| Photos (see all 81 | slideshow) | Videos (see all 8 NEW) |
| Julianne Moore | ... | Cathy Whitaker | |
| Dennis Quaid | ... | Frank Whitaker | |
| Dennis Haysbert | ... | Raymond Deagan | |
| Patricia Clarkson | ... | Eleanor Fine | |
| Viola Davis | ... | Sybil | |
| James Rebhorn | ... | Dr. Bowman | |
| Bette Henritze | ... | Mrs. Leacock | |
| Michael Gaston | ... | Stan Fine | |
| Ryan Ward | ... | David Whitaker | |
| Lindsay Andretta | ... | Janice Whitaker | |
| Jordan Puryear | ... | Sarah Deagan | |
| Kyle Timothy Smith | ... | Billy Hutchinson (as Kyle Smyth) | |
| Celia Weston | ... | Mona Lauder | |
| Barbara Garrick | ... | Doreen | |
| Olivia Birkelund | ... | Nancy | |
| Stevie Ray Dallimore | ... | Dick Dawson | |
| Mylika Davis | ... | Esther | |
| Jason Franklin | ... | Photographer | |
| Gregory Marlow | ... | Reginald Carter | |
| C.C. Loveheart | ... | Marlene | |
| June Squibb | ... | Elderly Woman | |
| Laurent Giroux | ... | Man with Mustache | |
| Alex Santoriello | ... | Spanish Bartender | |
| Matt Malloy | ... | Red Faced Man | |
| J.B. Adams | ... | Farnsworth | |
| Kevin Carrigan | ... | Soda Jerk | |
| Chance Kelly | ... | Tallman | |
| Declan Baldwin | ... | Officer #1 | |
| Brian Delate | ... | Officer #2 | |
| Pamela Evans | ... | Kitty | |
| Joe Holt | ... | Hotel Waiter | |
| Ben Moss | ... | Hutch's Friend | |
| Susan Willis | ... | Receptionist | |
| Karl Schroeder | ... | Conductor | |
| Lance Olds | ... | Bail Clerk | |
| Johnathan McClain | ... | Staff Member #1 | |
| Nicholas Joy | ... | Blond Boy | |
| Virl Andrick | ... | Blond Boy's Father | |
| Jezabel Montero | ... | Hooker (as Jezebel Montero) | |
| Geraldine Bartlett | ... | Woman at Party | |
| Ernest Rayford III | ... | Glaring Man | |
| Duane McLaughlin | ... | Jake | |
| Betsy Aidem | ... | Pool Mother | |
| Mary Anna Klindtworth | ... | Pool Daughter | |
| Ted Neustadt | ... | Ron | |
| Thomas Torres | ... | Band Leader | |
| Blondell Cooper | ... | Hostess | |
| rest of cast listed alphabetically: | |||
| Fabrizio Fante | ... | Hartford Commuter (uncredited) | |
| Ben Hauck | ... | Refreshments Boy (uncredited) | |
| Michael Linstroth | ... | Kenny's Brother (uncredited) | |
| Sarah Beth Nelson | ... | Box Office Ticket Seller (uncredited) | |
| John H. Tobin | ... | Hartford Art Buyer (uncredited) | |
| Kristen Vermilyea | ... | New Year's Eve Party Goer (uncredited) | |
| Jennifer Weedon | ... | Kissing Girl (uncredited) | |
Directed by | |||
| Todd Haynes | |||
Writing credits(WGA) | ||
| Todd Haynes | (written by) | |
Produced by | |||
| Declan Baldwin | .... | co-producer | |
| George Clooney | .... | executive producer | |
| Jody Patton | .... | producer | |
| Eric Robison | .... | executive producer | |
| Bradford Simpson | .... | co-producer | |
| John Sloss | .... | executive producer | |
| Steven Soderbergh | .... | executive producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
| Tracy Brimm | .... | executive producer (uncredited) | |
| Diane Cornell | .... | financial line producer (uncredited) | |
| Jean-Charles Levy | .... | associate producer (uncredited) | |
Original Music by | |||
| Elmer Bernstein | (music by) | ||
Cinematography by | |||
| Edward Lachman | (director of photography) | ||
Film Editing by | |||
| James Lyons | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Peter Rogness | |||
Set Decoration by | |||
| Ellen Christiansen | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Alan D'Angerio | .... | key hair stylist | |
| Hildie Ginsberg | .... | makeup artist | |
| Michael Kriston | .... | hair stylist | |
