Morvern Callar (2002)

Director:

Lynne Ramsay

Writers:

Liana Dognini (writer)
Lynne Ramsay (writer)

Release Date:

1 November 2002 (UK)

Genre:

Drama

Plot:

Following her boyfriend's suicide, supermarket clerk Morvern Callar passes off his unpublished novel as her own...

Plot Keywords:

Supermarket | Friend | Money | Supermarket Clerk | Scotland

Awards:

9 wins & 14 nominations

Cast

Samantha Morton	...	Morvern Callar
Kathleen McDermott	...	Lanna
Linda McGuire	...	Vanessa
Ruby Milton	...	Couris Jean
Dolly Wells	...	Susan
Dan Cadan	...	Dazzer
Carolyn Calder	...	Sheila Tequila
Raife Patrick Burchell	...	Boy in Room 1022
Steve Cardwell	...	Welcoming Courier
Bryan Dick	...	Guy with Hat's Mate
El Carrette	...	Gypsy Taxi Driver
Andrew Flanagan	...	Overdose
Des Hamilton	...	Him
Mette Karlsvik	...	Sick Girl / Bikini Girl
Andrew Knowles	...	Green Boy #1

MPAA:

Rated R for sexuality, nudity, language and some disturbing images.

Runtime:

97 min

Country:

UK

Language:

English | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:16 | New Zealand:R16 | Argentina:13 | Australia:M | Finland:K-15 | France:U | Japan:R-15 | Netherlands:16 | Norway:15 | Sweden:11 | UK:15 | USA:R | Hong Kong:IIB

Filming Locations:

Almería, Andalucía, Spain

Company:

Company Pictures

Goofs:

Crew or equipment visible: When Morvern and Lana walk down the Spanish desert road, Morvern turns around in two shots, revealing the wireless mike in the back pocket of her jeans.

Quotes:

Lanna: Where are we going?
Morvern Callar: Somewhere beautiful.

Movie Connections:

References Ms. 45 (1981)

Soundtrack:

Cool in the Pool

Less Morvern Caller, more Lynne Ramsay

I haven't read the book of 'Morvern Callar', but I have read a couple of other works by Alan Warner, both of which where distinguished by their spiky characters and irreverent tone. This film, however, is made by Lynne Ramsay, whose first work was 'Ratcatcher', a move both astonishingly affecting and almost unwatchable. In 'Morvern Callar', she opts for a similarly intense style. Ramsay is a master of certain cinematic tricks, which she uses with more skill than discretion: frequent cutting (both within and between scenes) and the use of fragmentary, non-explanatory dialogue. She succeeds in conveying a sense of alienation and a semi-documentary feel, but there's no relief, no variation in mood at any point in the film. Samantha Morton (too old for the role and, crucially, not Scottish) plays Morvern as a kind of semi-moron; and yet their are times when the film seems also to be presenting her as a deep and knowing soul, a not altogether happy conjunction. Also worthy of criticism is the peculiar soundtrack: the songs we hear just don't sound like what we would expect a girl like Morvern to listen to, feeling instead like a heavy handed attempt by the director to set the scene from the outside.

Perhaps I am being too hard on the film because it wasn't what I expected from my knowledge of the writer. Once I got over this, I did quite enjoy it, many individual scenes are very nicely crafted, and the loose, drifting plot has its own appeal. But it feels more as if it was based on a short story than a novel, and Ramsay's determination to show Morvern as a victim (it's never clear of what) strips it of its potentially comic dimensions and leaves us with a thin outline trying too hard to assert its own significance. An interesting film, but one that appears to have lost sight of its purpose.