Chicago (2002)

User Rating:

7.2/10   

Director:

Rob Marshall

Writers (WGA):

Bill Condon (screenplay)
Bob Fosse (book) ...

Release Date:

24 January 2003 (USA)

Genre:

Comedy | Crime | Drama | Musical

Tagline:

With the right song and dance, you can get away with murder.

Plot:

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Plot Keywords:

Murder | Fame | 1920s | Jail | Vaudeville

Awards:

Won 6 Oscars. Another 34 wins & 54 nominations

Cast

Taye Diggs	...	Bandleader
Renée Zellweger	...	Roxie Hart
Cliff Saunders	...	Stage Manager
Catherine Zeta-Jones	...	Velma Kelly
Richard Gere	...	Billy Flynn
Queen Latifah	...	Matron Mama Morton
John C. Reilly	...	Amos Hart
Dominic West	...	Fred Casely
Christine Baranski	...	Mary Sunshine
Jayne Eastwood	...	Mrs. Borusewicz
Bruce Beaton	...	Police Photographer
Roman Podhora	...	Sergeant Fogarty
Colm Feore	...	Harrison
Rob Smith	...	Newspaper Photographer
Sean Wayne Doyle	...	Reporter

Also Known As:

Chicago (Germany)
Chicago: The Musical (USA) (working title)

MPAA:

Rated PG-13 for sexual content and dialogue, violence and thematic elements.

Runtime:

113 min | Turkey:80 min (TV version)

Country:

USA | Germany

Language:

English | Hungarian

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:PG-13 (certificate #39516) | Netherlands:MG6 | Iceland:12 | Australia:M | Canada:14A (Alberta/British Columbia) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PG (Manitoba/Nova Scotia) | Hong Kong:IIA | Singapore:M18 (re-rating) | South Korea:15 | France:U | Brazil:12 | Portugal:M/12 | Finland:K-11 | Germany:12 | Philippines:PG-13 | Singapore:PG (cut) | UK:12A (original rating) | UK:12 (video rating) (2003) | Greece:K-13

Filming Locations:

Chicago, Illinois, USA

Company:

Miramax Films

Trivia:

The 1975 stage musical was itself an adaptation of a 1926 non-musical play. That version opened at the Music Box Theatre in New York December 30, 1926 and ran for 172 performances. The opening night cast included Francine Larrimore as Roxie Hart, Juliette Crosby as Velma Kelly, Edward Ellis as Billy Flynn, Charles Halton as Amos Hart and Robert Barrat, Charles Bickford and Ferike Boros.

Goofs:

Miscellaneous: During the scene "I can't do it alone" there is one shot where Velma cartwheels over the chair, and we can see Roxie looking straight at her. But in the very next shot, Roxie is looking down at a paper, and just giving Velma a small glance with one eye.

Quotes:

Roxie Hart: [singing] Oh yes, oh yes, oh yes we both, oh yes we both, oh yes we both reached for the gun, the gun, the gun, the gun. Oh, yes, we both reached for the gun, for the gun.

Movie Connections:

Referenced in "HBO First Look: The Making of 'Dreamgirls' (#13.23)" (2006)

Soundtrack:

When You're Good to Mama

Wicked & Saucy ..... & Oh So Very Naughty......

Having just seen "Chicago", I must say I was very impress. Kudos to all involved. Rob Marshall has done a fine job in adapting this beloved musical to the big screen (not an easy task), and considering the fact that this is his first big-budget feature, his accomplishment is even more resounding.

The movie follows the lives of two women, living in the tough city of "Chicago" in the 1920's. Velma Kelly (played by Catherine Zeta Jones) is a sexy stage performer, who finds herself thrown into prison after a fit of rage results in the death of both her husband and her sister who have been carry on an illict affair with each other. The other lady in question is wannabe starlet Roxie Hart (played by Renee Zellweger), a married woman, who after being seduced and duped by her devious lover, get revenge on him by shooting him dead. This act of vengeance also see's her taking a trip to prison, and it's here that a battle of one-up-man-ship commences between the two ladies, as both use whatever means at their disposal to get (a) out of jail and (b) gain the most publicity doing it. The connecting factor between Velma & Roxie comes in the form of an unscrupulous high profile defense attorney Billy Flynn (played by Richard Gere), who also knowing when to take advantage of an opportunity, becomes counsel for both women and their respective cases.

"Chicago" is fortunate enough to have several things going for it. Aside from strong direction from Rob Marshall, the film is blessed with memorable performances from it's three leads. Catherine Zeta Jones oozes a vampish nature to her portrayal of Velma Kelly. Looking every inch the star, she commands a strong presence in the film, and appears right at home handling both the singing and dancing aspects of the role with ease and class, not to mention a high degree of sexiness. Richard Gere also plays his part in the movie with aplomb. Despite his questionable tactics and somewhat dubious nature, Gere lends a roguish charm to his character which has you walking away if not liking then at the very least admiring his character's quick skill and cunning guile. Gere is also a strong performer in the areas of singing and dancing (much to my surprise!!). However, it's Renee Zellweger who takes centre-stage in "Chicago" - and boy, does she relish every moment of it. She is without doubt, the "star performer" of this film. With sly nods to past "blonde bombshells" such as Jean Harlow & Marilyn Munroe, Zellweger runs the gauntlet of high and lows that require of her character. From demure & sweet, to sly & munipulative, you never know what she gonna do next. And as with Zeta-Jones & Gere, Zellweger also does justice when it comes to belting out a tune, or doing the hot step.

Our three principals are lucky to have an equally talented supporting cast to back them up. From John C Reilly as the down-trodden husband of Roxie Hart, to Queen Latifah as the "larger-than-life" matron of a women's prison, everyone in this film is right on the mark with their performances. Yet at the heart of any good musical, is of course the musical numbers, and in this respect "Chicago" does not disappoint.

From the opening heat of "All That Jazz", to the saltry "When You're Good To Mama", through to the electric "Cellblock Tango", onto the wistful "Roxie", then to the playful kitsch of "Razzle Dazzle" to the all-out "Finale" featuring Velma & Roxie, "Chicago" scores big-time. The choreography, costume & set designs are all terrific, giving the film the look and feel it's rightly deserves.

With the high-profile success of "Moulin Rogue" in 2001, "Chicago" is likely to follow in the same footsteps, and hopefully this will continue a trend in Hollywood to bring back "the musical" - with the same love & attention that has obviously gone into making "Chicago". I highly recommend this film. You're guaranteed a enjoyable & entertaining night at the movies..... with a smile on your dial, a tune in your head, and a spring in your step ....... go and treat yourself ..... you know you want to.......