| Photos (see all 13 | slideshow) | Videos (see all 3 NEW) |
| Samantha Morton | ... | Morvern Callar | |
| Kathleen McDermott | ... | Lanna | |
| Linda McGuire | ... | Vanessa | |
| Ruby Milton | ... | Couris Jean | |
| Dolly Wells | ... | Susan | |
| Dan Cadan | ... | Dazzer | |
| Carolyn Calder | ... | Sheila Tequila | |
| Raife Patrick Burchell | ... | Boy in Room 1022 | |
| Steve Cardwell | ... | Welcoming Courier | |
| Bryan Dick | ... | Guy with Hat's Mate | |
| El Carrette | ... | Gypsy Taxi Driver | |
| Andrew Flanagan | ... | Overdose | |
| Des Hamilton | ... | Him | |
| Mette Karlsvik | ... | Sick Girl / Bikini Girl | |
| Andrew Knowles | ... | Green Boy #1 | |
| Duncan McHardy | ... | Red Hanna | |
| Paul Popplewell | ... | Guy with Hat | |
| Mischa Richter | ... | Rick, the American Courier | |
| Vito Rocco | ... | Swimming Pool Courier | |
| Danny Schofield | ... | Dave | |
| Matthew Townend | ... | Green Boy #2 | |
| Andrew Townley | ... | Creeping Jesus | |
| Yolanda Vazquez | ... | Spanish Mother | |
| James Wilson | ... | Tom Boddington (as Jim Wilson) | |
| rest of cast listed alphabetically: | |||
| William Hall | |||
| Andrew Hazel | ... | Dancer in Club (uncredited) | |
Directed by | |||
| Lynne Ramsay | |||
Writing credits(in alphabetical order) | ||
| Liana Dognini | writer | |
| Lynne Ramsay | writer | |
| Alan Warner | novel | |
Produced by | |||
| Leonard Crooks | .... | executive producer (as Lenny Crooks) | |
| George Faber | .... | producer | |
| Andras Hamori | .... | executive producer | |
| Barbara McKissack | .... | executive producer | |
| Seaton McLean | .... | executive producer | |
| Charles Pattinson | .... | producer | |
| Robyn Slovo | .... | producer | |
| David M. Thompson | .... | executive producer | |
| Ronaldo Vasconcellos | .... | line producer | |
Cinematography by | |||
| Alwin H. Kuchler | |||
Film Editing by | |||
| Lucia Zucchetti | |||
Casting by | |||
| Des Hamilton | |||
Production Design by | |||
| Jane Morton | |||
Art Direction by | |||
| Philip Barber | |||
| James David Goldmark | |||
Costume Design by | |||
| Sarah Blenkinsop | |||
Makeup Department | |||
| Trefor Proud | .... | makeup artist | |
| Tania Wanstall | .... | hair stylist | |
| Tania Wanstall | .... | makeup artist | |
Production Management | |||
| Alex Sutherland | .... | production manager | |
Art Department | |||
| Kirsty Anderson | .... | art department assistant | |
| Peter Ashwin | .... | property master: Spain | |
| Carrie Bond | .... | art department assistant | |
| Charles Brooke | .... | stand-by props: Spain | |
| Ursula Cleary | .... | stand-by art director | |
| Linda Doyle | .... | art department assistant | |
| Jim Elliott | .... | property master | |
| Richard Gommersall | .... | props buyer: Spain | |
| Andrea Matheson | .... | assistant art director | |
| Tom McEwen | .... | dressing props: UK | |
| Matt Mooney | .... | dressing props: UK | |
| Paulo Torres | .... | construction manager (as Paulo A. Torres) | |
| Kem White | .... | art department assistant | |
| Damien Williams | .... | stand-by construction | |
| Rhona Wilson | .... | stand-by props: UK | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| James Andrews | .... | adr editor | |
| James Andrews | .... | adr mixer | |
| Owen Bleasdale | .... | foley assistant | |
| Paul Davies | .... | sound designer | |
| Richard Flynn | .... | sound | |
| Robin Green | .... | additional boom operator | |
| Alex Hudd | .... | sound consultant: dolby | |
| Martin Ireland | .... | sound trainee | |
| Melissa Lake | .... | foley artist | |
| Andy Moffat | .... | boom operator | |
| Gerard Roche | .... | adr mixer | |
| Steve Schwalbe | .... | dialogue editor | |
| Barnaby Smyth | .... | foley editor (as Barnaby Smythe) | |
| Barnaby Smyth | .... | foley recordist (as Barnaby Smythe) | |
| Andrew Stirk | .... | assistant sound re-recording mixer | |
| Jason Swanscott | .... | foley artist | |
| Stuart Wilson | .... | sound recordist: second unit | |
Visual Effects by | |||
| Simon Frame | .... | visual effects supervisor | |
| Gruff Owen | .... | digital compositor | |
Stunts | |||
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Ackland | .... | clapper loader | |
| Nick Barrett | .... | camera operator: EPK | |
| David Bourke | .... | electrician | |
| Simon Bray | .... | Steadicam operator | |
| Lewis Buchan | .... | additional focus puller | |