| Elaine L. Offers | .... | makeup supervisor (as Elaine Offers) | |
| Mary Cooke | .... | hair stylist (uncredited) | |
| Eva Polywka | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Brad Goodman | .... | post-production supervisor | |
| Scott Koenig | .... | production manager | |
| Katie Roumel | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Timothy Bird | .... | first assistant director | |
| Kristal D. Moseley | .... | second second assistant director | |
| Peter Thorell | .... | second assistant director | |
Art Department | |||
| Derrick Alford | .... | shop craft | |
| JoAnn Atwood | .... | on-set dresser | |
| Robert Barnett | .... | camera scenic | |
| Eric Bart | .... | journeyman | |
| James Boniece | .... | best boy construction grip | |
| Douglas Bowen | .... | shop craft (as Douglas M. Bowen) | |
| Paul Candrilli | .... | construction grip | |
| Ralph Contrado | .... | journeyman | |
| Michele Corn | .... | journeyman (as Michele Corn Farrell) | |
| Eva P. Davy | .... | journeyman (as Eva Davy) | |
| Rena DeAngelo | .... | assistant set decorator | |
| Alex DiGerlando | .... | art department production assistant (as Alex Digerlando) | |
| Paul George Divone | .... | shop craft (as Paul Divone) | |
| James Donahue | .... | journeyman | |
| Bridget Drummond | .... | construction tracker | |
| Marcial Garlitos | .... | shop craft | |
| Alison Gilham | .... | journeyman | |
| Harvey Goldberg | .... | set dresser foreman | |
| Charles Goodman | .... | construction grip | |
| Jonathan Graham | .... | key construction grip | |
| Roman Greller | .... | set dresser | |
| Tom Grunke | .... | construction grip | |
| Sandy Hamilton | .... | property master | |
| Joanna Hartell | .... | set dresser | |
| James Hoff | .... | journeyman | |
| Dana Hook | .... | best boy construction grip (as Dana S. Hook) | |
| Bruno Jakob | .... | paintings by | |
| Janet Kalas | .... | journeyman | |
| Henry Kaplan | .... | set dresser | |
| Brad Katz | .... | paintings by | |
| Lisa Kennedy | .... | journeyman | |
| Myron Kerstein | .... | paintings by | |
| Claire Kirk | .... | art department coordinator | |
| Morton Korn | .... | construction grip | |
| Gordon Krause | .... | key shop craft | |
| Rob Landoll | .... | shop scenic (as Robert Landoll) | |
| Roger Lang | .... | shop craft | |
| Steven E. Lawler | .... | shop craft (as Steven A. Lawler) | |
| Elizabeth Linn | .... | charge scenic | |
| Jeff Lomaglio | .... | shop craft | |
| Michael Loonam | .... | shop production assistant | |
| Miguel López-Castillo | .... | assistant art director (as Miguel Lopez-Castillo) | |
| James Maiello | .... | shop craft | |
| Timothy Main | .... | shop craft (as Tim Main) | |
| Jeffrey D. McDonald | .... | assistant art director (as Jeff McDonald) | |
| Michael A. McFadden | .... | construction grip (as Michael McFadden) | |
| Timothy Metzger | .... | leadman (as Tim Metzger) | |
| Nick Miller | .... | construction coordinator | |
| Ronald Miller | .... | shop craft | |
| Kris Moran | .... | assistant property master | |
| Don Nace | .... | scenic foreman | |
| Quang Nguyen | .... | journeyman | |
| Mel Noped | .... | construction grip (as Melvin Noped) | |
| Michael O'Dell Green | .... | journeyman (as Michael D. Green) | |
| Janine Pesce | .... | set dresser | |
| Romano C. Pugliese | .... | greensperson (as Romano Pugliese) | |
| Charles Quinlivan | .... | construction grip | |
| Paul Ramirez | .... | shop scenic | |
| Malcolm Reid | .... | shop craft | |
| Lawrence Robinson | .... | journeyman | |
| James Sadek | .... | shop craft | |
| Johnny Santiago | .... | construction grip | |
