda Rosa Guamante | ... | Caretaker | |
| David Mansilla | ... | Hotel porter | |
| Pablo Arias | ... | Hotel porter | |
| Marcos Reynoso | ... | Phone assistant |
Directed by | |||
| Lucrecia Martel | |||
Writing credits(in alphabetical order) | ||
| Juan Pablo Domenech | contributing writer | |
| Lucrecia Martel | written by | |
Original Music by | |||
| Andres Gerszenzon | |||
Cinematography by | |||
| Félix Monti | |||
Film Editing by | |||
| Santiago Ricci | |||
Casting by | |||
| Nicolas Levin | |||
| Natalia Smirnoff | |||
Art Direction by | |||
| Graciela Oderigo | |||
Set Decoration by | |||
| Fernando Brun | |||
Costume Design by | |||
| Julio Suárez | |||
Makeup Department | |||
| Marisa Amenta | .... | makeup artist | |
| Marcelo Iúdice | .... | hair stylist | |
| Etelvina Veron | .... | hair stylist | |
Production Management | |||
| Matías Mosteirín | .... | production director | |
| Marta Parga | .... | production manager | |
| Marta Parga | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Florencia Blanco | .... | assistant director | |
| Natalia Smirnoff | .... | assistant director | |
| Fabiana Tiscornia | .... | assistant director | |
Art Department | |||
| Angélica Alvear | .... | set dresser | |
| Martín Libert | .... | property master | |
Sound Department | |||
| Guido Berenblum | .... | sound | |
| Marcos De Aguirre | .... | sound | |
| David Miranda | .... | sound | |
| Victor Alejandro Tendler | .... | sound | |
Visual Effects by | |||
| Sergio Rentero | .... | visual effects supervisor | |
| Rodrigo S. Tomasso | .... | digital restoration (uncredited) | |
Camera and Electrical Department | |||
| Lucas Guidalevich | .... | film recorder operator: Cineon | |
| Daniel Hermo | .... | gaffer | |
| Manuel Rebella | .... | electrician | |
| Victor Vasini | .... | film recorder operator: Cineon | |
Other crew | |||
| Gustavo Guido | .... | production assistant | |
| Carola Jalife | .... | continuity | |
|
|
|
|
|
| El crimen del padre Amaro | El diputado | Journal d'un curé de campagne | Plata quemada | Savage Grace |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Argentina section |
| Add this title to MyMovies |
It's really hard to enjoy a movie in which nine out of ten characters speak so softly, whispering and grumbling without any sense. I cannot be engaged in a story built exclusively with environmental and symbolic elements and no suspense at all. I do not want to listen anything about the same old debate concerning catholic education and sexual repression (may be 20 or 30 years ago). I suspect this movie is out of season and out of Martel's range. The '60 and '70 were really good but I am not interested in remakes. Despite the above listed complains, I think Martel is talented but may be she still has to find her own voice. I liked "La Ciénaga", the other Lucrecia Martel's effort. It was less pretentious and more entertaining. In summary: this is a boring, pointless, old-fashioned film. I have watched this kind of story before, better written and executed by many directors, v.g.: Luis Buñuel, Carlos Saura and Peter Weir (Please take a look at "Picnic at the hanging rocks") only to name three of them. All in all it deserves a 3/10.