| Gautier Deblonde | .... | still photographer | |
| Matthew Dowlar | .... | electrician | |
| Robin Earle | .... | stand-by rigger | |
| Mark Hutchings | .... | rigging gaffer | |
| Clive Johnson | .... | electrician | |
| Alison Lai | .... | camera trainee | |
| Andy Long | .... | gaffer | |
| Andrew Moorhead | .... | company grip (as Andy Moorhead) | |
| Ronan Murphy | .... | additional grip | |
| Jay Jay Odedra | .... | focus puller (as Jay Odedra) | |
| Andy Ormesher | .... | stand-by rigger | |
| Tony Sankey | .... | key grip | |
| Sky Sharrock | .... | additional clapper loader | |
| Jamie Summers | .... | electrician | |
| Thomas Townend | .... | camera operator | |
| Thomas Townend | .... | director of photography: second unit | |
| David Wall | .... | electrician | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Zeynep Santiroglu | .... | casting: Spain | |
Costume and Wardrobe Department | |||
| Vivienne Jones | .... | wardrobe supervisor | |
| Penny Keeling | .... | wardrobe assistant | |
Editorial Department | |||
| Pani Ahmadi-Moore | .... | first assistant editor | |
| Mike Fraser | .... | negative cutter | |
| Alec Gibson | .... | color grader | |
| Jaimie Perritt | .... | editor trainee | |
Music Department | |||
| Maggie Bazin | .... | music supervisor | |
| Andrew Cannon | .... | music supervisor | |
Thanks | |||
| James Wilson | .... | thanks | |
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| Midnight Cowboy | My Own Private Idaho | Across the Universe | La hija del caníbal | Die Blechtrommel |
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I purveyed the comments on IMDB before deciding *first* to read the book and then watch the movie. I think this was the right move, and would strongly advise those so inclined to do the same.
So, Samantha Morton may be the greatest silent film actress of the 21st century. Her muteness in "Sweet and Lowdown" and "Minority Report" and now here speaks volumes. Seriously though she took on an extremely difficult character to portray, one whose impenetrability is at her very essence, Ms. Morton made this character seem real.
Real, albeit alien. But then a degree of alienation I think comes with what I perceive as an existential novel and film. Initially in the book, I felt that Alan Warner, the author, was too removed from his main character...across chasms of gender and age.
But as I read the book, and now watch the film...it seems to me that Morvern is a person removed from herself. Many of us fill up our days, our thoughts and such online sites as this with words.
Words....words...words.
Morvern is almost sub-literate, her interaction with publishers in both book and film is thus comical, in a sort of Chauncey Garner mode of just being there. Morvern's character always lived through her senses more than her mind. As did her best "friend" who ultimately remains the happy hedonist.
But Morvern...like the many insects shown onscreen...moves on, not with any necessary destination...she just moves for the sake of moving. I think that this ultimately is the light this film brings. I can see how others cite grief as the focus; both the suicide that impels our story, and the hotel interlude near its crossing raise the spectre of death around Morvern.
However, I see her as more absent than abjectly anguished in both of those pivotal scenes... This is the conundrum of Morvern Callar for me, while I'm attracted to such an existence, the fact that I consider it...means I'm already living more through mind than senses. If she's remote to herself, than that puts me at an even greater distance. I think this was underscored by the soundtrack switching from sound to softened sound to silence throughout.
One word about the soundtrack, where's the Peter Brotzmann? Now that's a sensory overload that shuts off my mind in favor of the senses. I was hoping more of the bands featured in the book would have made it to the film. I thought that the artists listed in the book, typically the heroes of college DJ's and other overthinkers made a remarkable contrast with Morvern's seeming simplicity.
But there's more to her than meets the eye...and...the ear, the tongue, the nose, the skin...just as there's more to this film than others' comments would indicate.
7*/10
* Again I encourage folks read the book and then enjoy the film as a chaser of sorts to flesh it out.