| Will Scheck | .... | first greensperson | |
| Elaine Schindler | .... | journeyman | |
| Mark Paul Selemon | .... | second greensperson (as Mark Selemon) | |
| Richard A. Sirico | .... | shop craft | |
| Jennifer Snoeyink | .... | journeyman (as Jennifer Snoeyink-Moskowitz) | |
| Beth Solin | .... | journeyman | |
| Jonathan Swain | .... | greensperson | |
| Robert Vaccariello | .... | shop craft (as Robert A. Vaccariello) | |
| Holly Watson | .... | graphics | |
| Thomas White | .... | shop craft | |
| Anthony Baldasare | .... | set dresser (uncredited) | |
| Paul Camarro | .... | set dresser (uncredited) | |
| Brent Godek | .... | set dresser (uncredited) | |
Sound Department | |||
| Kelley Baker | .... | supervising sound editor | |
| David Boulton | .... | adr mixer | |
| Robert Carr | .... | mix recordist | |
| David A. Cohen | .... | dialogue editor | |
| Michael 'Gonzo' Gandsey | .... | sound editor | |
| Marshall Garlington | .... | re-recording mixer | |
| Jeanne Gilliland | .... | boom operator (as Jeanne L. Gilliland) | |
| Amy Hammer | .... | operations: Wilshire Stages | |
| Drew Kunin | .... | production sound mixer | |
| Marnie Moore | .... | foley artist | |
| Richard Moore | .... | sound editor | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Andy Peach | .... | mix recordist (as Andrew Peach) | |
| Frank Rinella | .... | foley mixer (as Frank Renella) | |
| Paul Rodriguez | .... | operations: Wilshire Stages | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Concha Solano | .... | first assistant sound editor | |
| Eric Thompson | .... | adr mixer | |
| Lesly Verduin | .... | apprentice sound editor | |
| Joe White | .... | boom operator (as Joseph White Jr.) | |
| James Willetts | .... | foley recordist | |
| Patrick Winters | .... | adr and foley editor | |
| James Wright | .... | consultant: Dolby Sound (as Jim Wright) | |
| Peter Appleton | .... | adr supervisor (uncredited) | |
| Chris Navarro | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Michael Bird | .... | special effects assistant | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Thomas Viviano | .... | special effects assistant (as Thomas L. Viviano) | |
Visual Effects by | |||
| Shaina Holmes | .... | digital compositor (uncredited) | |
| Laurie Powers | .... | digital compositor (uncredited) | |
| Mark Sawicki | .... | optical camera (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
Casting Department | |||
| Krista Bogetich | .... | casting assistant | |
| Karen E. Etcoff | .... | extras casting: Kee Casting (as Karen Etcoff) | |
| Bill Tripician | .... | extras casting assistant | |
| Ali Farrell | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Jill E. Anderson | .... | set costumer | |
| David Davenport | .... | wardrobe supervisor | |
| Patricia Eiben | .... | costumer | |
| Joni M. Huth | .... | tailor | |
| Jessica Jahn | .... | costume assistant | |
| Dain I. Kalas | .... | tailor (as Dain Kalas) | |
| Cheryl Kilbourne-Kimpton | .... | set costumer | |
| Mary Jo McGrath | .... | costume coordinator (as M. J. McGrath) | |
| Lisa Padovani | .... | assistant costume designer | |
| Barbara Presar | .... | costumer | |
| Tom Soluri | .... | set costumer | |
| Thomas Stokes | .... | costumer (as Tom Stokes) | |
| Susan J. Wright | .... | wardrobe supervisor | |
| Stephanie Biear | .... | seamstress (uncredited) | |
| John Cowell | .... | head costume painter (uncredited) | |
| Addie Hall | .... | costumer (uncredited) | |
Editorial Department | |||
| Jack Baierlein | .... | colorist: video dailies | |
| Kiersten Harter | .... | second assistant editor | |
| Elizabeth Merrick | .... | editorial production assistant | |
| Veronica Vichit-Vadakan | .... | apprentice editor | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Shelly Westerman | .... | associate editor | |
| Lee Wimer | .... | color timer | |
| Joe Finley | .... | digital colorist (uncredited) | |
Music Department | |||
| Emilie A. Bernstein | .... | orchestrator | |
| Joanie Diener | .... | music editor | |
| Nathan Kaproff | .... | music contractor | |
| Joe Lisanti | .... | music editor | |
| Cynthia Millar | .... | musician: piano solos | |
| Patrick Russ | .... | assistant orchestrator | |
| Carl Sealove | .... | assistant music editor | |
| Dan Wallin | .... | scoring engineer | |
| Warren Sherk | .... | music preparation (uncredited) | |
Transportation Department | |||
| Tommy Allen | .... | period vehicle coordinator (as Thomas C. Allen) | |
| Robert Buckman | .... | transportation co-captain | |
| Timothy P. Cassella | .... | driver | |
| Richard Clark | .... | driver | |
| Louis Ferrajoli | .... | driver (as Louis Ferraioli) | |
| William R. Hilt | .... | driver | |
| Michael Hyde | .... | transportation captain | |
| William J. Junior | .... | driver | |
| Peter Krienbihl | .... | driver (as Peter A. Kreinbihl) | |
| Salvatore R. Maffei | .... | driver | |
| Robert 'Bull' Maher | .... | driver (as Robert Maher) | |
| Jimmy Mahr | .... | driver (as James Mahr) | |
| Edward Meyers | .... | driver (as Edward Myers) | |
| Michael B. Russell | .... | driver (as Michael Russell) | |
Other crew | |||
| Ethan Anderson | .... | craft service | |
| Anita Boudreaux | .... | assistant post-production accountant | |
| Paul Brennan | .... | legal services: Sloss Law Office (as Paul Brennan Esq.) | |
| Rich Cairns | .... | production office intern | |
| Cheyanne M. Casey | .... | production office intern | |
| David Chambers | .... | location production assistant | |
| Kevin Chisolm | .... | stand-in | |
| Mike Currie | .... | set production assistant | |
| Mark Dornfeld | .... | titles and opticals: Custom Film Effects | |
| Deb Dyer | .... | production accountant | |
| Lisa Edmondson | .... | assistant: Mr. Bernstein | |
| Missy Eustermann | .... | post-production accountant | |
| Lindsay Feldman | .... | set intern | |
| Katie Feola | .... | set intern | |
| J. Eric Fisher | .... | office production assistant | |
| Daniel Garrison | .... | set intern | |
| Jennifer Gaylord | .... | legal services: Sloss Law Office (as Jennifer Gaylord Esq.) | |
| Rhonda George | .... | assistant production coordinator | |
| Dave Glew | .... | key production assistant | |
| Reshma Gopaldas | .... | assistant: Ms. Moore | |
| Kenda Greenwood | .... | production office intern | |
| Don Hansard | .... | process projection (as Don Hansard Jr.) | |
| Don Hansard | .... | rear screen projection (as Don Hansard Jr.) | |
| Bill Hansard Jr. | .... | process projection (as William G. Hansard) | |
| Bill Hansard Jr. | .... | rear screen projection (as William G. Hansard) | |
| Jocelyn Hayes | .... | creative executive: Killer Films | |
| Jeff Hill | .... | publicist | |
| Beau Holden | .... | assistant: Mr. Quaid | |
| Jesse Hove | .... | location production assistant | |
| Sebastian Ischer | .... | set intern | |
| Thomas Johnston | .... | script supervisor | |
| Sherman Kaplan | .... | immigration attorney (as Sherman I. Kaplan) | |
| Eva Karlicki | .... | cleaning services | |
| Louis Katz | .... | production physician (as Louis Katz MD) | |
| Diedre Kilgore | .... | stand-in | |
| Vince Klein | .... | stand-in | |
| Ryan Lakenan | .... | office production assistant | |
| Christine Leaman | .... | location assistant | |
| Yana Collins Lehman | .... | legal services: Sloss Law Office (as Yana Collins) | |
| Erica Levy | .... | set production assistant | |
| Ana Lombardo | .... | location coordinator | |
| Lisa Madden | .... | accounting clerk (as Lisa Marie Madden) | |
| Anabel Manchester | .... | location intern | |
| Keira March | .... | first assistant accountant | |
| Jon Marcus | .... | production executive: Killer Films | |
| Marlene McCarty | .... | title design: Bureau | |
| Raynelle Irene Mensah | .... | film runner (as Raynelle Mensah) | |
| Kellie Morrison | .... | assistant location manager | |
| Kip Myers | .... | location assistant | |
| Raymond L. Negron | .... | set intern (as Ray Negron) | |
| Zerlina Oppenheim | .... | set intern | |
| Macall B. Polay | .... | payroll accountant | |
| Joaquin Diego Prange | .... | location assistant | |
| Jonathan Raymond | .... | assistant: Mr. Haynes (as Slats Grobnik) | |
| Mike S. Ryan | .... | location manager | |
| Kieran Shea | .... | location scout | |
| Susan Shin George | .... | titles and opticals: Custom Film Effects | |
| Nicola Silverstone | .... | administrator: Square One | |
| Tanya Smith | .... | assistant: Mr. Haynes (as Checkers Smith) | |
| Karen Koula Sossiadis | .... | production coordinator (as Koula Sossiadis) | |
| Katina Sossiadis | .... | production secretary | |
| Brett Spiegel | .... | production office intern | |
| Susan J. Spohr | .... | liaison: CFI (as Susan Spohr) | |
| Debbie Stampfle | .... | set production assistant | |
| Jennifer Stefanon | .... | film runner | |
| Conrad Tamayo | .... | production office intern (as Conrad L. Tamayo) | |
| April Taylor | .... | location assistant | |
| Edward Tejada | .... | parking coordinator | |
| Ginger Thatcher | .... | choreographer | |
| Jay Van Hoy | .... | office manager | |
| Joe Violante | .... | dailies processing: Technicolor (as Joey Violante) | |
| Sheri von Seeburg | .... | researcher (as Sheri Von Seeberg) | |
| Daniel Wagner | .... | assistant: Ms. Vachon | |
| Derek Wimble | .... | set production assistant | |
| Daniel Winchester | .... | film runner | |
| Annie Young Frisbie | .... | product placement (as Annie Young) | |
| Vikas Bandhu | .... | production assistant (uncredited) | |
| Travis William Blue | .... | office intern (uncredited) | |
| Michael J. Cargill | .... | production assistant (uncredited) | |
| Rebecca Ewing | .... | production assistant (uncredited) | |
| Randy Manion | .... | location scout (uncredited) | |
| Raynelle Irene Mensah | .... | office production assistant (uncredited) | |
| Guillaume Renberg | .... | remote head technician (uncredited) | |
| Vicki Dee Rock | .... | production executive (uncredited) | |
| Eugene Stamos | .... | craft service (uncredited) | |
Thanks | |||
| Dan Frazier | .... | the producers wish to thank | |
| Craig Gering | .... | special thanks | |
| Scott Greenstein | .... | the producers wish to thank | |
| Wendy Haynes | .... | the producers wish to thank | |
| Pamela Koffler | .... | acknowledgement: for Killer Films | |
| Joan McAllister | .... | the producers wish to thank | |
| Phil Morrison | .... | the producers wish to thank | |
| Steven Raphael | .... | special thanks | |
| Noah Reibel | .... | the producers wish to thank | |
| Robin Rosenberg | .... | the producers wish to thank | |
| Katie Roumel | .... | acknowledgement: for Killer Films | |
| Michael Silverman | .... | the producers wish to thank | |
| Joanne Woodward | .... | the producers wish to thank | |
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Julianne Moore and Dennis Quaid effectively inhabit their roles in "Far From Heaven," an engrossing flashback to an affluent northeastern suburb, Hartford CT in 1957-8. Quaid is Frank Whitaker, top sales exec in a company meeting the voracious needs of American consumers for the latest in gadgets and appliances. His wife, Cathy, is so much the high profile model for the typical stay-at-home, support your hubby, take care of the kids mom that she is shadowed by the local gossip reporter and her photographer. She thinks she has the perfect marriage and two terrific if not invariably best behaved kids. Both, however, are too interesting to be mistaken as a large screen resurrection of a 50s sitcom couple.
Cathy can't catch the clue when she bails Frank out of the police station and he mutters angrily about the arresting officers mistaking him for a "loiterer." A loiterer in a neat business suit with a topcoat in Hartford? Only one kind of well-dressed character like that attracted police attention in those days.
Dispensing good cheer everywhere, Cathy decides to bring dinner to her hardworking-at-night husband (no spoiler here, every media review has this part). And what should she find? Frank is in the arms of a man, kissing him actually, clothing in disarray.
Today, a presumably straight spouse or lover being gay, secretly, isn't a taboo subject. It was in Cathy and Frank's time and, in fact, no movie from that period would have touched this subject with a ten-foot boom mike. "An Affair to Remember" was risque enough.
Cathy insists Frank get help and James Rebhorn in a brief role as psychiatrist Dr. Bowman explains the most modern therapeutic approaches to "converting" Frank to exclusive heterosexuality. This was in the days when homosexuality was an official diagnosed mental illness.
In what could have been a familiar variation of the white/black awkward beginnings of friendship seen in Sidney Poitier movies but which in this instance has a refreshing originality, Cathy befriends gardener Raymond Deagan (Dennis Haysbert). An attractive and prominent white woman being seen in public with a black man in the South at this time would have led to probably horrific repercussions. Here we get to see 1950s racist northern suburbia, people who decry Arkansas obduracy (there's a brief shot of President Eisenhower on TV announcing the despatch of the 101st Airborne Division to confront the state's mad governor at Little Rock High School) while dispensing their own venom. No guns, no lynchings, no white sheets - just an insidious degradation of blacks, reducing them to actual invisibility when convenient.
The friendship between Cathy and Raymond is at first tentative and it grows with affecting tenderness. So does the shocked anger of the wealthy gaggle in Frank and Cathy's social circle.
Is Frank cured of his "illness?" Does racial tolerance and respect for diversity seep into Hartford's tony neighborhood? Does everyone live happily ever after? Go see the film. The mid-afternoon packed audience in Manhattan's Lincoln Plaza Cinema broke into applause at the end.
Viola Davies turns in a small but critically important role as the Whitaker's maid, Sybil. Fine acting.
Director Todd Haynes allowed Moore and Quaid to make their roles real, involving, and anguished and funny in turn. Both stars deserve Oscar and Golden Globe nominations.
Rooted in the 50s in many ways, composer Elmer Bernstein turned out a good score, original rather than depending on recognizable tunes from the time. But as is so often the case, at points the score is unduly intrusive where the actors' words and expressions convey all that is necessary, music being an annoyance.
8/10.